January 12th, 2009
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Mixed Media

Mixed Media

 

 

Nick Cave combines free-spirited motion exploratory modern dance with ostentatious sculptural detail to breath new life into contemporary art. In many ways, Nick’s work function within the vein of African art/costuming in the sense that they are intended to be “danced,” and enlivened within the context of performance and dance to illustrate and reflect upon societal mores and the cultural landscape. With references to haute couture, sculpture, performance, African American culture, costume, masquerade and beyond, Nick’s “Sound Suits” defy categorization. Beautiful/Decay recently had the opportunity to interview Nick Cave to discuss his background, inspiration and ideology behind the suits. Nick Cave is currently showing his latest works at Jack Shainman Gallery, until Feb 7, 2009. 

 

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January 12th, 2009
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Abu-Bakarr Mansaray creates futuristic images using an aesthetic similar to blueprints. Engineering plays a large role in these works that lay out a design for space-like machines and hybrid alien-robot figures. His works are intricately constructed with scientific precision and laboring detail combining image and text. While these futuristic prototypes draft the structure of machines and figures, they also reveal an inner narrative of conflict, war, and turmoil. Blueprints are highly neat and organized, yet Mansaray chose to subvert this aesthetic and portray his vision as chaotic, powerful, and in motion as though they have a life of their own.

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January 12th, 2009
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I’m really shocked by how life-like (and well-dressed!) these plaster figures are– what a great art and fashion combo. He also balanced a taxidermied elephant on her trunk, proving something that seems outside the realm of possibility by what we think we know about gravity.

(Photo courtesy Neotorama)

Alright, that’s it for taxidermy! I’ve maxxxed out!

January 12th, 2009
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Digital Design Collective eBoy Discusses their Limited Edition BD Apparel Shirt “Jerk”

The digital design collective eBoy, comprised of Steffen Sauerteig, Svend Smital and Kai Vermehr recently sat down with Beautiful/Decay to answer a few questions about their recent limited edition shirt, “Jerk.” eBoy’s design was one of our most technical cut and sews ever, taking months to produce! Only 250 of these exclusive shirts were produced and are selling out fast- visit our Online Shop to purchase one! 

Read on to garner some of eBoy’s pixellated points of interest and inspiration behind their work and Beautiful/Decay Apparel design.

 

BD: Can you talk a little bit about your design collective and how it got started?

eBoy: We started in 1998 with eboy.com. The concept was to only show our free projects and art. The first feature about eBoy was in a Japanese book, from there the level of awareness for eBoy grew steadily.

 

eBoy design

eBoy design

BD: Can you describe your aesthetic, how you became interested in the pixel-by-pixel look, and what you think it says about the current visual digital climate today?

eBoy: One of our previous projects was a digital picture book series called Ogdig(c)’s, which was distributed on diskettes. It was that project that made us start to work for the screen only and use pixels as the technique of choice. When we went online with eBoy.com it was justnatural to go on using this technique.

eBoy work for Coke

eBoy work for Coke

BD: What are some of your inspirations, whether visual, musical, ideological…?

eBoy: ffffound.com … TV Shows like The Wire, Sopranos …

Example of Northern Irish propaganda Mural

Example of Northern Irish propaganda Mural

BD: What was the inspiration behind creating the Eboy shirt?

eBoy: Northern Irish murals!

 

BD: What was the process like of creating your artwork in a t-shirt form, what were the most enjoyable parts, or most challenging?

eBoy: We were thinking of the T-shirt as a house with awkward window positions.

 

To learn more about eBoy, visit their B/D Artist Profile or the eBoy website.

 

 

January 10th, 2009
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Photographs of beds belonging to lesbians by Tammy Rae Carland.

January 9th, 2009
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“…By focusing on desire retold as science-fiction tableaux, theoretical constructs or fragments of myths, Sæthre taps into our need to translate raw lust into a symbolic language that conforms to socially acceptable mores.”

(via Frieze Magazine)
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January 8th, 2009
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Our friends over at Josh Spear have just written up a sweet review of our new site! Click the image above for real, (virtual) proof & to see it in all its cyber glory. Thanks Josh Spear & co!

January 8th, 2009
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Cute drawings, illustration and prints by Lyndsey Lesh. I like her soft-spoken style and line work. Reminds me of crayons, nostalgia, and children’s illustrations.