There is something very interesting going on in Thomas Struth’s approach to photography. It is incredibly clinical. So crisp and clean that the environment captured within his camera almost appears staged, and yet at the same time more realistic than in reality.
Assume Vivid Astro Focus, an artist collective oozing in an overflow of psychedelic energy, has been making a name for themselves within the art scene since 2001. They have recently published a book that documents six years of their projects, which consists of a combination of multimedia installations and performance art.
I am really enjoying Los Angeles-based artist Adam Tullie’s recent portfolio of drawings. He uses painstakingly intricate mark-making to create simple shapes, hinting at tribal masks. Adam Tullie recently featured his work in San Francisco, I may just have a friend of mine over there pick up a few of his show’s postcards for my wall.
Noah Becker has curated a sweet show of Canadian artists, Six Degrees of Separation, at Claire Oliver. It’s nice to see what’s happening in the Canadian metropolises of Vancouver and Toronto, and the bulk of the artists are from these two cities. The show covers a wide range of approaches, from the pop-optical abstractions of Ben Van Netten to Becker’s own highly detailed ink drawings. Becker’s drawings make a nice metaphor for the artists he selected for the show; he’s making connections and building relationships that go beyond superficial resemblances. Six Degrees will be up until November 13th.