Peter Hoffman’s series about The Bryan House, a unique institution in Aurora, Illinois, where legally established refugees are allowed to reside for periods of a year or more at a time while saving up for a new home, or college tuition, etc. More images after the jump.
Using salvaged plaster lath, the wooden strips embedded in the construction of walls of old houses, Andy Vogt creates two and three dimensional sculptures and installations that explore the structural vernacular of our built environment and how we perceive it. Through the rules and methods of technical drawing and the vantage points of architectural model building Andy pursues concepts of mass, weight and space via material that has little integrity on it’s own.
You only have two days let to get all Beautiful/Decay T-shirts and Beanies for 60% off! This sale includes items already on sale so your combined savings can be up to 80% off! Just use the password “FALLBDSALE” at check out between today and September 28th (midnight PST) and save big!
Jillian Ludwig’s series Fam Farm reflects in a calm, gentle manner the loss of natural farming within westernized culture. Genetic modification, factory farming, as well as deceitful packaging and misguided labeling results in confusion and a disconnection between customer and the source of their food.
The art of Skinner is full of mullets, monsters and metal heads, not to mention the lurkers, samurai and lil’ devils. The self-proclaimed nerd for life takes inspiration from the world of fantasy, giving life to the dreams (or sometimes nightmares) of Slayer fans and Dungeon masters everywhere. The beautifully detailed works combine the aesthetics of street art, comic book illustrations, and something akin to black velvet paintings on acid. Each work has such an immense sense of epicness, it’s hard to not get caught up in the world created. And while many of the paintings and drawings convey infinitely complex scenes that you could look at for hours, Skinner also makes lighter works that are hard not to love, especially when they’re called things like Eternal Jamnation, and have a dark, glowing monster jamming on a guitar, surrounded by bats. It’s the kind of work that just oozes passion, because no one could make images so far from reality without being totally immersed in the process. It’s like a Metalocolypse Halloween episode 365 days a year. But, despite the awesome appearance of his work, Skinner is extremely introspective and self-critical, constantly challenging himself as an artist and working to create something completely innovative. His determination to return to a more childlike inspiration, a time when “it was just raw freedom, there were no expectations, there were no ideas of good or bad it was just being in the moment and trying [his] best to do something that looks good.”