“The visual form of my installation originates in memories of my childhood home—an island in the southern part of Brazil—a serene setting surrounded by the sea, with majestic palm trees and lonely houses scattered along the shore, and crowned by a vibrantly colored sky at dusk. The content is fueled by the writings of Maria Manuela Margarido and Alda do Espirito Santo and personal memories of my country’s political resistance to colonialism. My lifelong social and political awareness began at an early age and, ultimately, found its way into my art in the form of figurative narratives that portray the joy and resilience of the human spirit confronted with social and political hardships. Specific imagery in By the Sea (parrots, coconut palms and the evening sky) was taken from Margarido’s poem Nightfall, which reflects on the disjunction between childhood dreams and adult realities and reminds its readers to dream high.”
Combining his interest in urban culture and art history Karlos Carcamo navigates toward making work that is in constant dialog with each other. Through the use of high and low cultural iconography and art historical references he creates a working space between both cultural identities in which samples could be built upon with new content. The specific subject matter of his work touches on issues related to inner city life while balancing elements that address a broad spectrum of formal issues that engage contemporary art discourse. Creating a vocabulary that speaks of and reflects the world we currently live in today.
Influenced by 21st. century technology like video games, Google earth, Internet, and You-tube, Kenneth Burris drawings become an expression of isolation and sporadic: envisioning apocalyptic tableaux with a future of decadence and decay.
“I began my current body of work to make a broader statement about the basic relationship we have with each other and our world. I have been interested in how closely each creature and object is tied to the next. It occurred to me that this interconnectivity is so unrestrained and natural that most of us are not even aware of how one thing can affect the other.
The way I chose to communicate this idea was to illustrate various situations with the veil lifted. I begin each piece with what is usually an average, everyday scene, familiar to each of our daily lives. Playing the “what if” game, I make adjustments, both small and large, until the final work has developed into something far different from where it started. The process of “connecting the dots” is exceptionally free-flowing and something I enjoy exploring. From afar, my candy-colored pieces may appear strictly lightsome and playful, but upon closer investigation, they reveal that things are not always as they seem.
Working in this manner has provided me an endless number of ideas and stories to cultivate, producing finished works that are both telling and captivating.”
Exploring the gestures and movements of calligraphy, nantes-based artist kaalam (aka julien breton) has created a body of work that uses hand-held light and long-exposure photographic techniques to capture the transient form within a real setting. often utilizing urban or historical sites as his three-dimensional canvas, the self-taught artist creates his own latin-based alphabet that heavily draws from traditional arabic and eastern calligraphy. arresting and provocative, the floating light forms are not mere superimposed subjects but display a direct engagement with the surroundings.
the capturing process, which can take as long as ten minutes, requires a choreographed movement which kaalam practices before hand in heavy repetition. different colours of ‘ink’ is achieved through pigmented gelatin which is applied directly onto the lamps. none of the photographs are retouched or edited, illustrating the laborious process in a single shot.
The human figure is at the forefront of the research and production of the young Korean artist Dongwook Lee. His remodelling of the body is an obsession that had led him over the last few years to breathe life into a new human species, an army of figures characterised by two leitmotifs: Dongwook’s man is always to be found naked and in miniature. On one hand, working on a microscopic level links him up to a long tradition of interest in the skilful rendering of minute details in a small-scale reality; on the other, it reflects a desire to cover up, camouflage or conceal these “figurines” in the backwaters of the most banal normality to which they might instinctively belong. One pokes his head out from the shell of a snail; another cries out desperately from behind a dry twig like a malignant wood spirit; yet another is to be found squashed inside a syringe, as if ready to be injected to another body along with all his dramatic charge. Their nudity seems to reflect the will to do away with the mystification of the human body, to show it without frills, without any indication of social status. It is here that Dongwook would appear to denote a break with the cultural traditions of his origins.
Have you ever wanted to meet tennis legend Roger Federer? Here is your chance. All you have to do is go to the Credit Suisse Facebook page and vote for the best ending of the Roger Federer, Relaxed video. There are four different endings, so watch all of them and vote!
In addition to the meet and greet with Roger Federer, the following runner-up prizes are also available:
• 2nd to 6th prize: A signed Roger Federer cap.
• 7th to 26th prize: A Nike Roger Federer cap (without autograph)
The competition starts on Thursday, October 13 and lasts until midnight (GMT) on Sunday, November 6. It will take place globally. The winner will be picked on Monday, November 7 and notified by email.