In this post, featuring images from the last quarter of 2011, we remember a tumultuous year of change across the globe, the capture of Khadafi, the 10th anniversary of the attacks on the World Trade Center, the passing of Apple icon Steve Jobs, fire, famine, flood and protests. A memorable year, indeed. – Paula Nelson (via Boston Globe)
National Transitional Council fighters fire against Muammar Khadafi troops in the town of Sirte, Oct. 10, 2011, as they move in against the strongman’s remaining diehards. (Aris Messinis/AFP/Getty Images)
These may look like photographs of abandoned buildings but in fact they are photographs of meticulously made dioramas by Lori Nix. Each image is painstakingly created by hand, taking into consideration scale and lighting over the course of seven months. The result is an apocalyptic vision of the world where everything has fallen apart, decayed, and is slowly returning back to nature.
Bill McRight, of Philly powerhouse Space 1026, employs gnarly printmaking skills in the creation of images not confined to a place in time. In McRight’s work, Garish figures sans-pupils populate a stark environment of violence, movement, and open mouths containing sharp teeth. But it all looks so good that the reaction of the viewer is inclined toward pleasure rather than pain.
Edie Fake resides in Chicago. In his work with zines, comics, and illustration, he applies a unique sense of design to playful postmodern compositions, and creates original musings on eroticism with subtle, deft penwork. He recently received a book grant from Printed Matter in NYC. He does pretty rad tattoos as well.
Andrew Riggins Seamstress collage series deconstructs figures from porn magazines into contorted and grotesque body forms questioning notions of beauty, pornography, and body enhancement.
We’ve all used hundreds of pencils in our lives since we were kids. Jennifer Maestre uses pencils too, but not the way most of us do, or even the ways most artists do. These imaginative creatures use pencils to showcase the contrast between lifelike forms and industrially produced materials. They were inspired by the texture of the sea urchin, which she has been exploring in many materials for several years.
Beautiful/Decay and Mr. Chiizu would like to thank all of you who entered our giveway. We wish we could give away products to all of you but in the end only one lucky person made the cut! A big round of congratulations to our winner Irit Caspi who won our Skwak prize pack complete with a B/D Skwak shirt, artist print, and a copy of our Archive book!
I don’t know much about Irkus M. Zeberio, but his work caught my eye as I was tumbling through this. Directly pasted, his bio states, “Irkus M. Zeberio born in Donostia-San Sebastian, down by the Pyrenees near the Atlatinc Ocean at the land of the Basques . I came to Barcelona nine years ago. As the years went by I became an illustrator by a mutation process of my cells.” Besides being intrigued by his inclination to use the landscape format over the portrait format, I’ve always been fond of the stringy word balloon, which he uses very effectively, wrapping his drawings tightly in words. Additionally, simple color palettes on top of scratchy lines can never be wrong. Basque in it…