Guy Laramee delicately cuts caverns through the centers of books. He carves the pages away to reveal caves that seem to be ready to be explored. His work explores the insides of books in a very literal way. Indeed, Laramee’s sculptures in way recall the plot of a classic: Journey to the Center of the Earth. And, in fact, Laramee mentions this book in his statement on the series. He says:
“Like in Jules Verne’s “Journey to the Center of the Earth”, we seem to be chained to this quest. We “have to” know what lies inside things. But in doing so, we bury ourselves in the “about-ness” of our productions – language, function, etc- all things “about” other things.”
You do remember electronic duo Matmos, don’t you? They’re the DJ’s that worked with Björk on Vespertine and also toured with her around the world, that’s how I first heard of them anyway. Well, they just released a new album, The Marriage of True Minds on Thrill Jockey earlier this week and from their press release it looks like it could be something very special.
“The Marriage Of True Minds is Matmos’ first new full-length album in five years and follows 2012’s The Ganzfeld EP, which was the culmination of four years of parapsychological experiments based on the Ganzfeld (“total field”) experiment. Test subjects were put into a state of sensory deprivation by covering their eyes and listening to white noise on headphones, and then Matmos member Drew Daniel attempted to transmit “the concept of the new Matmos record” directly into their minds. The resulting transcripts of the videotaped psychic experiments became poetic and conceptual scores used by Matmos to generate the nine songs on this album, which prominently features vocalists and voices for the first time in Matmos’ work. Guest musicians include Dan Deacon, Dominique Leone, DJ Dog Dick, Leslie Weiner and Holger Hiller (Palais Schaumberg), Jason Willett (Half Japanese), Angel Deradoorian, Jenn Wasner (Wye Oak) and more.”
See what I mean? The whole project sounds incredible and they’re currently on tour in the U.S. with only a handful of shows left, including a date at Public Works in San Francisco on Sunday, February 24th and a show at the Masonic Lodge at the Hollywood Forever Cemetery on Monday, February 25th. The last two shows before heading to Europe in March are at The ND in Austin, TX on February 28th and Zanzabar in Louisville, KY on March 2nd.
Check out their amazing version of the Buzzcocks‘ ESP that was shot live at Thrill Jockey’s 20th Anniversary show last September in Baltimore where they are currently based. This should cement the idea of seeing one of their upcoming shows.
Need to brighten your day? Get ready. This is a stop motion music video from animation duo Katarzyna Kijek and Przemysław Adamski for Japanese singer-songwriter Shugo Tokumaru. Inspired by an everlasting chain of memories, It features a continuous parade of about 2000 silhouettes extracted from PVC plates set to Tokumaru’s quirky track Katachi (which means “shape” in Japanese). Really. I dare you to be sad after watching this.
The slick site specific installations of Megan Geckler beam and bounce of walls like lasers. Her installations’ ultra clean geometric forms and bright colors nearly hide the personal quality to the work. The plastic rays are actually made of flagging tape – the kind you find just off the sidewalk typically used by surveyors. Her installations intentionally bounce between art and design, industrial and hand made, cold and personal. Also, just as her work shifts conceptually, it also shifts in shape from angle to angle. Strands at one angle interact with strands at other angles as a viewer moves through the space. [via]
The intentional glitchiness of the photography of Federico Ferrari is at once familiar and surprising. This series appears to be still life photography interrupted by a scanner malfunction. A section of each image is dragged across the plane reducing it to simple lines of color. Small pieces of photographs are severely exaggerated in size. It abstracts otherwise benign photographs and plays with the viewer’s perception of a simple scene scene.
Jane Masters lives and works in Providence, RI. Using the scratchboard technique that originated in the 19th century she creates highly detailed abstractions. Using nothing but knives and sharp tools the art of scratchboard is creation through removal. In Masters’ case what remains are dizzying op art spirals and ribbons of intersecting waves. The stark black and white adds to the timelessness of designs that often resemble microscopic magnifications of viruses, cells, and other things found in biology. (via)
Garth and Pierre are an artistic team based out of Washington state, for their series MENU they appropriated nostalgic imagery of restaurants, kitchens, and table settings to explore the perceptions and politics surrounding food. The artists use geometric shapes cut into the image by hand, leaving the viewer with a lace-like grid of highly graphic saturated colors that allude to a romanticized era that has long since passed.
Sun Yeo is a graphic-designer-gone-artist based in Los Angeles. Remnants of Sun’s graphic design career are visible in the work, which introduces a hybrid digital/analog technique to create each piece. Through the subtle, dreamy, and whimsical gestures in her artwork, Sun suggests the simultaneous presence of comfort and innocence in a world that is stuck somewhere between fantasy and reality. Check out a handful of Sun’s latest body of work after the jump, and be sure to see the full collection on her website.