German artist Claudia Rogge digitally transforms her photography to create patterned and rapturous images of masses of people. Often the subject matter of her work appears bleak or apocalyptic, but ultimately portrays the vulnerable beauty of these deliberately arranged human figures. Even in the photographs that are a bit more chaotic, you can sense Rogge’s careful attention to the patterns she creates, and the order contained within them. Her meticulously composed photographs evoke both a sense of euphoria and foreboding while demonstrating the fractal-like beauty of people en masse. One of Rogge’s biggest challenges in her work is creating a scene that looks genuine and believable with digital effects.
Of her work, Cluadia Rogge says, “The fascination the theme “mass” exerts on me lies both in the content as well as in the formal and aesthetic aspect. As regards content, it is indeed exciting to live in a time that on the one hand trains people for absolute individuality, but an individuality that is defined by mass media, mass consumption, mass tourism etc. Aesthetically, the patterns and rhythms developed from masses are unique. You can find them in shoals and flocking birds as well as in major gatherings like military parades, processions, concerts etc. Regarding this, I do not resort to already existing masses in my works, but simulate my own.”