Natalie Arnoldi is a California-based artist whose work explores the fine line between abstract and figurative painting. Her works identify the psychological effects of ambiguous representation, allowing a viewer’s imagination to fill in the missing subject matter. Currently a coterminal Masters student at Stanford University, pursuing a M.S. in ocean science and a B.S. in marine biology, Arnoldi’s life has always centered around the ocean. Thus, it is unsurprising that she references the ocean as her inspiration for both her academic and artistic pursuits.
Though she doesn’t always use the ocean as her subject matter, there is a kind of depth to Arnoldi’s paintings (which are often tinted some shade of blue) that is reminiscent of looking into unfathomably deep waters. Highly reductive, Arnoldi’s paintings still manage to be moody, psychological and rich with meaning. A lone shark’s fin, a simple road median disappearing into the fog, or an airplane silhouette becomes a decidedly dramatic narrative delivered from the most uncomplicated version of an image.
Engagingly beautiful, Arnoldi’s paintings are haunting in their simplicity and straightforwardness. It is eerie how much can be deduced based on an image painted and composed in a certain way.