These images are probably not what you think. Derek Paul Boyle‘s latest project is called “Drag Paintings”, and are a result of the artist weaving through traffic, holding a stretched canvas under-foot and allowing the different textures and surfaces of the roads to create the image. What results is a very visceral, tangible account of a temporary action that has been frozen in time. Boyle says about them:
The drags are performance that result in a painting – the physical becomes an imprint of the gestural.
The drag paintings are events as objects – abstracts of the physical grittiness and intensity of Los Angeles’s traffic infrastructure.
These paintings have an ominous feel, a beauty that emerges despite first appearances. They are a violent action made light and somewhat graceful. Boyle’s work always contains a sense of playfulness and humor. He enjoys challenging the expected state of something. Either by juxtaposing the use of an object, or the context in which it is used. The Drag Series is definitely a challenge to the tradition of mark making and action painting. He surprises us by producing something elegant through the act of destruction. Boyle goes on to say:
I am interested in the power of contradiction, objects as events, and incompatible states of the self – what was once bound is made free, the known made unknown.