The altered visions of Lori Nix have led to the creation of transfixing dioramas, which she photographs to look like reality. Often building an entire scene around one object or piece she finds compelling, these worlds are pain-stakingly intricate. The body of work featured, City, offers glances into a post-apocalyptic city, one devoid of human life and beyond collapse. Vegetation and foliage crawl into the scenes, taking over the man-made aspects. Debris everywhere, the rooms appear untouched from how they were before. All the details and minutae indicating human life is there, strewn about.
The dioramas are a time-consuming creation; Nix spends about seven months constructing and photographing a single work. Each diorama is built only to be photographed from a single angle, and she controls and manipulates all of the lighting until she arrives at her desired outcome. A film purist, Nix shoots on an 8×10 large format camera, allowing her to make massive prints of her work.
“Since my earliest days I have always worked with fabrication, either through darkroom manipulations or even room sized installations. My strength lies in my ability to build and construct my world rather than seek out an existing world. Inspiration comes from reading the daily newspaper The New York Times, science fiction paperbacks and magazine articles. I get most of my ideas during my morning subway commute from Brooklyn to Manhattan to go to my day job. Something about the morning light, the rocking of the subway, seeing the cityscape pass by opens my mind up to inspiration.”