For over one hundred years the Faberge egg has been a symbol of wealth, status and beauty. Originally created by Carl Faberge for the Russian Tsars to gift their wives during easter time, its exquisite makeup consisted of the finest jewels, metals and motifs. Its structure depicted scenes of historical and domestic value which the Russian Royal family deemed significant. Over time, these precious objects d’art became unusual records of lavish beauty which consisted of coronation scenes and portraits of kings and queens.
Incorporating the same idea with a modern twist, artist Jonathan Monaghan creates Faberge eggs in a digital format which combine pop culture, human anatomy, luxury items and historical architecture. His vision produces an egg-shaped utopia which comments both conceptually and sociologically on world tradition. Through a kaleidoscopic view of the past, present and future, his narrative breaks down what we deem important and questions our desire for material wealth. In one piece, the egg is replaced with Starbucks logos instead of jewels. It metaphors the brand we hold near and dear to us today and creates an egg-shaped universe that speaks to the viewer with a utopian ideal that places worth on things opposed to ideas and individuals.
Only fifty of the original Faberge ‘Imperial’ eggs were made and only forty-seven survive. The first Faberge heirloom, known as the Hen Egg was a replica of an actual white egg that disclosed a solid gold yolk inside. This in turn stored a golden hen which further possessed a tiny diamond replica of the Imperial Crown from which a ruby egg pendant hung. Unfortunately, these last two surprises were lost.