Guda Koster photo series turns fashion on its head, using prints and patterns to evoke both whimsy and existentialism. Her models’ faces are somehow always hidden, conveying a feeling of both freedom and suffocation. A bright palette with bold patterns are eye-catching but also an eyeful, a bombardment of the senses.
In an interview with Art Cart, Koster says, “In our everyday lives we communicate our identity and social position primarily by means of our clothing. Clothing can be seen as a visual art form that expresses the way we see ourselves and our relationship with the world around us.”
Some of her photos seem to recall the innocent days of playing dress-up as a child: In one, the model is truncated and swathed in black, topped by a bright red bow and set against a playful polka dot background. Others use fabrics that are reminiscent of corporate carpeting. Koster’s photos seem to be both an expression of self as well as the impact our environments can have on us, showing the ties that bind us well nigh literally.
“The clothed human figure becomes an integral part of a space or environment,” Koster says. “I am inspired by daily life, but I exaggerate it or I give it a humorous twist.”