Artist Dean Monogenis paints landscapes that fuse modern buildings with geometric shapes. The abstract compositions often feature the architecture suspended in midair, connected to giant rock formations, or structural patterns.
Monogenis’ colorful and minimalist paintings came to life after witnessing the fall of the World Trade Center in 2011. “ Subsequent to that day,” he writes, “I began to see buildings organically in terms of birth and death.” The artist continues:
Interestingly the post 9/11 period was the beginning of a world wide building boom. At the time I lived in Williamsburg, Brooklyn, where the breadth and pace of this development felt like an invasion. Buildings grew nearly over night like mushrooms or mold before my very eyes. I found it simultaneously engaging and frightening.
This construction had little regard for continuity or urban planning:
After overcoming my initial shock, I began to distance myself and consider the situation aesthetically. I interpreted the randomness as more akin to the shantytowns in Jamaica or the Favelas in Rio. I took notice of the simplicity and planer forms of the skeletal structures as they ascended upward. Brightly colored building materials like netting and scaffolding, became interesting to me. I thought if there was a way to distill the temporary and all its ephemera, isolating key pieces into my work, then I would be able to elevate the visual indicators that speak to this period of transformation.
Monogenis usually paints on wood or plastic panels and uses customized stencils of graphic elements. He’ll paint the sky last, but isn’t afraid to sand and rework areas if something doesn’t look right. This allows him to create precise work without forfeiting the spontaneity that’s inherent in painting. (Via Supersonic)