The dark paintings of Martin Wittfooth depict a frightening dystopia that could be our reality if we are not careful. The world he shows us is a grim and desolate one, void of humans, but full of casualties that our species could easily cause. We see a world of animals suffering from our actions and learning to adapt to their new environment for survival. His paintings are a stark reminder of what could happen if we aren’t aware of, and don’t cease the damage we are causing.
Wolves creep around in a burning wasteland, probably looking for food to eat, or some substance somewhere. Bears tip over old water jugs, or some sort of relic from a time past. Tigers are sprawled out over the hood of a rusty car, surrounded by flowers sprouting out of the trunk. The beak of an albatross is stuffed full of trash, the bird unaware that his chosen items are harmful, and not healthy. The sight of these animals that we (should) cherish trying to survive in an undesirable place should bring out the emotions in us that Wittfooth wants.
Everywhere and at all times, we’ve been busy making things in our present for the simple purpose of communicating something, and thus sending messages into our future. What a peculiar habit. We’re the only species inhabiting this planet that routinely behaves this way, and there’s something really beautiful and profound about that. (Source)
His paintings full of the consequences of climate change, over use, excess pollution and unnecessary producing and consumption may seem dramatic, but are actually just a glimpse into a future that could happen, sooner than we think. Wittfooth paints with a sense of urgency; with a need to tell people things could be getting quite bad, quite quickly. He goes on:
I often think about what the psychedelic thinker Terence McKenna called “The Archaic Revival”: a yearning to look into the past to see meaning, connection, the sacred, looking back at us. I need those reminders sometimes, when the current state of human affairs seems dire and in need of a new perspective. (Source)