London based artist Dan Hillier creates unique, fantastical prints that blend both contemporary and antique styles. With portraits of beings composed of tree branch silhouetted hair, adornments of constellation filled skies, third eyes, and intricately pattered antlers, Hillier’s work is magnificently ornate. Using a steampunk reminiscent aesthetic, Hillier juxtaposes victorian imagery with moments of nature, creating his own sort of mythological, science fiction world. His work takes notes from the Symbolist movement that began in the late nineteenth century, such as human-animal hybrid motifs seen in Fernand Khnopff’s The Sphinx (1896), or the whimsical, grim illustrative style of Aubrey Beardsley. While most of his titles are straightforward descriptions of the image it is paired with, there are slight winks to a following of both psychological and theological threads. For example, the piece Son of the Father depicts a man wearing a mask of a perfectly sculpted face to cover a more complex, dark, geometrical entity, in which another face lurks. The piece titled Pachamama, which can either refer to the Incan fertilely goddess, or acts as the Incan word for the creation of the world, depicts a woman made up of a fully starred sky and a robe created from a forest. The prints are both recognizable, yet manifestly mythical, leaving the viewer in a sort of satisfied state of inquisition. The work is almost pleasantly dark, as if they are images taken from a memory, dream, or story that just cannot quite be placed, yet is yearned to be remembered.