Canadian artist Shary Boyle’s beautiful sculptures know no bounds. Her physically delicate yet intrinsically powerful ceramic pieces push boundaries of the real, stretching seemingly ordinary moments into fantastical satire of historic dark realities. Her work explores the complexity of power dynamics, addressing a vast array of social structures including gender politics, colonialism, and exoticism. Her work exists in a state of quiet conflict; it is fragile, precious, and plays on notions of traditionalist elegant aesthetics, while simultaneously delivering sharp intellectual puns that are clever, sophisticated, and some how, even through the visual distortion, perfectly intellectually exact. For example, her piece Family (2010) features a pilgrim man and woman sitting by a fire made up of a totem pole reminiscent pile of a decapitated heads.
Along side her ceramic sculpture practice, Boyle is also prolific artist in a endless variety of media spanning painting, performance, and film, to name a few. The artist also does beautiful “live drawing” collaborations with musicians. She has worked with artists such as Feist, Peaches, and Christine Fellows.
Shary Boyle has won various awards including The Hnatyshyn Foundation Award and the Gershon Iskowitz Prize. She has shown her work at prestigious institutions such as the Centre Ppmpidou, The National Gallery of Canada, and The Art Gallery of Ontario. She exhibited at the 2010 Canadian Biennial as well as the 2013 Venice Biennale.