A great series of podcasts by Side Street Projects with various Los Angeles based dealers and museum curators discussing what they look for in art. Some of my favorite interviews include Aimee Chang from the Hammer Museum, and Jeff Poe from Blum&Poe. It’s a great insiders look into not only the LA art scene but into the minds of some of the cities best curators.
Friend of B/D and all around good guy Terence Hannum has a batch of new drawings on his site that are worth a look or two. Terence works in a wide variety of mediums from video to painting, always creating work revolving around his continued fascination and exploration of music. Keeping with his interests in music, Terence is also active in the Chicago music scene with is band Locrian, whose sound can best be described as a blend of noise, power electronics, dark ambient, and black metal.
In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He then simply disappeared from the face of the known world. He became a coveted star of the North Korean propaganda machine, and found fame acting in films, typecast as an evil American. He uses Korean as his daily language. He has three sons from two wives. He has now lived in North Korea twice as long as he has in America. At one time, there were four Americans living in North Korea. Today, just one remains. Now, after 45 years, the story of Comrade Joe, the last American defector in North Korea, is told.
Based on our work on the two North Korean films over the last five years, VeryMuchSo Productions, in partnership with Koryo Tours, has gained the trust of the North Korean authorities. This has enabled clear and unrestricted access to James Joseph Dresnok and to the North Korean-based families of the other U.S. defectors.
DeChazier Stokes-Johnson has relaunched The Marma Spot, a collection of interviews done with a wide range of known and unknown creatives from around the world. From design here Stefan Sagmeister to Run Athletics sneaker designer Rashid Young. Some good reading for those trying to find creative inspiration.
It’s no surprise that everyone at B/D is obsessed with bizarre hippy, psychedelic references in art. However Charles Glaubitz work differs from the usual psychedelic hookas pokas as it mixes in character based imagery more in line with japanese magna. The resulting work is bizarre, funny, and imaginative.
Born in Tokyo and living in NYC since 1996, well known as founding member of art collective FAILE. In 2006 she started her solo career and has been exhibiting her stencil/silk screen paintings in major cities such as NY, LA, London, Berlin, Tokyo and Barcelona.
Sneak peak of a part of the front cover for issue:1
Everyone has been asking us what we’ll do after Issue Z. In our tradition of innovation, Beautiful/Decay will reinvent itself in a brand new, expanded format with Issue 1 in July.
Beginning as a hand-photocopied, black and white ‘zine over ten years ago, Beautiful/Decay has always proudly put artists—and quality content—first. We are re-launching Beautiful/Decay to have all the benefits of traditional magazine subscribership, while taking the form of an expanded, limited edition, more voluminous publication.
In keeping with the spirit of our independent DIY philosophy, we have decided to break the mold of traditional magazines and change the way we do business. In this economy, most publications are either going out of business or watering down their content to appease advertisers. Rather than conform to the publishing industry’s new rules, we’ve decided to create our own business model that allows us to flourish and increase the quality of our content.
One thing we’ve always disliked about the mainstream print industry is that it can be wasteful. Newsstands throw away all unsold magazines, averaging a 40-60% waste rate. In keeping with our commitment to staying green, Beautiful/Decay will instead send issues straight into the hands of subscribers, rather than dumpsters.
Here’s what the new B/D will look like:
• Eliminated ALL traditional advertising
• Made an 50% increase in page count, meaning 164 pages of pure, unfiltered content
• Features now have double the page space, with more full-color images & articles
• Articles now run 16-20 pages, providing some of the most in-depth coverage of emerging artists available today
• Released in limited edition format of only 1,500-2000 copies, each one hand numbered
• Each issue comes with a limited edition collaborative artist projectranging from inserts, stickers, posters, to original artwork
• Presented in new format & size, including French flaps and multiple printing processes within
• Released 3 times a year (once every 4 months)
To celebrate our new expanded format, Issue 1 will feature a hand-drawn, original artwork by previously B/D featured artist Kyle Thomas. These will sell out, as we already have 1000 subscribers on our list so be sure to subscribe in order to reserve your copy.
I hope that you’re all as excited about this as we are at Beautiful/Decay. I’d love to hear your thoughts on the new direction.