Winner of the Special Jury Prize at the Hot Docs International Documentary Festival, Without
The King tells an astonishing story of Africa’s last absolute monarchy, the Kingdom of Swaziland. King Mswati III, a distant figure out of touch with his home and country, rules by decree and lives a life of luxury together with his 12 wives, while his subjects suffer from crushing poverty and the world’s highest HIV infection rate. With unprecedented access, we
meet headstrong first wife Queen LaMbikiza, eldest child and teen rapper, Princess Sikhanyiso, King Mswati himself, as well as many Swazi citizens who are plotting his downfall. Filmmaker Michael Skolnik captures the birth of a nation’s revolution, and the dawning awareness of a
young Swazi princess as she realizes the contrast between her impoverished country and her lavish lifestyle.
Jim Callahan is a multi-talented creative who lends his bold pop-icon vibrant graphic style to a potty-mouthed vision of vulgar humor and the macabre. His humorously outlandish take on his subjects disarms their gritty gore visuals of exploding skull & brains, guts and the spray of blood. James Callahan also runs his own fledgling deck company: Nowhere Skateboards, and has illustrated comics, such as Strange Detective Tales and Rotting In Dirtville. He is also responsible for the DVD covers to the daybyday films, among art for piles of records, CD’s, shirts, toys, posters, and beyond.. James was interviewed in issue: D of Beautiful/Decay magazine and designed the three-dimensional stunner “Barf 3d” for Beautiful/Decay Apparel- which featured, of course, a three-dimensional skull puking a cacophony of vile beasts. Most recently he contributed the mind-blowing (no pun intended) graphic “Kersplat” that shows someone’s brain literally exploding from reading B/D!
Another gripping documentary recently watched care of Netflix.
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed Americas image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few bad apples?
I first met Juka Araikawa during my stint at UCLA as a teachers assistant for a drawing class. She was a quiet girl who had moved across the world to LA to study art. Even though she didn’t say much her work always stood out as some of my favorite in the class.
A few weeks ago I made a series of posts from my trip to Sharjah & Dubai. I didn’t post much about why I was there and what I was doing but the above video should shed some light. It documents the construction of a large scale 2 story sculpture titled “Eclipse (Watch Tower) built in the atrium of the Sharjah Art Museum for the Sharjah Biennial.