Aron Demetz‘ newest work shows him to be extremely adept at sculpting in wood. His figures seem stand atop stumps, perfectly carved from tree trunks. However, their sanded smooth skin is in stark contrast to parts of their figure that seem mutilated and mangled. While the figures’ faces are peacefully inexpressive, there is an underlying violence to the sculptures. The bare wood of the pedestals hint at the natural world and the sculptures at human’s often turbulent interaction with it. [via]
Andrew Myers‘ uses unique medium to interesting effect. His pieces are built of many carefully placed screws – up to nearly 10,000 in just one piece – inserted to just the right depth. He then uses oils to pain the image on the heads of the screws. Myers accepts the challenges of depicting soft surfaces, movement, and light with a material as hard and utilitarian as screws. The result is an intriguing mix between painting and relief. The screws add to the depth to that typically found in oil painting.
For artist Felice Varini it’s all about your point of view. Varini takes this idea to its extremely literal conclusion. From the perfect perspective his painted geometric shapes seem to float in front of your eyes. However, in reality Varini works hard to make only appear this way. In reality his pieces are huge, cover entire structures (at times multiple buildings), and carefully prepared to be seen from a precise viewpoint. His large optical illusions underscore the subjective nature of art – it’s all about your point of view.
Legendary artist Christo‘s newest project, Big Air Project, is more than just big. Even ‘huge’ would be an understatement. At nearly 300 feet tall Big Air Package could possibly be the largest indoor work of art ever. Housed in a venue that was once a gas holder, the project is exactly as its title describes it. Big Air Package is a massive inflated cylinder with no hard underlying structure – a giant balloon. The project’s press release explains how it functions:
“Two air fans creating a constant pressure of 27 pascal (0.27 millibar) keep the package upright. Airlocks allow visitors to enter the package. Illuminated through the skylights of the Gasometer and 60 additional projectors, the work of art creates a diffuse light throughout the interior.” [via]
The sculptures of artist Johnson Tsang are unbelievably realistic. That is, until you spot faces in the spilling liquid. Primarily working in ceramic and stainless steel, Tsang’s sculpture’s seem to be caught like photographs. Liquids spill from mugs, streams intersect, and crash to the ground. Hidden by Tsang in the flow, however, are faces. Two colliding streams of liquid are actually faces mid-kiss. His work emphasizes a temporality – time as it quickly passes and their memories. [via]
Photographer Alma Haser has often incorporated origami into her work. However, in her series Cosmic Surgery the origami is brought to the forefront. For the Cosmic Surgery Haser photographs a series of portraits. She next makes multiple prints of the portraits and folds them into complex origami objects. The origami pieces are placed back into the portrait and a photograph is taken of the final composition. Haser mixes the meditative nature of origami and transposes it onto the face of her subject, somehow injecting simple portraits with an esoteric atmosphere.
The sculptures and installations of MyeongBeom Kim are very dreamlike – it makes just enough sense to prevent you questioning it. Objects transform into other objects, other inexplicably float, and yet others are designed to be entirely useless. Yet, somehow, it all seems right. Also like dreams, Kim’s work is playful but not without out a latent sense of anxiety. A noose, a crutch, an axe suggest a possible dark turn toward realized fears, a nightmare.
Jeremy Laffon‘s series of installations are entirely constructed from chewing gum. He painstakingly builds each of his installations with this unusual material. The precision and care he gives to his work is contrasted by the material itself. Chewing gum isn’t particularly strong or sturdy – the lattice work structure buckling under its own weight, or tiled gum easily giving way underfoot. Chewing gum is also associated with casualness, rude to chew in formal settings, spit out when finished with: a pleasant surprise in an often stuffy art world.