At first glance the work of Vincent Tomczyk appears to be normal ready-made objects. However, each piece is carefully constructed almost entirely from different types of paper. Yeah, paper. You can’t sit on these chairs or slip into those shorts without ripping it. In a way, this seems to be Tomczyk’s intention. Tomczyk and his viewers investigate these objects by painstakingly rebuilding them without their utilitarian properties. He says:
“Although my work can be categorized as realism, my intention is to distill the emotion of an object, then through expression, reconstruct it into my view of its essential self – free of function.” [via]
David Ogle‘s installations seem to glow right out of the space they effeminate from. His work is mainly constructed with thread illuminated ultraviolet light. However, Ogle’s installations are not only built of the thread, but the space they emphasize and the light itself. Underscoring this Ogle says:
“ Much of my work to date has dealt with exploring notions of materiality, of permanence and of the perception of objects in space. Using light as a sculptural medium, my work is innately ephemeral.”
If you like David Ogle’s work be sure to check out the work of JeongMoon Choi.
The street art of Brad Downey is a special breed of subversive. Downey approaches the city with the open mind of a child but interacts with it in all seriousness. His work emphasizes city features and spaces that are often quickly passed by. Downey then interacts with these spaces in an artistic manner – a manner which strangely feels as natural as their utilitarian purposes. I find myself wanting to try many of these simple pieces out in my own neighborhood.
Eric Franklin‘s sculpture’s glow with a certain life. Though the series focuses on skulls and skeletons, it isn’t exactly dead. These skulls are carefully made of flameworked glass, or glass melted and shaped with a torch. The hollow skulls are then filled with ionized neon, krypton, and mercury gases. The ionized gases cause the skulls to glow from within complimenting their eery shape. [via]
The installations of Damian Ortega reflect a curiosity that is at once childlike and serious. His dismantled, dissected, carefully arranged pieces often hang from the ceiling prepared for inspection. Ortega’s installations encourage viewers to think about relationships between the parts and its whole, between individuals items and the group. It’s easy to see how these ideas can expand to wider topics. In a way, Ortega not only takes apart a Volkswagen physically, but also socially. He deconstructs ideas in a playfully literal way.
Designer David Schwen presents some interesting ‘Pantone’ pairings here. Rather than pairing complimentary colors, Schwen combines inseparable snacks. Designers constantly coordinate toward aesthetic perfection. These ‘swatches’ coordinate a much more common but no less perfect pairing. That said, our pursuits may be mundane, but still, we have a bit of designer in each of us.
Wolfgang Stiller‘s series Matchstickmen are a depiction of people that are literally burnt out. The sculptures resemble giant match sticks, the the charred match head like a human head, ignited and tossed about the gallery. A play on the phrase ‘burnt out’, the series comments on the unending demand of human labor. Interestingly the installation was created while the German artist was living in China. However, Stiller says of the work:
“I don’t want to see it only as a critique on the Chinese system. Any other system in the world has the same problem. Big companies exploit their employees to make larger profits, all over the world. As long as we have affordable T-shirts or sneakers, we don’t really want to know whether they are made by children in India or not.” [via]
It’s difficult to gauge scale in the work of Petros Chrisostomou. The giant shoes seem so detailed; the galleries look immaculate. If you want to know I’ll spoil it for you…it’s the galleries that are tiny. Chrisostomou uses small mundane objects as the center of his photographs. He places these in the middle of amazingly detailed miniature galleries. Chrisostomou painstakingly gives attention to lighting, scale, perspective, and detail. The realism of his sets force the eye and mind to alternate between small and large scales, doubting each in the process.