In her series titled Wait Watchers, the photography of Haley Morris-Cafiero turns an eye back on those that turn an eye on her. While creating an image for another series Morris noticed a man “sneering” at her behind her back. Wait Watchers intentionally captures these reactions – the sneer, raised eyebrow, the frown that Morris says she is aware others make in regards to here weight. The sadly familiar scenes play out all the time. However, frozen in a photograph adds another emotional level to the work.
Its difficult to say whether the drawings or the machine is the work of art here. Artist Eske Rex created the Drawing Machine which in turn produces ink drawings. Two pendulums are attached to an arm which is equipped with a ball point pen. Once the pendulums are set in motion the arms record the contraption’s movement by creating a singular work of art. Beyond each piece’s pleasing aesthetic is something just as intriguing. In a way, each drawing documents a very specific movement and time.
The work of Hungarian photographer Mate Moro is cool, nearly cold. His photographs carry an modern fluorescent cold – even the bodies of his subjects don’t lend much heat. They nearly seem to act as objects just as other objects in the images interact with the scene. Slightly surreal, his work is disconcerting like a waking dream in which something is vaguely out of place. Moro has a talent for composition – coupled with obscured faces the viewers eye never seems to settle on just one place in the photograph.
Street artist Mobstr produced this piece, The Story. Each painted-over line of the story allows the next to proceed. Much of Mobstr’s street art works on assumption that his work will soon be painted over – it relies on its inevitable destruction. Like his story states, his distinct approach to street art makes use this “strange harmony”.
These letterpress cards are the product of a collaboration between Sapling Press and the Dear Blank, Please Blank project. Dear Blank, Please Blank is a site which asks visitors to write short “letters” written in a dear…, please…, sincerely, … style. The letters on site range from humorous to sarcastic to bitter. Several of the succinct witty letters have been put to letterpress Sapling Press resembling notes typed on vintage typewriters. Here is a selection of some of Sapling’s and DBPB’s hilarious offerings.
Shan Hur‘s sculptures interact with the gallery space in a unique way. He embeds his sculptural work inside walls and pillars throughout the space. Each piece almost seems if it is in the middle of being excavated right out of the gallery wall. In this way the sculpture brings the entire gallery into the work of art, and by extenstion its visitors. Interestingly, Hur says of his work:
“One of the issues I have focused on is how to reduce the burden of the volume of sculpture. I then connect this mass to its surroundings, but not just as part of the whole. I think sculpture should communicate with its circumstances.”
This installation of Martine Feipel and Jean Bechameil is as much about the structure as the empty space within it. The installation’s title Le Cercle Fermé, or the Closed Circle, offers a clue. Like a closed circle Feipel and Bechameil offer a finite space that in some ways look familiar, much like a home. However, the artists playfully alter the structure and its furnishings to throw viewers off balance. The warped rooms make visitors acutely aware of the space and how they interact with it. In a way this calls to mind more benign spaces like bedrooms or kitchens, and encourages us to consider how such familiar spaces influence daily life. [via]
Oliver Payne‘s collages present many juxtapositions: East and West, new and old, digital and analog. In an interesting way, though, the images of Japanese Bullet Hell Games and photographs of classical European sculpture compliment one another. A tradition of fantastic stories and violence are present in each. Further, the gallery statement mentions that the “Greek statues serve as a background and a reminder of the fantasy worlds produced in Japanese arcade games, which often picture rural Europe.” While exhibited, the collages are joined by the raucous soundtrack of the noises of a traditional arcade flowing through the gallery.