People are on the move in the installations of Clinton De Menezes. Large crowds of people seem to be trudging through a white field – a snowy plain or salt flat. The exodus, though, plays out on the side of a wall. The South African artist’s model migrations exhibit patience and attention to detail. Each figure is hand painted before being placed and plastered to the wall. De Menezes’ installations illustrate the personal and collective drama of human migration. His work is clearly influence by the ever shifting and complex social landscape of the land of his birth.
The installations of Michel Blazy grow, flow, and froth. Like much of his work, Blazy’s latest installation, titled Bouquet Final, makes use of white foam. Inside a French Medieval church, the foam tumbles from high scaffolding to the floor. The pliable, moving, and ever changing foam contrasts with the sense of permanence in the centuries old cathedral. Blazy alludes to a change and mortality by using materials such as foam, an unstable medium in perpetual transformation. The foamy flow could also reference the earth and neglect for its environment. The installation resembles uncontrollable detergent suds – a product that is at once used to clean our homes and also a poisonous pollutant to the earth and its waters.
Mark Schoening‘s paintings appear to explode on each panel. Colors and patterns seem to erupt like uncontrollable viruses supplanting the composition. In a way Schoening’s work develops in a similar fashion. Each piece begins with an idea, information. The concept is elaborated on further and further layering glitter, resin, silkscreen, acrylic, latex, and spraypaint. His newest works are an investigation of the way floods of information are spread and consumed. Schoening says:
“I do not have the luxury of escape. In this century, in this moment, few of us do. Information piles up: the advertisements, the mechanisms, the media, the people. I am attached to it, in the midst of it, a part of it. However, as a painter, I am also a witness and a reactionary.”
Mark Schoening opens a new solo exhibit, Recordings of a Lone Infantryman, November 29, 2012 at Marine Conemporary in Venice, California.
The world of German Illustrator and Designer Mathis Rekowski is flooded with color and shape. Rekowski’s designs somehow seem chaotic but well controlled. He intricately pieces together familiar shapes, patterns, and pop culture references, to create his highly detailed work. Through his work Rekowski has been able to acquire such high profile clients as Volkswagen, Delta, and Mercedes. Further, he’s been able to reach this level of talent and career success as a self-taught artist.
Cao Hui‘s ultra realistic sculptures manage to be intriguing while stomach turning. Cao sculpts every day objects such as furniture or clothing as if from butchered flesh and innards. His strict attention to detail can be seen from the entrails spilling out of a slashed cushion to a couple swollen armrest stitches. Though constructed from resin, his artwork appears to bulge, droop, and tear much like actual flesh. Cao juxtaposes inside and outside, essence and appearance in a very literal (albeit gory) manner. While disturbing, Cao effectively executes his work with a certain dark humor. [via]
Artist David Kinsey‘s upcoming solo exhibit, Everything at Once, opens at the Joshua Liner Gallery December 13, 2012. Kinsey’s newest work reflects the intense nature of the show’s title. Severe angles and color hint at a depiction of mounting chaos. Several pieces, seem to be filled with a violent struggle for survival, domination, even attention. These mixed media pieces document a world spinning out of control and a the desperate scramble to document it. On this, Kinsey relates:
“Collectively, the developed world is swimming in modern media; we’re learning to navigate this landscape every day while becoming unwittingly addicted, for better or worse. And that’s simultaneously exhilarating and a little scary. Throw in climate change and you’ve got a scenario worthy of our attention.”
Dave Kinsey was the subject of the first interview in Beautiful/Decay’s now sold-out first issue. Everything at Once will be on exhibit at Manhattan’s Joshua Liner Gallery December 13th through January 12th
Artist Patrick Jacobs creates highly intricate dioramas. His dioramas, once created, are installed inside the gallery wall and fitted with a large lens. Gallery visitors can spy on each of the miniature scenes through these lenses. Jacobs’ dioramas are often of idealized landscapes or peaceful indoor scenes carefully detailed to appear as entirely separate worlds. Hidden lighting glows as if entirely natural while the foreground seamlessly blends with a background and further to the horizon.
Libby Black‘s sculptures are delicately pieced together paper, hot glue, and acrylic paint. In this way she recreates everyday objects as designer products. Though Black’s sculptures are constructed with care, each is clearly playful. Rather than use a heavy-handed sarcasm, she seems careful to be at once ironic and earnest, critical and in praise of materialism. Her sculptures effectively investigate a complex love/hate relationship with a name brand life.
Appropriately, Libby Black’s enviable ‘luxury’ sculptures are featured in the “Seven Deadly Sins” themed Beautiful/Decay Book: 9. Be sure to check out Black and many other amazing artists, illustrators, designers, and writers also featured in the book.