The work of art collective Ghost of a Dream uses lottery tickets and romance novel covers to mezmerizing effect. Often employing thousands of dollars worth of scratch-off tickets ($70,000 worth of tickets in the last installation alone), the work conjures a culture of hyper-materialism. The gaudy coloring of the tickets and cheap imagery of romance novels reflect the nature of the object they cover. Like the dream of striking it rich, the art of the collective is hypnotic and absorbing.
If you want to see more work from Ghost of a Dream be sure to check out their exclusive feature interview in Beautiful/Decay Book 9. The collective explores Greed in this Seven Deadly Sins themed edition.
The art duo of Yarisal and Kublitz create smartly charming sculptures and installations. The pieces, often created from household materials, are each emboided with a subtle subversiveness. From a vending machine filled with glassware to self filling and popping balloons, the duo’s pieces transform familiar objects into characters of ironic scenes. Through their work, Ronnie Yarisal and Katja Kublitz encourage a fresh perspective of the banal through sculptures that look like the punchline to existential jokes.
The installations of Peruvian artist Antonio Paucar utilize a rather uncommon material: dead flies. By suspending dead flies from nylon string as well as meticulously placing them on the ground Paucaur painstakingly builds each pieces. The swarm of flies loosely forms the image of a human figure. The hazy form created by the collective flies imply the memory of a person, particularly in relation to the space it inhabitants. Further, the flies seem to suggest the idea of death or decay. The last four photos are taken from a piece installed in Germany’s Sacrow palace, a building dating back to the 17th century. The grounds had been inhabited by Prussian aristocrats, high ranking Nazi officials, as well as communist secret police.
Enrico Nagel‘s Secret Garden is a series of collage portraits. High fashion models are contrasted against a plain paperboard background. Each model’s face is replaced with a garish arrangement of flowers, jewels, and other ephemera. Nagel juxtaposes what he terms as the “artificial imagery” of the fashion world with the natural imagery of flowers. Each bloom seems like a nearly violent coup of the subject’s identity, the clothing being the only remnant of the former glossy fashion mag photo.
The work of artist Vanessa Marsh is perhaps most accurately described as photography. Marsh creates her richly layered compositions one layer at a time. Using drawings on clear acetate sheets and small- scale models she creates a narrative unfolding on a landscape. After producing several such landscapes Marsh photographs the combined layers. The resulting photographs are pictured here. The numerous planes in each piece are similar to past and present time and the memories that accompany it. In fact, of her work, Marsh says:
“Within the series I am exploring not only the working of memory and imagination but also our contemporary relationship to the landscape, where we might find ourselves in the future and how our feelings towards the landscape often center around ideas of dislocation, need and yearning.”
At times called ‘performative sculpture’ Swiss artist Victorine Müller combines sculpture and performance art to intriguing effect. Her large but airy PVC sculptures stand ghost-like, glowing in the light and disappearing in the shadows. Müller herself sits or stands peacefully inside the sculpture. The title of her most recent exhibit “Wild at Heart” sheds some light onto her work. Müller temporarily inhabits the inside of an animal – the guts, the heart, the womb, the soul. Though simple, each performance connects easily with the viewers communicating, as Müller says “something that is not said and cannot be said, but that is.”
So you’ve endured months of deconstructing every sentence of each presidential candidate’s rhetoric. It’s only fitting that on the eve of Election Day we also visually deconstruct the president, both past and present. French artist Olivier Ratsi produced these presidential digital collages – glitch-like reconstructions of the presidential portrait. Each piece of the series Once Upon a Time the Presidents is made up of various facial features of past American presidents. For example while a portrait’s eyes may have been snatched from Harry Truman, his mouth may be Barack Obama’s and his hair Teddy Roosevelt’s (or is that that John F. Kennedy’s?) The clean shaven cheek, toothy smile, and neatly combed hair appear repeatedly and feel eerily ubiquitous. Ratsi forgoes overt political references in favor of a subtler idea. Each portrait doesn’t so much portray past presidents as it does the idea of the presidential image.
The 9 Worthies is a series of sculptures produced by art project Salão Coboi. Each sculpture highlights pieces from the autumn/winter 2012 fashion collections…as worn by polymer resin monsters. The creatures model clothing from brands and designers such as Maison Martin Margiela, Jil Sander, Raf Simons, ACNE and Paul Smith. Sculpted, hand painted and signed by Salão Coboi, each piece is part of an edition of twenty.
Salão Coboi (Portuguese for Cowboy Salon) is the personal project of artist Apolinário Pereira. Originally, the project began as a “collective that was born in 2009 two days after Michael Jackson’s death in the European Wild West (Portugal)”. Pereira now operates Salão Coboi as a solo project.