Anonymous Spanish art collective Luzinterruptus has installed their latest public interventionist project, “Consumerist Christmas Tree”, as part of Lumiere, a citywide celebration of light that takes place in Durham, England. To construct this 9 meter high tree, the group asked people to donate their plastic bags in exchange for cloth ones, resulting in a donation of around 4,000 bags. In addition to the tree, Luzinterruptus created strands of garland by installing lights in leftover bags and hanging them across streets. According to the artists, the tree “is an installation that will help to raise awareness of the excessive use of plastic bags and the consequences that this consumption has on the environment…We thought about a grand Christmas tree, built of the bags used during the period prior to Christmas, the dates in which their use dramatically increases.” (via unknown editors)
Via Twisted Sifter: Isaac Cordal is a Spanish artist that has been working on his own projects since 1999. His ongoing series entitled Cement Eclipses began in art school in 2002 but he didn’t start placing them on the streets until 2006, with his first piece laid in the city of Vigo, Spain.
Cordal makes the tiny sculptures in his apartment/home studio. He has placed them in major cities all around Europe including: London, Amsterdam, Barcelona, Milan, Berlin and Brussels. “Small interventions in big cities,” is how Cordal characterized Cement Eclipses.
In a 2012 interview with Agenda Magazine, Cordal explains:
‘Our gaze is so strongly focused on beautiful, large things, whereas the city also contains zones that have the potential to be beautiful, or that were really beautiful in the past, which we overlook. I find it really interesting to go looking for those very places and via small-scale interventions to develop a different way of looking at our behaviour as a social mass.’”
Check out a previous post about Cordal’s strainer street art here.
Arie van’t Riet became an artist by accident. As a medical radiation physicist, van’t Riet experienced first-hand the technological developments in quality image x-rays. One day, a colleague asked him if he could x-ray one of his art paintings. van’t Riet had never done anything like that before, but found that it worked and became curious about what else he could x-ray. Starting with a bouquet of tulips, van’t Riet found that the image resembled a black and white negative. After digitizing the image and using Photoshop to color the image, people began to tell him that he was creating art, and the rest is history. van’t Riet refers to these stunning images as “bioramas.”
“Looking with X-ray eyes to nature. That’s what I like to experience with my X-ray camera. I prefer X-ray objects of ordinary scenes like a butterfly nearby a flower, a fish in the ocean, a mouse in the field,a heron along the riverside, a bird in a tree and so on. Each time it is challenging me to arrive at an X-ray photograph that represents the sentiment of the scene, do raise questions and excite curiosity.”
Merry Gifmas! London based artist and designer Ryan Todd has curated a collection of Christmas gifs over at the aptly named christmasgifs.org. The project features work from an international group of illustrators, animators and directors. Most of the animations are stylistically conceptual or humorous, with bright color palettes and hypnotic loops. You can check out Todd’s Christmas 2012 collection here.
Lava Mae, a nonprofit project that seeks to provide the homeless with access to showers and toilets, commissioned artists and designers to create artsy toilets that were displayed along Market Street in San Francisco on November 21st, during the same week as World Toilet Day, for a project titled “C’mon, Give a Shit.” Though these names are snicker-worthy, this day is a UN recognized event that “aims to break the taboo around toilets and draw attention to the global sanitation challenge.” Through their public art toilet project, Lava Mae seeks to generate awareness about the sanitation problem surrounding the homeless. In May 2014, Lava Mae plans to roll out their first retro-fitted MUNI bus that will provide mobile showers and toilets to the homeless community in San Francisco.
Lava Mae founder Doniece Sandoval says, “We want to deliver dignity. We feel that if you don’t have access to hygiene you lose touch with your humanity.” Acknowledging that the mobile facilities will certainly not end homelessness, Sandoval is hopeful that the project provides a good starting point for addressing the homeless’ lack of access to basic human needs. “We’re creating a model for delivery of service that others can embrace, a forum that works like open source technology,” Sandoval says, “Our designs, our budgets, anything we can help bring to other communities.”
Joshua Harker‘s incredible sculptures are the result of advanced 3D printing technologies. Harker’s designs represent patterns of symmetry and naturally dividing or winding formations like those found in nature or as part of our bodies. His work combines 2D design and imaging with the geometry of the 3D form. Some of his work has even been rendered in steel, bronze, silver, glass, polyamide, and ceramics, merging current sculptural technology with past technology. Two of his projects, Crania Anatomica Filigre and Anatomica di Revolutis, are two of the most funded sculpture projects on Kickstarter.
“My work reveals a passion for the uninhibited and represents my quest for originality in the most literal sense. Incorporated imagery & influences include organic mathematics (phi, knot theory, fluid & turbulence dynamics), vermicular & arabesque patterns. Intentionally, viewers are invited to exercise their own translation of my work in much the same way a Rorschach inkblot elicits various interpretations. The forms and images become uniquely personal to the viewer through this psychological dialogue. My art bears qualities of neo-surrealism, tachisme abstract expressionism, and is invariably contemporary.”
London-based photographer Bertil Nilsson has created an ongoing photography series titled “Naturally” that explores the dynamism of the active human form within natural landscapes. For this project, Nilsson captures the explosive movements of circus performers and dancers, some of whom are painted or powdered. Bodies are contorted and posed, or levitate, creating a surreal aesthetic that is at once visceral and abstract. Feature Shoot notes, “The nude figures are dressed in intense colors that punctuate each frame, creating another possible layer of interpretational poetry. Set loose in this Eden, the photographer himself gives way to the chaos, each image exploding in an evolution of release.” Nilsson’s work is currently on view at Galerie Wilms in The Netherlands until January 12. (via feature shoot)
Deborah Simon sculpts anatomically correct bears out of polymer clay, faux fur, linen, embroidery floss, acrylic paint, glass, wire and foam. Aside from their size (around 22″ high), Simon’s bears are realistically detailed and meticulously fabricated. Her inside-out bears tread the boundaries of taxidermy, toy, and sculpture.
“Evolution has always held a particular fascination for me, informing how I create and group the animals in my work. As I’ve read and dug through museum collections to research my pieces, western science’s mania for labeling, codifying and collecting has stood out. Most of this categorizing bears little resemblance to how animals and plants exist out in the natural world and I find this disconnect fascinating.” (via design boom)