Chicago-based artist Gracie Hagen has created a photography series titled “Illusions of the Body” that captures nude bodies in contrasting poses. In the “attractive” image on the left, the models represent their bodies with straight backs, pulled-back shoulders, and demure expressions – many of them stand posed in positions that reflect classical sculpture. In the “unattractive” image on the right, the bodies are turned and the models push out their stomachs, hunch their backs, and evoke expressions of indifference.
“‘Illusions of the Body'” was made to tackle the supposed norms of what we think our bodies are supposed to look like. Most of us realize that the media displays only the prettiest photos of people, yet we compare ourselves to those images. We never get to see those photos juxtaposed against a picture of that same person looking unflattering. That contrast would help a lot of body image issues we as a culture have.
Within the series I tried get a range of body types, ethnicities & genders to show how everyone is a different shape & size; there is no “normal”. Each photo was taken with the same lighting & the same angle.
Celebrate your shapes, sizes & the odd contortions your body can get itself into. The human body is a weird & beautiful thing.”
Melbourne based artist Casey Jenkins is a self-described “craftivist” who founded Craft Cartel, an organization that seeks to combine crafting and political activism, in 2007. “Craft imbues you with power because you’re forced to contemplate the issue you’re addressing. It’s very reflective in a sense of when you put that message out into the world, people know you must really care because you’ve devoted that much time to it,” Jenkins says.
Jenkins’ most recent performance project, “Casting Off My Womb” (Aussie TV calls it “Vaginal Knitting”) involves the artist spending 28 days (the average length of a menstrual cycle) knitting from a new skein of wool that she has placed inside of her vagina each day. Jenkins explains that her performance would not be a performance if she didn’t include menstruation. While she is menstruating, Jenkins says it becomes more difficult to knit because the wool is wet, and she has to tug on the thread a bit harder. Overall, though, she claims the process is slightly uncomfortable, but can also be arousing at times. For Jenkins, she enjoys that her performance associates the vulva – something that can be found offensive or vulgar or invoke a level of fear – with the comfort and warmth that knitting provides and evokes.
“The fact that [cunt’s] considered the most offensive word in the English language is a real marker of the time that we’re living and of the society’s attitude towards woman. There’s nothing possibly negative about it. It’s just a deep, warm and delightful part of the female anatomy.”
Microbiologist Christina Agapakis and scent artist Sissel Tolaas‘ science-meets-art project “Self Made” seeks to challenge the way we think about microbes, scent, and the nature of disgust. Most cheese is made by taking milk and spoiling it with the bacteria, Lactobacillus. This bacteria transform milk sugars into acid, causing it to coagulate. The chunks are removed from the liquid and aged with specific yeast that creates specific cheeses. Lactobacillus and yeast can be found all around us, including our own skin. Agapakis and Tolaas take microbes from people’s skin – like Michael Pollan’s belly button or artist Olafur Eliasson’s tears – and add them to milk in order to create a human microbial cheese portrait (a cheese selfie?).
“The idea was to recognize, how do we get grossed out? Then to think about it and move beyond that initial idea of disgust,” Agapakis says. “Why are we more uncomfortable with bacteria on the body than we are with bacteria in cheese?”
From the artists’ statement, “Many of the stinkiest cheeses are hosts to species of bacteria closely related to the bacteria responsible for the characteristic smells of human armpits or feet. Can knowledge and tolerance of bacterial cultures in our food improve tolerance of the bacteria on our bodies? How do humans cultivate and value bacterial cultures on cheeses and fermented foods? How will synthetic biology change with a better understanding of how species of bacteria work together in nature as opposed to the pure cultures of the lab?”
Hiroko Kubota is a prolific embroiderer whose latest project of embroidering cats onto dress shirts has caused the cat-loving internet community to swoon. Kubota stitches cats who peek over and through shirt pockets and openings, giving plain dress shirts an adorable and unique accent. Her project began when her son – a cat-lover and collector of internet cat images – requested that she embroider some cats from his collection onto some shirts she made for him. After posting her work on the internet, her project quickly became popular and of high demand. Kubota then decided to put some of her shirts up for sell on Etsy, but her handiwork could not keep up with the demand – even at a hefty price tag of $250-300 apiece. Kubota also embroiders other figures, such as fish, Pokemon characters, dogs, and flowers onto a variety of objects. You can check out more images of her work on Flickr. (via colossal)
“2D Or Not 2D” is the second collaborative project between Russian photographer Alexander Khokhlov and make-up artist Valeriya Kutsan, with the addition of Veronica Ershova who assisted in retouching and post-production of the images. Inspired by two-dimensional posters, the aim of the project was to transform models’ faces into 2D images that re-imagine the work of some well-known sketch, graphic, watercolor, and oil painting artists such as Lichtenstein, Basquiat, and Mondrian. Kutsan’s makeup design and application flattens the faces of the models, while the angles chosen by Khokhlov and enhanced by Ershova contribute to the overall illusion of two-dimensional representation.
The other 2D project (more images shown toward the bottom of this post) Khokhlov and Kutsan collaborated on was a series of monochrome prints titled “Weird Beauty” of painted faces that feature corporate logos, QR codes, and other prominent modern imagery.
Russian photographer Alexey Kijatov‘s DIY camera may not appear to be very sophisticated, but it takes beautiful photographs of crystal clear snowflakes, capturing their icy and delicate uniqueness. To create this camera, Kljatov attached an old and inexpensive 44M-5 Helios lens to his Canon Powershot A650 using a board, tape, a screw, and a piece of glass. (You can read a more in-depth description of the process on this blog post.) These featured photographs were all shot on dark woollen fabric in natural light (typically a grey cloudy sky), but Kljatov also shoots the flakes against a piece of glass. Whichever background he uses, Kljatov captures the elegant geometry of each flake without the use of fancy equipment.
Francesco Albano‘s human body sculptures drip, melt, hang, and often appear to be boneless – even the work primarily featuring bones is distorted and lumpy. Working with wax, polyester, latex, iron, and other materials, Albano sculpts shapes and contortions that render the erect and boundaried body flaccid and grotesque.
Albano is “interested in and influenced by a wide range of subjects from philosophical, mystical and spiritual arguments to scientific theories, from psychological studies to real life stories. Albano uses skin and bone as a critical and personal tool of expression to focus on the effect of societal pressures and psychological violence on the human body and collective conscience. More than an inner envelope the artist defines the human skin as a limit and an identity, that interacts with outer world.” He’s lived in Istanbul since 2010. (via my amp goes to 11 and galerist)
Lithuanian photographer Tadao Cern has created a series of photographs entitled “Comfort Zone” that depicts resting sunbathers at the beach – people who are sprawled out on blankets, their few beach belongings sitting around them. The series asks the observer to create a narrative of the unknown person, to let the details speak for the narrative. Cern says, “I started this series because I was surprised how a certain place or surrounding can affect people’s behavior. During our everyday life we attempt to hide our deficiencies, both physical and psychological. However, once we find ourselves on a beach – we forget about everything and start acting in an absolutely different manner. Is that because everyone else around you is doing the same?”
Cern seems to be addressing the seeming lack of inhibitions and the overall embracing of comfort that the beach environment courts. The variety of body shapes and positions paired with patterns of swimsuits and towels/blankets create a unique aesthetic of comfort for each sunbather – an aesthetic that is relatable and immediately puts you at ease. In these photographs, the towels and blankets don’t just serve as practical (and comfortable) beach gear – they also serve as backdrops for each portrait, framing the sunbathers but not confining them.
Cern asserts that the sunbathers had no idea they were being photographed, and that he purposely chose to only photograph people with concealed faces in order to “grant an observer with an opportunity to calmly scrutinize each and every detail without being distracted. It also helps to avoid empathy or connection between people in the photos and the observers. It really does not matter who they are – the details not only reveal their stories, but make us face ourselves as well.”
According to Cern, the selection of photographs found on his website is only part of the entire series which consists of 24 large scale prints. Images are for sale in limited edition. In addition to his personal page and Behance, you can find him on Facebook and Instagram. (via david’s sketchbook and behance)