Artist duo Brad Kuhl and Monique Leyton create large tapestries illustrated with various colors of acrylic, bookbinding, and packing tape. The subjects of their tape art is real life crime stories and offer social commentary based on themes of attraction and repulsion, fame and infamy, crime, morality and entertainment, and safety and danger. In “Elite Deviance,” specific references include the scandals of Enron, Martha Stewart, Jack Abramoff, and Bernie Madoff. In “Blunt Object,” Kuhl and Leyton depict news crime scenes in which the use of a blunt object was instrumental in a murder. By using this tape as a medium, the duo brighten up scenes of crime, illuminating darker aspects of our culture’s psyche. “We liked how the tape associated with police tape and ideas blossomed from there of what to make,” Leyton said. Originally from the States, they are currently living in Beijing where the city’s rapid evolution inspires their work. Most recently, they have started to work with new material, something that’s still adhesive, but not tape. “Elite Deviance” could be the last project they complete using this particular medium. (via juxtapoz)
Melbourne based designer, photographer, illustrator, animator, and collagist Hilary Faye creates animated gif collages with images culled from the internet. Faye stumbled across gif-making accidentally, while creating her static collages: “When collaging, I often alter the composition slightly, scan, and repeat the process until I’m satisfied. Flicking through the scans on the computer to determine my favourite version, I saw them move and come to life.” Faye’s gifs often include juxtapositions of contrasting time periods, creating odd and surreal narratives. You can find more of Faye’s gifs on her Tumblr page, and some of her animations can be found on Vimeo.
Louise Riley embroiders human figures using a mattress as a canvas. Usually in repose, these figures create an intimate experience for the viewer. Riley’s work demonstrates a fine attention to detail and color shading, rendering vulnerable and realistic characters out of linear and geometric forms. Part of her practice includes that of altering the flat shape of the mattress, creating rolls and curves in her mattress-canvas, or cutting shapes into or on the mattress.
From her artist statement, “When I am sewing figures, I think of the thread being strands of DNA and the stitches binary codes and the fabric (our second skin anyway) a grid and that leads me onto String theory, experiences happening alongside each other with endless alternative outcomes. These grandiose thoughts are what get me through the hours..
The literal abundance of fabric and thread as domestic content and construction, not limited to gender, makes our relationship to it very intimate.
I use the mattress as a backgroundless background that holds weight of experience conceptually, spiritually and physically. Blood, sweat and tears like tree rings in its core. Its presence in our rights of passage, our sleep, rest, thoughts, dreams, the theatre of life spilled out onto it. How could I work on anything else! It is a ready-made canvas, it allows my ideas to penetrate it and collaborate with it to unearth a supposed breath-taking, yet ordinary, history or herstory.”
None of the people photographed for Klaus Pichler‘s newest series, “Just the Two of Us” are dressed in Halloween costumes. For this project, Pichler documents Austrians involved with various types of costume play (cosplay) at home in full costume. By capturing these costumers in their domestic spheres, Pichler allows his subjects the comfort of home, but for objective viewers of the work, the subjects could feel a bit out of place.
“Normally, all the costumes and traditions, they have one thing in common: there is some kind of public use of these costumes,” Pichler explains. Some of his subjects are enthusiastic participants of the Carnival season, which is called Fasching in Austria, while others are part of a LARP – live action role play – community. Pichler even captures portraits of the Krampus and the Perchten – traditional Austrian figures associated with Christmas and Wintertime who are often conflated.
“Who hasn’t had the desire just to be someone else for awhile? Dressing up is a way of creating an alter ego and a second skin which one’s behaviour can be adjusted to. Regardless of the motivating factors which cause somebody to acquire a costume, the main principle remains the same: the civilian steps behind the mask and turns into somebody else…’Just the Two of Us’ deals with both: the costumes and the people behind them.”
Serbian Tumblr gif artist ABVH has created animations based on some of Banksy’s iconic street art. These animations give life to Banksy’s poignant (but static) images by enlivening the experience of humor and absurdity that accompanies much of Banksy’s work. These gifs first began to appear in September of last year. Since then, ABVH has created a few more images, the latest of which was posted just last week. Be sure to follow the artist’s Tumblr page to check out more of these gifs as they appear. Made By ABVH also features other animated gif work, included some rendered in 3D, requiring the use of proper glasses. (via we the urban)
Bristol artist Camila Carlow creates these lovely renderings of human organs by foraging for wild plants, weeds, and the occasional animal part and then sculpting and arranging these various bits of flora. Her series, entitled “Eye ‘Heart’ Spleen,” recontextualizes images of organs such as a heart, lungs, stomach, uterus, liver, and testicles, demonstrating the reflection of internal biological structures with external natural structures. From Carlow’s site, “This work invites the viewer to regard our vital structures as beautiful living organisms, and to contemplate the miraculous work taking place inside our bodies, even in this very moment.” You can order prints and keep up with this particular project’s developments via its Facebook page. (via unknown editors)
Hong Kong artist May Sum sculpts figures out of lipstick. While she sculpts animals and other objects, most of her figures are modeled on influential women in a series titled “Woman Power.” Lipstick comes in various shades, packaging, and shapes, and Sum uses this variety to her advantage creating a series of finely detailed iconic busts. The medium used to sculpt these women is fitting as powerful women are often judged against cultural ideals of beauty and image.
Sum doesn’t just limit herself to iconic women as subjects for her sculptures. She also takes custom orders. If you send her a photograph of what you’d like sculpted, she’ll create a miniature lipstick sculpture in its likeness. (via design taxi)
Photographer Zack Seckler‘s “Humor” series captures moments of absurdity and whimsy with a subtle aesthetic. His muted color palette and compositions often feature a single figure placed within a humorous context. The effect of the humor is subtle partly because of the color palette and also because it’s often just a small detail that catalyzes the humorous story in each photograph – one that is up to the viewer to interpret. Most of his photographs are composed of absurd juxtapositions and placements, recontextualizing activities or objects in order to point out some aspect of absurdity.
Seckler says, “People view life through their own lens. I enjoy refocusing that lens and playing with our expectations of the world. By putting an uncommon twist on common experiences, I create images that inspire humor and imagination. With that, I hope to expand each person’s view -– for at least a moment.”
Seckler lives in New York City.