Montreal-based artist Francois Chartier creates still-life paintings with a photorealistic quality. He often pairs the still-life object with an image of crumpled tissue paper that is dramatically shaped around each object, creating an overall presentation of the still-life object. The juxtaposition of these textures – matte and crumpled with the bright and shiny – demonstrates Chartier’s level of skill as a realistic painter. Surprisingly, Chartier hasn’t always been a painter. After 30 years in advertising as a commercial artist, he entered the fine art world full-time at the age of 50.
Chartier applies the acrylic paint with an airbrush onto a smooth gesso base. He explains, “Although my paintings are realistic, my goal is to create through the layering of mediums and the play of the brush, the illusion of depth and sense of presence beyond what is found in photographs. . . I am drawn to painting large scale works where my subjects, always painted bigger then life size, are given room to seize the viewer and where life’s smaller details are revealed in their beauty and simplicity.” (via juxtapoz)
On his blog, “The Daily Doodles”, self-taught artist David Michael Chandler features an illustration or gif every day accompanied by a story or poem. Most of his work is representative of childhood fears and nostalgia, and includes science fiction and fantastical elements. I love his bright color palettes and dreamy narratives. His worlds are full of childhood imagination and possibility.
Chandler says, “Everything I create on my site is written and drawn by me alone, and I love how I can control every aspect of my art and have it succeed or fail with only me to blame. I try to keep it all as original as possible, and as a rule I don’t reference anything from pop culture, such as TV or movies.”
Chandler currently lives in Los Angeles. (via art chipel)
This incredibly detailed newspaper art or “lace newspapers” are the work of Canadian paper artist Myriam Dion. Using an Exacto knife and a surgeon’s precision, Dion creates intricate lacey shapes using existing text images from newspapers, cutting out white space and leaving some of the paper image in tact. The results are beautiful new images that have been completely transformed through Dion’s skilled paper cutting and fine attention to detail. She creates other deconstructive work, like her ornate burned photograph series.
Jose Romussi creates colorful and elegant embroidery art by stitching thread into old photographs and magazine pages. Embroidering bright colors onto sepia-toned or black and white photography, Romussi designs a sharp contrast that is thoughtful and beautiful. His subjects are often women, the fashion advertisements and models ornamented with floral and other round patterns, the dancers with straighter lines reflecting the strength and precision of form of ballet. For the dancers and ballerinas, Romussi’s embroidered accents highlight movements and bodily forms of the figures. A photograph is of course an inadequate substitute for any live performance, but Romussi’s neatly-placed thread brings a bit more life to these static images. The result is a multi-textured design that becomes immediately more compelling than its previous version.
Romussi has a background in landscape design and didn’t begin experimenting with personal artwork until fairly recently. You can stay current with Romussi’s work by visiting his tumblr page. (via farewell kingdom)
Israeli artist Ronit Bigal transforms the body into a text. For her “Body Scripture II” series, Bigal uses digital photography overlaid with Biblical text (in Hebrew) and floral ornamentation drawn with black Indian ink to create these stunning images of body calligraphy. The body is exposed and abstracted, the text contouring bodily landscapes and capturing hidden textures and unspoken eroticism. Upon close inspection, the text on the bodies is hard to read. It’s small and intricate, but the overall effect creates a visually hypnotic pattern. Bigal places the text so thoughtfully around the curves of the body that it is hard to believe the text was not drawn directly onto the subjects. Her work also leaves me curious about which passages she placed on particular body parts, and if she was deliberate in the placement.
Her Saatchi profile explains that these images “…are almost abstract and enigmatic, arousing the viewer’s curiosity to discover what are the photographed objects, what meanings lies behind the texts; and whether there is a thematic affinity between them or, perhaps are the associations purely aesthetical?” (via my modern met)
These impressive digital sculptures were created by Melbourne-based graphic design student Casey Richardson. Richardson uses 3D software to illustrate installation scenes that could be mistaken for real-life sculptures. Richardson implements simple and oft-used sculptural subjects, but places them in new contexts. His images are bright and cheerfully colored, though the subject matter itself usually conveys the opposite.This creates an interesting juxtaposition of form and content within each scene’s composition. Most intriguing to me is the way Richardson has implemented wall color in each imagined installation. This has me wondering when I’ll start seeing more gallery walls painted as part of a sculptural installation, and how installation design and implementation will continue to be affected by advances in technology. (via art ruby)
French artist Geneviève Santerre‘s body of work is, well, about the body. Explicitly erotic, her work is shocking and provocative. It speaks to central concerns about women’s bodies and sexuality in general. From human-animal-creature genital hybrid sculptures to bronze cast vaginas to a pair of discharge-soaked underwear hand stitched with the words “shit happens” to a tangled and suspended speculum to a performance piece wherein she wears a Niqab adorned with silicon vaginal molds, Santerre is by no means subtle. Her work is direct and compelling, challenging the viewer with something powerfully resonant yet potentially disturbing. Santerre pushes boundaries, asking us to reflect on recontextualized sexual images.
Santerre explains in her statement, “Belonging to a generation that is supposedly open sexually, I wonder why this jubilation is considered taboo. Despite some improvements since the feminist movement in the 1960’s, contemporary society remains patriarchal and regards women as objects, while frowning upon sexually open women.
Finnish photographer Janne Parviainen‘s mesmerizing light painting photography is created manually, with no post-production alterations or enhancements. This type of photography is created using various light sources like colored strobes, flash lights, light toys, or tools specifically designed for light painting, and manipulated during periods of long exposure. While a photograph is being exposed, it can be used like a canvas with light as a tool for painting or drawing. Parviainen’s photographs are usually figurative and evoke a ghostly surreality that is beautifully startling. Parviainen uses Finnish urban landscapes as his canvas, exploring and transforming these landscapes into scenes with haunting apparitions.
Parviainen: “What interests me most in light painting is the ability to draw in three dimensional space and the possibility to alter the reality without post processing programs. I like to use in my photos different kind of figures such as skeletons and ghostly light creatures. By using these figures I can add more humane stories into my photos and alter the cultural learned feelings they cause in the viewer of the photo. I especially like to use the skeleton figure because of it’s strong pre-learned emotional concept and place it in totally different situations and emotional stages than in which it’s usually seen in popular culture. ”