Since we last posted about him, multi-talented artist Tony Kinglux has been up to an interesting new gif project. Kinglux draws from his collections of various ephemera, from the medical and magical to the religious and ancient, and skillfully incorporates animated images into static and dated images, creating hypnotic new animations. Kinglux’s work is resonant with the mystical and magical, while also capturing a sense of measurable reality. “That’s what I’d like to achieve from these images: to inspire a new generation to take a look into some very old ways of looking at the world. A way of reimagining the universe and our place in it. That the magic still exists, it’s very close to us all the time and that it is waiting for your experimentation.” Kinglux is currently living in Prague where he’s visiting some of the magical haunts of the ancient alchemists.
Brazilian artist Angelica Dass has an ambitious project, titled Humanæ, that attempts to collect all possible human skin tones using one of the main systems of color classification, Pantone®. The background of the portraits are all dyed with the Pantone® color that matches the same color as an extracted sample of the subject’s photographed skin tone. Dass’ ultimate goal is to provoke the viewer and use the internet as a discussion platform on ethnic identity by creating images that connect us independent from factors such as nationality, origin, economic status, age, or aesthetic standards. Dass lives and works in Madrid.
Danny Quirk creates elaborate and accurate anatomical paintings using the human body as a canvas or the subject of canvas paintings. After the frustration of facing rejections from multiple medical schools, Quirk decided to combine three things he loves – anatomy, art, and education – using this very direct approach. He seeks to change the creepy or morbid perception of the body’s anatomy by revealing its delicate beauty. “Having spent time working with cadavers and creating illustrations for medical publications, I got to experience first hand just how complex yet delicate the body is, wonderfully illustrating beauty is more than skin deep.”
Maiko Takeda is a student of jewelry design and fashion, a fact that is apparent in these stunning photographs. Takeda’s portraits feature figures adorned or ornamented, creating interesting juxtapositions of light and shadow, geometry, space, and logic. Out of a simple and seemingly ordered concept emerges something intricate, chaotic, and mysterious. Takeda’s work is both elegant and bizarre, a world where beauty is revealed through obfuscation and composition. Takeda is currently pursuing a Masters in Millinery at the Royal College of Art.
Photographer Francois Brunelle has been studying the human face since he first started photographing them in 1968. His recent project began when he snapped a photo of two North American acquaintances who looked remarkably similar. Brunelle is now set on photographing 200 unrelated couples who look like they could be separated at birth. In the beginning of this project, he took photographs of people he happened to know who looked similar, but since his project has gained media attention, some people have come forward as look-alikes. As of January of this year, Brunelle was still inviting couples to take part and help him reach his goal of 200 photographs.
“It is not about looking like famous people,’ he said. ‘The project is about looking like other people.”
“The fact that two persons, totally unrelated to each other, sometimes born in different countries, share the same physical appearance is really the essence of (it).” (via)
Chilean artist Serena Garcia Dalla Venezia creates large, colorful fabric installations fashioned from small handmade balls of fabric filled with cotton and sewn together. Inspired by ideas of growth and accumulation, order and chaos, Dalla Venezia’s work is intricate and her process is organic. During this process, she is mindful of the color gradations and contrasts, creating a populated color palette that almost appears pixelated.
British artist Mitch Griffiths‘ work is inspired by the light and the composition of the Old Masters, but his context and content depict issues that concern modern culture. In his work, Griffiths addresses the disposable nature of contemporary culture by immortalizing this transience with the perceived permanence of the painting medium. His figurative portraits are dark and foreboding and often turbulent. The drama depicted in his paintings, though contemporary, feels universal, historical, and personal. Though many of his images resonate with religious iconography, the “symbolism reflects a modern quest for redemption from the overriding self-obsession and consumerism of contemporary society, with its vanity and greed, addictions and needless suffering.”