Fly Art is a Tumblr account created by students and artists Gisella Velasco and Toni Potenciano. Since December 2013, the duo have been collaborating on mashups of hip hop lyrics and classic artworks, blending two seemingly disparate cultural artifacts into a surprising and often humorous cohesion. Velasco and Pontenciano pair Nicki Minaj with Mona Lisa, Rihanna with Whistler’s Mother, and Outkast with Matisse. The large text overlaying the classic art is a bit jarring at first, but creates an interesting effect, recontextualizing both the lyrics and the images, each informing a new reading of the other. The project’s Tumblr states that it is “paying homage to the good things in life: fine art and fresh hip hop.” (via artnet)
Stephen Wilkes‘ “Day to Night” series captures the day-to-night transitions that occur in familiar cityscapes. Each image represents a collection of moments, not just a singular moment in time. About 50 photographs out of around 1,500 shots taken over the course of 12-15 hours comprise each single resulting photograph. During his shoots, Wilkes doesn’t allow himself bathroom breaks and when he eats, he eats meals brought to him in a bucket because it’s imperative that the photographer pay careful attention to the emptiness or potential overlaps of each shot. Wilkes’ composite photographs document movements within the same space from sunrise to sunset, each image capturing the transitions these spaces undergo on a daily basis.
For Time, Wilkes offers a descriptive caption of many images. Of his Wrigley Field photograph he explains, “This photograph was taken during the course of a Day/Night double header, a rare occurrence these days in major league baseball. Wrigley Field is the Grand Temple of baseball parks. It will change dramatically within the next year, as large jumbotrons will be installed into the stadium, forever changing this view. While the morning was sunny and clear, the afternoon made for a real challenge photographically. We had rain showers on and off throughout the day, and into the evening.”
Filmmaker Sébastien Lifshitz began compiling vintage photographs of queer couples when he happened upon a photo album that he realized contained the life a lesbian couple. Intrigued by the visibility with which they claimed with these photographs, despite living in the early to mid 20th century, when homosexuality was less accepted and more hidden that it is now, Lifshitz filmed a documentary - Les Invisibles (2012) – chronicling the lives of LGBT couples born between the two World Wars. Lifshitz just released a companion photo book -The Invisibles: Vintage Portraits of Love and Pride - last month. These images capture a lifestyle that was largely invisible to the mainstream culture to which it belonged. Photography was a way for queer communities to be visible to each other and to document the lives they led, however invisible they were to the heteronormative culture of their time.
Of his collection, Lifshitz says, “I don’t know these people — they are anonymous to me. I can’t really even say that each person photographed into the book is gay, except when it’s obvious. What I like is that there are different levels of reading these photos — I would say three levels to be exact. The first one is the pictures of obviously gay single people or couples, the second is the pictures of people which can be seen as ‘undefined’ (we’re not sure) and the third level is the ones that are obviously not gay but playing with a gay attitude (cross-dresser, some ‘garçonnes,’ etc.). I love the ambiguity and diversity of these pictures. These photographs ask questions. I didn’t caption the photos because I don’t know quite anything about each of them (no name, no location mentioned most of the time). I wanted to expose them like the way I found them: without any information, like mysterious pictures.” (via brain pickings)
A couple of years ago, Booooooom partnered with Adobe for a contest called the Remake Project that called for submissions of modern interpretations of classic art works using photography as the medium. The rules urged contestants to refrain from the use of special photography effects post-shoot, as the sponsors preferred all the work of the remakes to be done before the photograph was shot. Eventually, the submissions were narrowed down to ten finalists, some of which are included in this post. Though I haven’t come across the winner of this contest, Booooooom announced last year that they are working with Chronicle Books to release the very first Booooooom book, featuring images from the Remake Project. You can review all of the project’s submissions – totaling 7 pages – over on Booooooom. (via we the urban)
“Scribbled Line People” is a digital collaboration between New York-based illustrator Ayaka Ito and programmer Randy Church. Part of a “3D Motion and Particle” course, the two decided to embark on this project after discussing how to create an interface that could incorporate 3D scribbled lines into photography. Mutually inspired by Rachel Ducker’s wire sculptures and Erik Natzke’s Flash paintings, the duo uses both Flash and Photoshop to reconfigure photographic subjects into shredded images that are gracefully incorporated into their background compositions. Ito says, “Our objective in approaching the visual, was to create a series of answers to show how scribbled lines could develop normal portraits into abstract art.” (via the creator’s project)
Spanish artist and illustrator Isabel Chiara creates impressive gif collages, some uncannily reminiscent of animations in the Monty Python vein. Chiara cites the great masters of painting as her influences, and that’s something you can easily identify in her gif collages. One of her gif collages, “George Clooney is Inside,” was recently awarded Best Gif Collage at The Giphoscope Award 2014. Blending popular culture, absurdity, and classical aesthetics, Chiara creates unique animations that captivate your attention by telling a story. Juxtaposing classic and vintage human figures with modern, surrealist elements undoubtedly yields humorous and enchanting results. Visit Behance to explore more of Chiara’s work. (via cross connect)
For a few years, MovieBarcode has been compressing each frame of entire films into pixel-wide, chronological bars, creating a unique color palette barcode for each movie. Color is used in film to set moods, evoke particular feelings, or to intensify plot and characters. While examining the barcodes of familiar movies, particular colors may stand out, or remind you of specific scenes or characters that you’re drawn to. MovieBarcodes allow a film lover an opportunity to view movies from a macro, bird’s eye view. It’s as close as you can get to seeing the entirety of a movie all in one glance. The person behind MovieBarcode wishes to remain anonymous, but told wired.co.uk that movies are chosen based on runtime and the quality of the outcome and that the biggest challenge is “[s]taying within the concept and not getting carried away by technical possibilities, some of which are planned to be published in a not too distant, not too busy future.” If you’re curious if a particular film has been compressed, or you just want to peruse titles, you can find an index of all the films that have been compressed here. If you like these, be sure to check out Redbubble, where some of the MovieBarcode prints are available for purchase.
Angela Strassheim is photographer who used to capture crime scene images for forensic study. Her series, “Evidence,” documents the inside and outside of homes where domestic homicides have occurred. While the homes’ outside images ring familiar in a non-intimate way, the black and white, long exposure images of the homes’ insides offer a haunting glimpse into a more intimate space. The most unsettling aspect of these images are the noticeable physical traces of disputes – the bright, white flecks and splatters observed in the photos are the result of “Blue Star” solution being applied to surfaces to activate the “physical memory of blood through contacting the remaining DNA proteins.”
Of her series, Strassheim says, “Perhaps we have all processed a question in certain love relationships: Could we be a victim of violence or perform an act of violence against a loved one out of our immense capacity to feel jealousy, anger, rage, and desperation in a moment of extreme emotion? These photographs allow for the viewer to entertain the idea that this situation could involve anyone of us…The crime scene is presented on two levels; it is both an accurate, tragic, and dramatic transcription of the event and a mysterious backdrop onto which one can project their imagination.” (via it’s nice that and women in photography)