Linda Gass stitches together hand-painted silk crepe de chine to create these colorful aerial representations of the topography and geography of the San Francisco Bay. Some of the image designs she sources from other publications, while others are completely her own, like her depiction of an imagined restoration of Bair Island. Other land features represented include the original Dumbarton bridge (opened 1927), the Southern Pacific Railway bridge (opened 1910), the Fields of Salt, the South Bay, and salt ponds. In addition to these quilts, Gass also uses paint, mixed media, and even the land itself to create work that consistently addresses issues of land and water use.
From her artist statement, “I use the lure of beauty to both encourage people to look at the hard environmental issues we face and to give them hope. My paintings are done on silk, a naturally beautiful surface, and I gravitate towards luminous, saturated colors, giving my work an optimistic feeling. Although many of the landscapes I depict are ugly in reality, my landscapes are beautified as I prefer to engage the viewer through pleasure. I am trying to create an attitude shift from feeling overwhelmed by the magnitude of the problems to feeling inspired and empowered to take action through the experience of art.” (via skumar’s)
Joel Cooper crafts paper masks and geometric shapes using the technique of origami. Cooper’s intricate three dimensional masks are created with a large number of folds out of one sheet of paper. He alternates between bright and muted colors and matte and shiny sheets of paper that all appear earthy in tone. On some of his pieces, his wife has collaborated with him by using painting techniques to enrich color and texture. You can check out more of Cooper’s work on Flickr and purchase available designs via his Etsy shop. He lives in Kansas. (via design taxi)
Khalil Chishtee constructs life-size sculptures out of plastic bags. Much of his figurative work is evocative of movement and fluidity, and indeed, some of his work is sculpted in such a way as to be constantly moving. Admittedly charmed by the vastness of the plastic bag medium, Chishtee enjoys the way it respectfully responds to his deepest emotions.
“We live in the age of plastic, and plastic bags are the most ordinary form of this material. It goes back to the Sufi approach of my upbringing where worth does not depend on what you inherit, it depends on who you are. Anything made out of bronze, wood, stone or painted on a canvas carries the appearance of being worth looking at, because of its history, but if one can change the impact of that history, one is an artist.”
Originally from Pakistan, Chishtee now resides in New York. (via combustus)
Spanish artist Iván Prieto‘s sculpture work is surreal and sometimes a bit disturbing. In order to heighten the jarring effect of his creations, Prieto places some of his work in abandoned places, creating a narrative that lends his work (and the places they inhabit) a haunting presence. His sculptures are largely figurative, and feature bodies that are warped or grotesque, speaking to ideas of excess and deficiency. Even when he’s not using empty spaces to feature his work, his gallery installations are just as provocative and strange. Prieto’s talent for sculpting fascinating figurative shapes and contortions and then contextualizing them within spaces indicates an awareness of an overall composition of his creations, something not all sculptors think about when featuring their work. (via slow art day)
Hawaiian artist Jared Yamanuha takes his own photographs of iconic Hawaiian brands and images and expertly cuts finely detailed shapes into them. For these pieces, Yamanuha treats the photographs as raw material, applying the most amount of detail and intensity as possible.
“The whole collection is centered under the idea of ‘omiyage’ or the Japanese act of bringing small gifts back to friends from abroad. All of the pieces in my collection make reference to that tradition,” said Yamanuha. “I feel that I was able to authentically showcase a slice of Hawaii.”
Yamanuha most recently had his work featured at In4mation in Honolulu. In February and March of next year, Yamanuha will also be showcasing his work in San Francisco at the Museum of Craft and Design. (via booooooom and in4mation)
Dutch fashion photographer Rohn Meijer applies a chemical cocktail to old negatives in order to produce stunning effects of surreal color and distortion. This idea occurred to Meijer when he discovered some old negatives that were damaged by moisture. He then decided to concoct his own chemical-water treatment (the specifics of which he’d like kept secret) that would interact with the silver nitrate on the back of the negatives and enhance the effect of crystallization. Though he does like to treat entire negatives with the caustic bath, he will sometimes deliberately apply the cocktail to certain parts of the photograph in order to draw out or deepen the effect.
“What I’m looking for is the way that colors play out, sometimes a bleeding effect, other times more harsh effects,” he says. “It’s a different kind of developing I’m doing, it’s not done in a laboratory.”
Meijer claims that 90 percent of each batch he creates is trashed, but apparently, he has a large arsenal of film that he doesn’t mind tossing as they were most likely going to end up in the garbage anyway. (via wired)
Amanda McCavour creates delicate and intricate thread illustration-sculptures by sewing into a fabric that dissolves in water. This method allows her to build a threaded structure that stays in place once the fabric dissolves. The result is embroidery that appears fragile, on the verge of unraveling. She recreates domestic scenery, like that of chairs, side tables, electric sockets, in addition to other figures such as hands, a garden, and a steam pump. The effect of this work is ephemeral and whimsical.
From her artist statement, “I am interested in the vulnerability of thread, its ability to unravel, and its strength when it is sewn together. I am interested in the connections between process and materials and the way that they relate to images and spaces. Tracing actions and environments through a process of repetition, translation and dissolving, I hope to trace absence. My work is a process of making as a way of tracing and preserving things that are gone, or slowly falling apart.” (via slow art day)
I’ve been following Peekasso‘s (real name: Peter Stemmler) work on his Tumblr page for awhile now, and he is easily one of my favorite internet artists. I’m never bored with any of his creations, but his gif work is especially impressive. Using a combination of clips from film, video games, pornography, commercials, pop culture, and other internet ephemera, Stemmler assembles a curious juxtaposition of images. Some of his gifs have a brainwashing quality to them – a quick succession of disparate images and the loop of the gif medium force the brain to make connections between starkly contrasted imagery. The result is dizzying, and for me, satisfying in its absurdity. Underneath this absurdity and within the juxtapositions there is a critique of some of the imagery that seems to emerge, a perspective that seems to mock much of media in general.
As an internet artist, Stemmler also has an impressive output of static digital images and illustrations that you can check out on his website, blog, or Flickr. He lives in New York.