French illustrator Marion Fayolle‘s illustrations are light-heartedly simple and provocative. Maria Popova appropriately compares Fayolle’s aesthetic to Codex Seraphinianus, Gregory Blackstock’s illustrated lists, and the vignettes of Blexbolex, but I think there’s also some similar absurdism to be found in Joan Cornellà as well. Fayolle’s illustrations are visually comic poetry, each one representing a surreal and nuanced narrative. Bodies and body parts are often replaced, removed, or erotically recontextualized, something that could be jarring to viewers, but Fayolle’s whimsical aesthetic undermines any potential grotesqueness of this concept. Though her work is playful, the tension between humor, longing, lust, loss, and separation is palpable and creates a space for the viewer to revel in the narrative possibilities in each illustration. It’s the fragmentation of these narratives that connects them, allowing for a cohesion of and engagement with particular themes. Fayolle published a book of her comic illustrations, called “In Pieces,” last September. (via brain pickings)
Brooklyn-based graphic designer Victoria Siemer, also known as Witchoria, has an ongoing photography series updated weekly called ‘Human Error” in which the artist digitally overlays an existential or lovelorn computerized error message over a scanned Polaroid. The error message prompts the viewer for an action or to wait, illustrating the futility of this technological exercise when perceived in the context of heartbreak or ennui. Siemer’s series elegantly pairs new technology, represented by the computerized message, with older technology, represented by the vintage mode of a Polaroid photograph, combining the nostalgia evoked by a Polaroid with the technological angst that fuels many of our modern relationships.
If you regularly tune in to Adult Swim, Austin based illustrator and animator Dax Norman‘s work may look familiar to you. Evoking a trippy aesthetic reminiscent of Mad Magazine and “The Yellow Submarine,” Norman’s gifs ooze and pulse with bright, fun energy. Citing classic and current influences and favorites such as Max Ernst, Man Ray, Van Gogh, Shel Silverstein, William Blake, Neil Anderson-Himmelspach, Reverend Bobby Anger, David Olive, and Joseph Noderer, Norman creates animations informed by popular culture and the world around him, as well as animations that represent strangely and wonderfully original characters, figures, and shapes.
Norman first started making gifs by re-purposing existing longer animations into loopable snippets, but as the form started to grow on him, Norman began creating original gifs, trying to finish a new one every day. He creates both 2D and 3D animated gifs that deal with alternate and multiple perceptions of reality. Of his animations, Norman says, “I see them each as ‘little paintings,’ or ‘picture poems’ each with its own universe of movement…Playing with the looping idea, and rhythm, is what appeals to me the most. Hopefully… people can hear something in my moving pictures, even though there is no sound.” In addition to his extensive archive of gifs on Tumblr, Norman also has full video animations available on Vimeo as well as a Tumblr page dedicated to demonstrating his process of creation.
In 2011, illustrator and graphic designer Mailka Favre was commissioned by Penguin Books to illustrate the new Deluxe Classic Cover of the Kama Sutra by Vatsyayana. Using the first 7 letters she illustrated for the commission as a starting point, Favre decided to develop the full set of the alphabet, resulting in a racy Kama Sutra typeface. After creating the designs, Favre worked with animators to turn her images into actively coital gifs. Inspired by the everyday design and fashion she encounters in London, Favre’s aesthetic is bold and colorful, with clean and simple lines and curves. Favre admits she often wears the colors she uses in her designs, and she’s unsure which design choice influences which. Because her designs are so simple, Favre has to approach her work with a strong concept, something that is elegantly evident in her Kama Sutra alphabet. Each letter of the exhibition is available for purchase as a limited edition of 25 screenprints, numbered and signed by the artist.
Danish photographer Torkil Gudnason lives in New York City where he is mostly known for his work in fashion photography. As a side project, Gudnason creates botanical still lives using soft, ethereal lighting for his series “Electric Blossom” and “Hothouse Color.” Gudnason constructs his shots so that brightly colored backgrounds accent the flowers’ rich spectrum of color and texture. Gudnason compares the emergence of springtime to an explosion, noticing the energy that bursts forth during the change of seasons. He says, “I’ll glance out the window of my studio, and see a flower blooming in a most surprising place. Such a contrast—like magic. I think about how the flower got there and how it survives, how strong flowers are.”
The bright colors and contrasts in Gudnason’s botanical photography nearly render the images unnatural, as if they have been digitally manipulated. This illusion of artificiality enhances the beauty of the photography by asking the viewer to consider the boundaries of the natural and man-made, and the role of the photographer in creating alternate perceptions of reality. (via cross connect and plant propaganda)
If you were following us back in December, you may remember a post we did about Gracie Hagen‘s project, “Illusions of the Body.” This proved our most popular post to date, and was even flagged and banned by Facebook as inappropriate, something I covered in a separate post. Since the December post, Hagen has finished putting a book together of full color images of the project, including 17 never before released images. The book is available for pre-order on sale for $50 (regularly $60) to be shipped on May 1st, and each advance purchase will be numbered and signed by Hagen. What better way to show your support of work like Hagen’s, work that shouldn’t be censored by social media just because it features nude bodies, than to own your very own collection of these powerful images? Hagen was able to answer a few questions about the ban and her work via email.
In order to shoot this incredible time-lapse video of fireflies, photographer Vincent Brady used every photography trick he could think of – image stacking, 360 star trail panoramas, and macro shooting. He even learned how to operate a pontoon boat so he could frame his shots just right. The idea for the project began while Brady was celebrating his mother’s birthday in Lake of the Ozarks in April 2012. He noticed there was an unusually high number of fireflies due to an irregularly warm spring. By the summer of 2013, Brady had dug deeper into the project, and captured the images that comprise this awe-inspiring video.
You can visit his site to find out more information about each setting and time-lapse series included in the video, as well as learning of Brady’s affinity for the flickering creatures: “If your significant other ever says, ‘Honey, we need to spray the yard, we have a firefly problem.’ Break up, divorce, and get a restraining order right away! Fireflies just bless you with their presence, light up, make love, and call it a life.” (via colossal)
Pierce Thiot and his wife, photographer Stacy Thiot, have been collaborating on an ongoing project titled “Will It Beard” wherein the couple test the limits of what a beard can hold. Pierce tells BuzzFeed, “Over Christmas break, my mom had her grandkids do a talent show for her (she’s an adorable grandma). I tried to put as many pencils as possible in it for my ‘talent.’ I got over 20. Needless to say, my mother was very proud.”
Since then, the couple has put dried pasta, flowers, chips, matches, balloons, scissors, and even Mr. Potato Head pieces into Pierce’s beard. Through this playful series, the Thiots prove there is more to beards than just looking cool. You can keep up with the project’s progress on Tumblr and Instagram. (via moarrr)