Text Based Neon Art From Bruce Nauman And Six Other Artists

Patrick Martinez neon art

Patrick Martinez

Bruce Nauman neon art

Bruce Nauman

Tracey Emin neon art

Tracey Emin

Text art seems to be popping up everywhere these days in a multitude of diverse forms, although the use of text in art is inarguably not a new movement.  However, when it comes to using words in visual art, several artists of different ages and sub-genres have found ways to burn their words into our brains.  The pieces featured here have real stay-power.  Whether the artist employs a blinking pattern between words, such as Bruce Nauman does, or draws rawly from their cultural background and related personal experience, such as Glenn Ligon and Patrick Martinez, these works deliver a very contemporary message. With simple language, and a sometimes poetic-sometimes brash- sense of honesty, these neon text-based works transcend many other works of text based art made today.  Artists featured here include: Bruce Nauman, Patrick Martinez, Tracey Emin, Jill Magid, Glenn Ligon, Robert Montgomery and Jung Lee.  The works speak for themselves- yet we encourage you to read between the lines.

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Urs Fischer And Seven Other Artists Create Dynamic Works With Houses

Urs Fischer

Urs Fischer

Rachel Whiteread

Rachel Whiteread

 An Te Liu

An Te Liu

The house is a shape everyone has some form of relationship with.  Whether it symbolizes comfort, global financial crises in housing market, cookie cutter mediocrity or family, the house as a mundane symbol or object has been elevated to captivating experimental art and high art on several occasions.  This weekend we share with you a selection of significant works that adapt houses into art objects.

Urs Fischer‘s Untitled (Bread House), constructed of bread, bread crumbs, wood, polyurethane foam, silicone, acrylic paint, screws, tape and rugs leaves every ingredient exposed.  Stepping inside this large sculptural work recently at MOCA had the effect of walking inside a decaying fairytale, as the work is naturally allowed to crumble and decompose in exhibition.  Stepping over piles of crusts of cinnamon raisin bread amidst dirty rugs and peering up at the bubbled polyeurythane foam that seeps between boards and rows of old bread, the viewer may feel any combination of wonder, amusement and fear- much like Grimms Brothers Fairytales.

An Te Liu‘s Title Deed  evolved from the Leona Drive Project in Toronto where a number of vacant tract houses were offered to artists to be reinvented as artistic installations.  As this project took place in 2009 in the height of the housing market crash, the artist observed that the simple shape of the existing house represented the 20th century iconic Monopoly board game house pieces.  The simple, yet flawless execution of Title Deed situated within a functioning suburban neighborhood carries comical yet heavy implications.

 

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Earthworks: Five Artists Sculpt The Landscape

Matthew Moore

Matthew Moore

Lita Albuquerque

Lita Albuquerque

Andy Goldsworthy

Andy Goldsworthy

Our planet is a truly magical work of art; complex, multifaceted and textural.  Perhaps this is why Andy Warhol, a name that is unlikely to be associated with this topic, once said, “Land really is the best art.”  Viewed in this simplistic yet profound light, land, or Earth, serves almost as found object in the implementation of Earthworks.  In other instances land becomes the canvas, or the sculptural negative space for installation, or even a foundation and medium to explore sociocultural patterns.

Lita Albuquerque has used the earth and its materials for decades to create ephemeral and spiritually infused work. Her incorporation of performance, photography and installation creates multiple dimensions and lenses to experience our world, our relationship to earth and the stars, as well as their rhythms and cycles.  The images featured here of her project Stellar Axis document an artistic expedition into Antarctica, which was the first and largest ephemeral work created on the continent. The installation of ninety-nine spheres across the icy landscape mimics the pattern of the ninety-nine Antarctic stars above- visually linking Earth to the cosmos.

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Family Values: 5 Artists Draw Inspiration From Family

Zhang Xiaogang

Zhang Xiaogang

Song Dong photography

Song Dong

Seonna Hong

Seonna Hong

The saying “home is where the heart is” very rarely relates to contemporary art.  And though the works featured here are not directly about home, they are informed to some degree by immediate family,relationships and experiences that stem from it.  In a global spectrum of east meets west these five artists come from genres ranging from Chinese Avant Garde to lowbrow painting, from surrealism to contemporary portraiture, to name a few.  The paintings, mixed media works and digital media stills of artists: Song Dong, Brooke Grucella, Seonna Hong, Aaron Holz and Zhang Xiaogang exemplify the diversity with which the artists’ loved ones have become not only the subject for the works, but also at times part of the process, as well as a platform to tell a story that becomes increasingly universal.

I recall visiting the Yerba Buena Center for the Arts in San Francisco a couple of years ago to see Song Dong’s massive solo exhibition of works made with his family members as subjects, as well as a massive installation that incorporated decades worth of of family possessions as material.  His work is deeply personal, with a strong narrative thread, and truly draw you into his world with their reverence and profoundly flawless execution.  Zhang Xiaogang’s works from his series Bloodlines uses other family portraits as a vehicle for conveying the experiences of his immediate family that they experienced as he came of age during the Chinese Cultural Revolution.  Each piece in this series has a thin red line that weaves throughout the composition, symbolizing the connection of heritage and family.

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Paper Tears: Artist Interview with Jaybo Monk

Jaybo Paper 5

Jaybo Paper 6

Jaybo Paper

“Paper Tears,” an exhibition of all new works by artist Jaybo Monk opened recently at Soze Gallery in LA. I connected with him to discuss his new body of work, and how it relates to poetry, travel, what came before and what comes next.

K: Congratulations on a beautiful show and a really solid opening! How have you felt about the exhibit?

J: Thank you, to be honest I forget my work soon as it has been done. I consider every show like pages from a book that continuously get closer to its end , therefore I am more interested in the next page as the one I just have read.

K: This new work of yours in “Paper Tears” is quite an evolution from past works in a way I love. They are much smaller and feel more personal. Can you tell us a little about how you may have approached this series differently than works in the past?

J: Since I remember I always have drawn my ideas on paper before I even put them in words. Each morning I wake up out of a dream, I try to remember it in a visual form. What I normally do on a bigger scale is the result of more than one dream.  In “Paper Tears” I show one dream at once. The medium I used is also more personal: pocket aquarelles, pencils, ink… they also have a kind of diary aspect in them, involving time between each piece.

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Toy Art: Artists Incorporate The Objects Of Our Youth

Hans Hemmert toy art

Hans Hemmert

Yoram Wolberger toy art

Yoram Wolberger

Urs Fischer

Urs Fischer

I have to confess I am easily drawn to works of art that resemble or depict toys and other childhood objects.  At face value these works are easy, as all of us have some form of relationship or pre-existing association with the referenced nostalgic icons.  In other words, the works naturally engage us and draw us in.  However, these works, specifically those featured here, use the familiar imagery to interject layers of conceptual content, moving far beyond catchy into heavier implications, through expert usage of scale, quantity and context.

Context is key in these pieces.  Maurizio Cattelan is a conceptual master of context, as demonstrated in his piece Daddy Daddy, which features a large drowned figure of Pinocchio floating face down in a pool inside the Guggenheim.  The result is ironic, tragic and flawless.    As well, the practice of significantly altering scale such as Jeff Koons‘ balloon animal sculptures, Urs Fischer‘s Untitled (Lamp/Bear) and Yoram Wolberger‘s life-size sculptures of toy and trophy figurines, allows the objects to become monolithic, dwarf us and alter our sense of reality.

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Paul McCarthy And Friends- Inflatable Art That Rocked The Last Decade

Paul McCarthy's installation in Hong Kong. Photo courtesy of LAURENT FIEVET/AFP/Getty Images

Paul McCarthy’s installation in Hong Kong. Photo courtesy of LAURENT FIEVET/AFP/Getty Images

TamWaiPing Inflatable

Tam Wai Ping

Chad Person

Chad Person

This last decade in art has turned out a ton of larger than life sculptural work, specifically in the realm of inflatable sculpture.  As adults, we never seem to get over the pure bliss of bouncy houses from our childhood, and as art lovers we are drawn to these works, made from thin plastic that are able to tower over us once filled with air.  Artists have used this medium to make shocking and conceptually multilayered statements, such as Paul McCarthy’s “Complex System,” a building-sized pile of poo that made international headlines when it deflated in Hong Kong this past spring, leaving behind quite the brown mess.  Other artists have merged inflatable sculpture with architecture and infused it with an interactive element that takes the classic “bouncy house” into a sophisticated architectural wonderland, such as Alan Parkinson (also known as “Architects of Air”) has done with his Luminaria.  Other artists included below are: David Byrne, Eder Castillo, FriendsWithYou, Florentijn Hoffman, Chad Person, Tam Wai Ping and Geraldo Zamproni.

This Labor Day Weekend, enjoy the following parade of images that reviews some of the most exciting and celebrated inflatable sculptures that have emerged within the past ten years.

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Paper Art: Seven Artists Revamp Paper Into Sculptural Works

Tomas Saraceno paper art

Tomas Saraceno

Tomas Saraceno paper art

Tomas Saraceno

Tomas Saraceno paper art

Tomas Saraceno

Paper is a surface used by artists all the time, however we rarely see the true versatility of it as a material explored to the extent that is seen in the paper art featured here by: Ryuji NakamuraKyosuke Nishida and Brian LiJeff NishinakaTomas SaracenoMatt Shlian and Jen Stark.

Tomas Saraceno is a master of transforming a space and infusing it with an interactive surreal quality.  His installations that are constructed to provide viewers with the experience that they are walking on a cloud are absolutely captivating.  The soft dream-like magic of his work is more tactile and intimate, however, in this paper installation Cloud House featuring cloud like formations made only out of smaller geometric matte paper structures.

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