The swirling, layered paper and acrylic sculptural pieces posted above are meticulously carved and layered by the hands of paper artist Charles Clary. The works possess a precise, graceful movement that is made even more alluring by the tart, punchy color palettes Clary selects. Going one step deeper, these colorful clusters reveal that they have roots in a slightly scientific direction.
From the artist: “I use paper to create a world of fiction that challenges the viewer to suspend disbelief and venture into my fabricated reality. By layering paper I am able to build intriguing land formations that mimic viral colonies and concentric sound waves. These strange landmasses contaminate and infect the surfaces they inhabit transforming the space into something suitable for their gestation. Towers of paper and color jut into the viewer’s space inviting playful interactions between the viewer and this conceived world. These constructions question the notion of microbial outbreaks and their similarity to the visual representation of sound waves, transforming them into something more playful and inviting.”
Oakland-based artist Kara Joslyn’s work is paradoxically pop: combining bright, neo-geo, child-of-the-90’s color and pattern with dark subject matter that is somewhat empty, yet mystical—almost pre-ancient. The forms that take shape in her work seem to be tied together by a series of faint mythologies, maybe containing traces of some vague storyline buried in alien artifacts.
Her process begins with “sourcing photographic reference, which she curates by pairing selective images in dialogue with each other. This source material is then photocopied in black and white and rendered in paint—a document of a document, serving as an allegory for painting.” Her surface treatment is nice, and color choices (while not easily photographable), hit like a laser beam in front of the work.
Twisted, tangled and braided to perfection, the knots in sculptural artist Yuni Kim Lang’s work are drawn from folktales about hair. Fueled by a curiosity for superstition and magic, Lang’s work creates a space for itself between the real and the surreal, showing us how we can separate, expand and re-imagine parts of the self.
By considering the human connection to hair, she uses the sculptural medium to full effect, twisting intricate knots and braids into a discussion about the cultural significance of one’s appearance, tangled up with notions of perfection, beauty, stereotype and personal identity. Lang is currently completing the MFA program in Metals at Cranbrook.
Blurring the line between fabric, film and fiction, artist Kate Nartker‘s work serves as a meditation on the most easily forgotten moments of every day life. Zero-ing in on select snippets of video, Nartker translates the static and fuzz of forgotten moments into physical textile pieces. The pieces themselves break down into a moving frame-by-frame recreation of the original video piece, provoking the viewer with questions of time, intention, physical artifact and digital interpretation of real life. Her work has most recently been shown at San Francisco’s Alter Space.
Illustrator & art director Julia Kostreva is a lady with many talents—whether it’s working on membership kits for creative co-lo hotspot Makeshift Society, web design for brands like Kodenko Jeans or creating intriguing artwork for The Dirty Projectors. After studying graphic design and printmaking at Maryland Institute College of Art in Baltimore, Kostreva made the trek out to San Francisco, where she has rooted herself in a multi-faceted creative career. Kostreva has gone on to develop a series of simple, visually striking letterpress prints, notebooks, calendars and cards—in addition to textile patterns.
Light has always been an essential element in artist Hillary Wiedemann‘s work; her earlier projects exploring the relationship between light and glass, often bending, refracting and shaping light, with regular investigations into the seen, the unseen, the visible, and the nearly visible. Her installations have quickly matured into multi-sensory experiences that seem to evoke a sense of longing for the ability to make light a tangible thing.