I don’t know much about Irkus M. Zeberio, but his work caught my eye as I was tumbling through this. Directly pasted, his bio states, “Irkus M. Zeberio born in Donostia-San Sebastian, down by the Pyrenees near the Atlatinc Ocean at the land of the Basques . I came to Barcelona nine years ago. As the years went by I became an illustrator by a mutation process of my cells.” Besides being intrigued by his inclination to use the landscape format over the portrait format, I’ve always been fond of the stringy word balloon, which he uses very effectively, wrapping his drawings tightly in words. Additionally, simple color palettes on top of scratchy lines can never be wrong. Basque in it…
Paul Buckley, the VP Executive Creative Director for Penguin USA, has continued to art director and design some of the most eye-catching book covers I’ve ever seen. Instead of relying on a simplified photograph with super-clean typography, or reaching back for a retro look, Buckley hires the best-of-the-best in illustration and independent comics (Burns, Hanuka, Millionaire, to name a few) to create wonderfully fresh graphic images that leave little to be desired. And since these books are all classics, you don’t have to worry about being deceived by these alluring covers, because the interiors are guaranteed to be just as perfect as the exteriors. It is encouraging that the daunting sterility of the Kindle and Nook are being combated by men like Buckley, Kidd, Gall, and so many more, and if such devotion remains to be ceaselessly put into future book production, there should be little fear of physical books disappearing anytime soon. For a complete look at all of the book layouts (fronts, backs, interiors) see Sir Buckley’s Flickr.
I came across Ken Reid‘s work through various internet wanderings, and his humor and technical skills still blow me away every moment I look at them. His work bears resemblance to Basil Wolverton‘s, and both mastered the art of the humorously grotesque image which dominated 70′s comic magazines. It’s easy to see how work like this went on to influence ZAP Comix and WEIRDO, and these in turn went on to influence a large portion of contemporary independent and underground comix. Below is Reid’s WORLD WIDE WEIRDIES series, an extensive collection of visual puns inspired by different locations in the world, which originally appeared in WHOOPEE! and Shiver and Shake. Some of these fly right over my head, but its makes no difference when the imagery is as compelling as it is. ‘Nuff said.
CANADA is a trio of filmmakers, Luis Cervero, Nicolás Méndez & Lope Serrano. Located in Barcelona, they bump out mysteriously sexy music videos that feel like a mix between an Alejandro Jodorowsky film and an American Apparel ad. According to their info page on their website, “…CANADA has pursued excellence in different projects, advertising, fashion, music promotional videos, television and cultural events.” On top of all that fun, they were also guest writers and did an interview with Its Nice That, which helped to shine a bit of light on their interests and personalities. So far, I haven’t seen a video created by them that wasn’t worth watching, but my heart will always belong to the first one I ever saw, El Guincho’s Bombay. You’ll find El Guincho, along with Scissor Sisters, Battles, and other music videos below. Feast.
Stephen Mattheu Booth knows how to make a character worth remembering. I can’t say exactly what it is I enjoy about his characters, but they all just seem like they would be awesome to hang around with, and even his abstractions retain this figurative charm. I’ve always had an appreciation for this manner of art in which one can imagine the artist making these awesome drawings on a couch, or in bed, or at a bar, all without having to go to a studio and worshiping an easel, or using some computer tool to clean up his lines. It just feels right. And fortunately, he doesn’t draw fan artish mutated forms of Spongebob or Mickey Mouse, but instead, his work seems to sprout (growth being important here) from characters like Slimer, Donald Duck, Pluto, and other childhood favorites. How could you look at that #$!@*☁ duck and not smile?
New Jersey/Philadelphia-based photographer Jason Rusnock has just that right mix of humor, beauty, simplicity, and charm to ensure that his pragmatic shots won’t go unremembered. In an age of photography that falls so heavily upon who has the best chops at Photoshop, or who has the most money to buy this 200-megapixel monster, Rusnock hunkers down with his 35mm rolls and rocks out on formal arrangements and the intrigues of everyday life. In the post below, I’ve done my best to retain the notion of relational precision he hunts after daily, but for a better sense of his arrangements, see here and more generally here. He doesn’t just stop at photos, oh no, he can make a mean video, drawing, sound, or sculpture, and one of his latest series explores the medium of sequential art (no doubt stemming from his love of comics). Rock on.
This Thanksgiving, let us be grateful for the delicious imagery of “the master of voluptuousness” Jonny Negron. Not since Tom of Finland have I witnessed this caliber of graphic plumpness, and once your eyes fall upon these beauties you’ll be hooked. I really wish those two dudes could collaborate, unfortunately Tom of Finland is dead, but luckily, Negron and Jesse Balmer collaborate often, yielding plenty of awesome finishes. You can catch both of these men in CHAMELEON and DEMON GOD GOBLIN HEAVEN, and after that check out Jonny while he flicks, tumbles, and sells wonderful shit at these hyperlinks. Do enjoy.
Derek M Ballard just announced that Drippy Bones Books is releasing CARTOONSHOW once December comes around. Judging by his past body of work this book couldn’t be anything but amazing. Somehow he’s married erotica with angularity, which is no easy task, and the result is just downright sexy perpetual motion. In this interview, Derek fleshes out his influences, his process, and his awesome past occupation. To see more of his work, just head down here. Dude’s gonna get huge any day now.