Italian artist Enrico Ferrarini builds upon the famous art history of his country, quite literally, in his unique style which takes traditional sculpture to its digital conclusion. By carving and casting sculptures and then creating multiples of them, Ferrrani combined them, bring a glitched, modernly repetitive styling to time-honored sculpting methods.
The Moderna, Italy-born artist has studied at the Florence Academy of Fine Arts (where some of the most famous sculptures of all time, including Donatello and Michelangelo’s Davids reside), and employs methods of sculpture which are not typically learned by today’s artists. Perhaps that is why his work has a deeper resonance; employing the methods of the past to work with the styling of today. (via myampgoesto11)
World-renowned art superstar Takashi Murakami (and his production company Kaikai Kiki Co., Ltd.) has always dabbled in fine art mediums with a large splash of commercial elements, but his latest venture is taking on the largest popular medium of them all. Jellyfish Eyes is the artist’s first foray into live-action, full-length films, and from the looks of the incredible trailer, it will have all of the elements of Murakami’s “superflat” mix of high and low culture.
“Jellyfish Eyes tells the story of Masashi, a young boy who moves to a sleepy town in the Japanese countryside with his mother in the wake of a natural disaster. After returning home from his new elementary school one day, Masashi discovers a flying jellyfish-like creature whom he befriends and names Kurage-bo. Masashi soon discovers that all his classmates have similarly magical pets, known as F.R.I.E.N.D.s, which are controlled by electronic devices that the children use to battle one another. Despite their playful appearances, however, these F.R.I.E.N.D.s turn out to be part of a sinister plot that will threaten the entire town.”
Bones automatically insinuate death, and often are the only physical remnant that insinuates life once existed. Shen Shaomin‘s bone works are equal parts terrifying and fascinating, man-made memorials to human intervention on the planet. Creatures that never have been or should be are pieced together from human and animal skeletons. The bones are carved and relief-carved with text taken from several sources, including the Bible, the Koran, and various sources. Inscribed in English, Arabic, and Chinese, the texts serve as warnings to the two largest industrial nations in the world of the damage being caused to the planet.
Related to the Chinese practice of bonsai, or long-term manipulation of a living tree to one’s will based on aesthetic and stylistic choices, Shaomin has also used bonsai in past works as a metaphor for human intervention upon nature.
In an interview with the University of Sydney’s ARTSPACE CHINA, Shaomin explains the terror he hopes to evoke in his skeletal works, “China’s current situation is very much like my bonsais. At first glance you will find it beautiful, but once you look more carefully you’ll see there are terrifying things behind that beauty. China has over a billion people, but over 800 million of those people are peasants. A peasant’s standard of life in China is still pretty basic. They say that if every one of those 800 Chinese peasants showered every day it would take more than all the water on the planet. That’s a scary thought.” (via myampgoesto11)
Canadian photographer and general polymath Chris McVeigh has found fame as an in-demand commercial illustrator and designer, but his recent forays into LEGO toy designs have been bringing him even more attention recently. Taking inspiration from outdated and outmoded technologies, McVeigh’s recent collection creates sets from existing LEGO parts – and offers them as kits for sale or open-source plans for those who wish to build their own.
Not only does McVeigh create toy replicas of tube-televisions, early computers and gaming systems, but he also creates miniature “sets” – realistic era backdrops – complete with shag carpet, wood-paneling, and tacky wallpaper, just so his creations fit in. (via colossal) Read More >
Using Adobe Illustrator, Minini’s elegant lines are collected and create stark and moody black and white animals. Its not just an interesting stylistic choice, but each design is enhanced by his strong graphic sensibilities. Seeing the potential for slithering lines to form together in creation of a snake is one thing, but understanding the form so as to subtly create a colony (or cloud as they are also referred to in groups) of sleeping bats is an intelligent, innate choice. (via colossal)
Byoungho Kim‘s The Progression of Silence engages sight and sound, using an aesthetically and aurally pleasing repetition of bells. A site-specific installation, Kim constructed the massive work from brass, piezo, signal wire and a sound controller, to hang in the spiral stair case of the Johnnie Walker House, an arts exhibition space opened in 2013 buy the famous whisky distiller. The piece hangs from the roof of the building down to the floor, engaging the entirety of the architecture, and with sound, the people inside the building. Says Kim, “One of the “materials” I like to use is sound. The essence of sound is the vibrations of frequency, and these vibrations are often seen as geometric patterns to the eye. Through the process of changing these geometric patterns, namely modulation, they become sounds for the artworks.”
Kim fully explains his process, “My work is an approach toward the rationality that was spontaneously generated with the progression of civilization such as systems, standards and modules. The unitized and systemized material/immaterial elements become the material of my work. The output created from my materials poses questions on the essence of life as well as being a study on human nature.” (via myampgoesto11)
For award-winning photographer Oliver Grunewald, the medium of capturing images offers the ability to document, share, and investigate the natural forces which shape our world. Grunewald, along with his partner, journalist Bernadette Gilbertas, travel the globe, focusing on natural wonder, which for the French photographer offers, “…a pretext for immersing himself in the world as it was in the early days of its creation, and his patient quest for the magical, ephemeral light that best underscores the wild primitive side of nature pays off.”
As part of a massive body of work focused on volcanic activity around the world, Serfdom of Sulphur Night, offers some of the more intense photographs taken at the Kawah Ijen Volcano in Indonesia. Grunewald explains the genesis of the series, “For over 40 years, miners have been extracting sulfur from the crater of Kawah Ijen in Indonesia. To double their meager income, the hardiest of these men work nights, by the electric blue light of the sulfuric acid exhaled by the volcano before climbing up to the top of the volcano with their heavy charge.” (via myampgoesto11)
Australian photographer Greg Briggs‘ new photoseries Melbourne Cleaners highlights the often nameless faces that clean and restore the seemingly untouched galleries, theaters and museums. By focusing on the people who keep these spaces pristine, Briggs not only acknowledges the work of these people, but also takes the viewer behind the scenes to an even more quite, contemplative place, rarely seen by most museum-goers.
Taking place via a virtual tour of important architecture and places throughout Melbourne, Australia, Briggs’ photoseries was captured over six months. Capturing these workers who generally work alone, they are seemingly oblivious to the camera, and are caught in intensely private moments alone with their work. One cannot help but notice how these abandoned, quiet, spaces might be a better way to actually appreciate all the works of art we often walk right by during busy open hours.
Katie Hosmer at My Modern Met writes, “The artist captures what seem like voyeuristic moments as cleaners go about their work in some of the city’s important and iconic buildings including St Paul’s Cathedral and The Queens Hall, Parliament House. Surrounded by classic architecture andfamous artwork, each individual concentrates on the task at hand and seems completely unaware of the camera’s presence. Viewers can almost hear the low hum of polishing machines, the soft whoosh of feathers dusting across the nooks of a picture frame, and the splatter of bottle spraying cleaner along the surface of glass.” (via mymodernmet)