New York-based artist Lee Price paints realistic portraits of women as they are caught in intimate moments consuming sweet treats and decadent desserts. They are either in bed or in the bathtub, both places where eating is seen as somewhat taboo (aside from the occasional breakfast in bed). Here, we are the voyeur, gazing at not only their location, but what they are eating. In a short statement about her work, Price writes:
In this society, there’s so much pressure for women to be thin. We’re not supposed to have appetites – and not just for food, but for a lot of things. We’re the givers and not the consumers, and I think some of my recent paintings are about the women staring at the viewers and saying, ‘I’m not going to censor my appetite.’
The women in Price’s work are unapologetic about what they enjoy, and it ultimately seems like they are liberated doing so. Many of them look straight at us instead of shying away. As she insinuates in her statement, Price’s work touches on the repression of desire, and the fact that they match our gaze communicates that they are taking control. (Via iGNANT)
Photographer Antoine Rose captures Miami’s beaches and its coastline in the series Up in the Air Miami. Shot from a bird’s eye view, umbrellas, beach goers, and yachts are miniaturized and abstracted, and look like tiny toys used in a diorama. The candy-colored images offer an unusual glimpse into a day on the water, as we see only a general depiction of the beach yet its captured on a large scale. We aren’t offered many details, but still, there is a lot of energy in these photographs. Rose communicates leisure, and minuscule figures evoke the famous French post-impressionist “bathers” series by Cezanne.
Emmanuel Fremin Gallery in New York City is exhibiting Rose’s works, and they describe how the extreme point of view affects what we’re seeing:
… people sharing common behaviors and exposing themselves like hedonistic herds. The stills of people swimming, surfing or just sitting down on their beach pads suggest a showcase or, given the distance, an Insectarium. One can even see a religious connotation: the bird’s eye view makes people seem insignificant dots in the infinite space of the universe, crushed by the immensity of the water field, recalling the biblical universal flood; seen from the sky, like through god’s eyes, people and nature coexist in harmonic or tense relationships. -Eduard Andrei
Miami isn’t the first or only place that Rose has photographed. Previous series of Up in the Air include the Hamptons, Long Island, and Wollman Skating Rink in New York City. To capture these images, he is situated outside of a helicopter that flies as low as 600 feet.
Taking your average shovel, bucket, and spoon, Lithuanian-based artist Severija Inčirauskaitė-Kriaunevičienė embroiders them with detailed cross stitch designs. She often adorns these items using conventional floral motifs, and combines the decorative art with the practical everyday object (view some of her previous work). Most of the time, however, this renders its usefulness obsolete.
Severija’s work is cognizant of the history surrounding craft in her country. In an essay about her embroidery, Dr. Jurgita Ludavičienė writes:
Employing irony, Severija conceptually neutralizes the harmfulness of kitsch’s sweetness and sentimentality. Irony emerges in the process of drawing inspiration from the postwar Lithuanian village, with which artists have lost connection today, or from the destitute Soviet domestic environment, which women were trying to embellish with handicrafts, no matter what kind of absurd forms it would take. The intimacy of indoors freed from all tensions is the essence of coziness, that is crystallized in Severija’s works as cross stitch embroidery on various household utensils not intended for it.
The artist’s portfolio goes beyond floral arrangements. It has a sense of humor, as she embroiders trompe l’oeil cigarettes in an ashtray, the reflection of a mouth on a spoon, and fruit in a bowl. In addition to its meticulousness and amusement, it also blurs the lines of gendered objects, as she stitches “girly” flowers in to “manly” car parts. (Via Colossal)
If you’ve ever wondered what it’s like to photograph for Playboy, ponder no further. Dutch photographer and art director Patrick Van Dam has the ultimate behind-the-scenes look at the infamous magazine in his book, Playboy Behind The Scenes. Published in 2011, it’s full of images that capture the awkward and unsexy moments that comes with the making of every sexy centerfold.
Seeing these images takes some of the allure and fantasy out of Playboy photos. Pulling back the smoke and mirrors, it reminds us they have their share of unflattering moments, too. It takes the proper lighting, strategic positioning, and even water pouring to make things appear just so. Nothing is as glamorous as it seems.
Van Dam directed nude photo shoots for Dutch Playboy for seven years, so he has no doubt seen it all. He even had Hugh Hefner write the foreword for his book:
In these compelling images, Patrick has captured the soul of the Playboy shoot and offered a true celebration of, and homage to, the people who make these beautiful things happen. Vividly here is the intimacy, the fun, and the dedication it takes to create the very best in contemporary erotica. And along the way, true to his calling, he gives the reader a peek behind the curtain of the Playboy lifestyle. (Via Featureshoot)
Illustrator and film lover Andrew DeGraff crafted a series of maps to help us navigate some of our favorite films. In long, epic journeys like Star Wars, Indiana Jones and the Temple of Doom, and even goofy comedies Wet Hot American Summer, it’s easy to forget where we’ve travelled over the course of the story. DeGraff highlights some key events, like Luke Skywalker’s trek in The Empire Strikes Back. If you are big fan of any of the movies that he’s illustrated, then the painstaking details will delight you.
Using gouache, the illustrator carefully draws spaceships, architecture, and foreign lands. While they are clearly maps without being the conventional road map, DeGraff’s limited color palette offers the most important information in vibrant colors, while the secondary (but still interesting) details remain less conspicuous. (Via Flavorwire)
Let’s face it. Going to the movies can be an expensive and sometimes obnoxious endeavor. As the popularity in streaming services like Netflix and Hulu grow, it’s so much easier and cheaper to just stay at home. But, when you look at these photographs of grandiose theaters by Franck Bohbot, it makes you wish you paid the $15 to be there. In his series simply titled Cinema, he captures the old elegance and spectacular detailing of these places, all of them empty so you can see all of their idiosyncrasies.
Not surprisingly, all of the photographs are theaters in California, in Hollywood and beyond. Some of the decor of these places is totally over the top, like the Orinda Theater, where faux Egyptian hieroglyphics line the walls and guests sit in red velvet seats. Or the Brava Theater in San Francisco, which has an absinthe green ceiling. The Crest in Los Angeles lines its walls with a city landscape and its ceiling dotted with stars, making its patrons believe they are viewing a film outside.
Bohbot’s photography frames these places so they really shine. He controls the lighting and exposure, making these venues appear glitzy and impressive, probably more so than they actually are. But isn’t that movies are trying to do, and by extension the theaters, too? They want you to escape your everyday life for a few hours and believe that you are somewhere else. (Via Flavorwire)
Using toys, computer hardware, beading, and even money, Argentinian-based artist Elisa Insua assembles images of popular culture with the items that make up popular culture. The intricate works take similar textures, colors, and shapes to form iconic portraits of Darth Vader, a Playstation controller, and the lion from the 20th Century Fox logo. Sometimes, Insua also covers three dimensional objects, like Maneki-neko (fortune cat) and toy guns and dinosaurs.
Erika Rae on Core77 described these works as appealing to someone who used to thumb through the I Spy series, a set of books where the reader would find a specific object among many, many others to solve a puzzle or riddle. Looking at Insua’s works, this description feels very appropriate. The mosaic of bright and cheery objects is alluring to our eyes, and focusing on the innocence of all of the toys in every image is almost escapist. For a period of time, we can slowly look over every part of Insua’s and be mesmerized by past popular culture. (via Core77)
In a surreal and slightly disturbing series titled Running Gag by the Hamburg-based studio POP. Postproduction, they imagine what it would be like if shoes teeth to accompany their tongues. POP specializes in photo-retouching, and manipulated the images has the loafers, boat shoes, and Converse sneakers laughing and grinning. Some have a gap tooth, others a gold grill, while some have hardly any teeth at all.
There is some correspondence with the teeth and the shoe. For instance, the pink canvas shoe with decorative laces has a mouth full of braces, so we’d imagine they are a teenage girl. The gold-studded loafer is an “alternative style” to the preppy shoe, so its gold lip ring feels appropriate.
Despite being slickly-produced and brightly-colored series, the Running Gag is subtle, and it’s only after more than a seconds glance that you realize there are teeth in these shoes. It’s POP’s Photoshopping skills that add to the believability of these characters, and they look liked they’d be right in place in a horror film. (Via Design Taxi)