Patty Carroll photographs women who hide behind fabric. In her series, Anonymous Women: Draped, she features figures sitting and standing, all shrouded in luscious fabrics, rugs, and more. These women are invisible, meant to convey the idea that as we perfect the space of our home, it can fuse with our identity. Carroll’s choice in fabrics harkens another era, and look like they could be in the house of a grandparent. The Nuclear family of the 1950′s and 1960′s comes to mind in her work, when women’s roles were often domestically confined. Carroll writes about the series and the inspiration and implications behind it, stating:
I am addressing the double edge of domesticity; the home as a place of comfort, or conversely, a place where decoration camouflages one’s individuality to the point of claustrophobia. The draperies in these photographs act as both a visual cue as well as a literal interpretation of over-identification/obsession! While my direct sources for this series come from furnishing a home, as well as remembering the nuns in their habits while growing up, this series also references draped statues from the Renaissance, women wearing the burka, the Virgin Mary, ancient Greek and Roman dress, priests’ and judges’ robes, among others. I believe everyone has a hidden identity formed by personal traditions, memories, and ideas that are cloaked from the outer world. Cultivating these inner psychological, emotional and intellectual worlds is perhaps our greatest challenge as people, wherever we come from or wherever we live. (Via I need a guide)
Oh Seung Yul’s noodles may look delicious and edible, but in reality they are complex, hyper-realistic resin sculptures. The Korean noodles dangle 12-feet tall with an actual chopstick fixed to the top. Everything is articulated, from the individual noodles to the carrots and clams. Yul has considered even the gesture of slurping this food. He has colored the noodle mass in such a way that you feel a rush of broth dripping from the chopsticks.
You can marvel at the sculptures for their craft as well as attach a narrative to them. Who is tall enough to hold that chopstick? What kind of person owns that decorative floral platter? The work exaggerated size lends itself well to a whimsical interpretation. It’s still without feeling stiff and impeccably realistic. Yul’s work tricks the viewer, but ultimately reward them with something that’s extremely considered and tediously constructed. (Via My Modern Met)
You might use emoticons/emojis in your everyday texting or in your tweets, but have you ever really looked at them? Designer Liza Nelson studies their pixelated idiosyncrasies and recreates them in her series EMOJI IRL.LOL. Using vegetables, props, paper mache, and more, she crafts the emojis we all love/hate. Nelson then photographs them and publishes on Tumblr, with the emoji accompanying it. Her opinion of emojis are simultaneously low and high. Appreciative, yet disparaging at the same time. She writes,
Emojis mean everything and they nothing at the same time. They’re completely personal and completely universal. They’re really quite stupid. And they’re the best thing that ever happened to our generation. They deserve to be observed and worshiped individually. By finding, posing and sculpting emojis in real life I’ve created a set of shrines to the individual characters because somebody had to do it.
In a Wired article by Liz Stinson, she describes how Nelson begins the IRL emojis. Stinson writes, “Nelson begins each of her images by analyzing an emoji to the point of deconstruction. ‘I’d take screen shots and zoom in and in until they were super pixelated,’ she explains. ‘I’d study them, really trying to figure out the facial expressions or the color or the details you don’t notice when they’re so tiny.’” Since starting the project, she’s gotten quite a few requests for the emoji poop icon. Nelson says she will be constructing it out of clay. (Via Wired)
Mark Jenkins’ sculptures occupy the uncanny valley. His work, in which he recreates the human body, places “people” into odd and often disturbing situations. Some of them are as fantastic as they are strange. One of the most interesting parts of Jenkins’ work is the way they are installed. His people are on the streets. They are life sized and dressed in conventional clothing, so they look as though they belong in the landscape. In reality, they don’t. His sculptures are standing in trash cans, on the edge of buildings, face first into a public fountain, and more.
Seeing Jenkins’ work amongst people is partially what makes it so successful. Seeing the reactions of others to these sculptures is both amusing and at times discerning. People walk by them as if they are nothing, as if they are completely normal. Sure, they stare at them, but they are never captured intervening on their behalf. Some, of course, aren’t believable. Others, like a woman stuck in a trashcan or laying on the top of the billboard would elicit some reaction. But, instead, she remains in the can.
The subversive nature of Jenkins’ installations is satisfying, especially if you are in on the joke and know it’s all fake. You could watch people for hours as they pass by, try and interact with the sculptures, and ultimately fail. The artist is taking the art outside the gallery and entering a world that combines art lovers and non-art lovers alike. (Via Hi Fructose)
British photographer Vikram Kushwah recreates pieces of the past with staged photography. Working with fashion designer, writer, and researcher Trisha Sakhlecham, the two produced a series of images titled Memoirs of Lost Time. The subject matter, its tone, and coloring of the photographs are a dreamy and hazy. They straddle the fine line between what is a dream and what is a memory. Each image features a person gazing beyond the landscape, as though they are longing for something lost.
On his website, Kushwah writes about Memoirs of Lost Time. He says that the series is inspired by the romantic notions of childhood memories, and goes on to say:
…A biographical documentation of sorts, of seven creative personalities’ childhood recollections, this book captures not only what was, but also suggests a very imaginative take on what could have been.
Stories evocative of the intimate moments and bygone days of these personalities are embellished with wondrously staged pictures featuring the subjects themselves. Each chapter takes you into the personal and never seen before world of one of these personalities with a short story, an insightful interview and photographs, weaving in and out of reality, where you start beginning to drift into a realm of imaginative possibilities and yet remain attached to the facts that were.
With dreams, like distant memories, we sometimes question whether or not something actually happened. While this could be distressing, Kushwah chooses to embrace uncertainty and magic of it all. There are some fantastical elements, like a woman that is carried away by small umbrellas. But mostly, these images lack action. Instead, they depict quiet moments in the company of many books or the vast outdoors. Reading and nature provide the perfect fodder for imaginations to run wild. (Via My Modern Met)
North Korea is a country famous for its censorship. Even so, Associated Press photographer David Guttenfelder has been able to capture images of the country and share them via Instagram. Recently, the DPRK relaxed their laws surrounding the internet. Foreigners are allowed to carry their phones with an activated 3G network. Guttenfelder talks about his motivations and experiences to Wired magazine, stating:
“In a country known for its censorship, I’m now uploading photos to Instagram from the streets of North Korea like I would anywhere else in the world. Through social media, I’m trying to piece together a picture of this country for the outside world … No one puts their hand in front of my camera, and no one tells me not to shoot things. There’s no review process. They don’t look at my pictures at all before I send them on the Associated Press wire or my Instagram account. Facebook even asks me to tag my “friends” Kim Jong Il and Kim Il Sung when I upload my photos.”
Displaying his photos on Instagram allows for followers to interact with Guttenfelder directly. He welcomes this, and comments on one of his photos, writing, “I appreciate the comments and the direct connections. It has given my work a cool and unexpected extra purpose.”
Guttenfelder posts photos of everyday life, displaying different aspects of the country and the influence the regime has on the cultural landscape. Of course, because they have been “Instagram’d” they look old, but are completely contemporary. In some of these photos, based on subject matter, it’s hard to imagine that they are of our time. (Via Huh Magazine)
Using an assortment of discarded paper goods and household items, artist Lisa Hoke creates large-scale collage installations on walls. From afar, you might not realize what materials that she’s used, but upon closer inspection you’ll notice there are cardboard boxes, trading cards, cups, plates, cups, stickers, and more. The use of these items is Hoke’s way of commenting on the amount of refuse we produced and how we overlook the beauty of these objects. She’s right. If you think about all of the work that goes into designing and producing packaging, then it is a shame to discard it. Her color-coordinating, lusciously textured work gives these objects a second life and a chance for viewers to appreciate it beyond it’s primary function. Hoke even allows them to participate by donating items to be used in her work.
In an article in Arts Sarasota, Hoke says, “Castaway treasures become my tools for expression of beauty.” Her work unfolds organically, as she recognizes that you can’t completely plan for any installation.When she’s finished, the work is often a surprise to not only the viewers, but herself.
There is a both a visual delight and over stimulation that comes from looking at Hoke’s installations. This representation of our over-abundant consumer culture has a dizzying amount of bright colors, logos and patterns. They vibrate against each other, competing for our attention. Here, it seems the old adage “art imitates life” rings true. (Via Junk Culture)
“Your staff are the nicest pooch lovers in the world. Penny, my precious little wiener…is looking forward to her next stay.”
“Quality of toilet paper could be better…3-ply minimum…otherwise it was a great room and enjoyable stay.”
“I had just given an unflattering review to a volatile pop star’s latest album and heard through the grapevine he was staying at the hotel. I was certain he was going to exact some kind of revenge…after many anxious phone calls…one of your staff kindly offered to stay up with me until I calmed down.”
For the holidays, the Standard Hotels produced a 2014 calendar that details a look back at 2013. In a collaboration with advertising agency and publisher KesselsKramer, the hotel chain reviewed and recreated moments from 2013’s favorite guest letters, comments, and special requests. From all of the bizarre things they had received throughout the year, they narrowed it down to 12 that were reenacted by the hotels’ staff.
If you’ve ever worked in the retail or service industry, you know how weird or picky some people can be. The comments and requests that the Standard Hotels receive is no different. One customer claimed their TV was possessed. Another believed that the hot tub had melted their prescription lenses. One guest was a music journalist (directly above) so anxious about recent scathing review he published that hotel staff stayed to keep him company until he calmed down. He was very appreciative.