Artist Carson Davis Brown wants to disrupt the big box stores (think Walmart or Target), or “places of mass” as he calls them. Not by making a lot of noise or leaving the aisles in total disarray, but by creating site-specific installations titled Mass that feature carefully-selected and thoughtfully-arranged products. He’ll pick one color and group those objects into totem-like structures that line the shelves, create an island in the shoe aisle, or block an important door. They form visually-pleasing works of art that are documented via photographs.
It’s no surprise that these installations were made without the permission of the store; Brown takes things from all around and somehow arranges the displays without getting stopped by staff. They are then left until they are inevitably disassembled.
There’s an inherent beauty of these works, but a guilty pleasure that comes from enjoying them. Brown’s disruptions highlight just how massive these warehouse-type stores really are – just look at the range of products. This “convenience” has put many “mom and pop” shops out of business. So, these works are a small way of fighting back. But, at the same time, having to disassemble these displays must be done by the lowest level, least-well paid employees – the sales staff.
Hedi Xandt is a multidisciplinary creative who has a formal graphic design education, but doesn’t see himself limited to this field – his work takes the form of fine art paintings and sculptures. Xandt’s three-dimensional pieces are visually powerful and conceptually compelling. They feature busts and skulls composed of gold-plated brass, polymer, distressed black finish, and marble. The gold acts as an accent that adds an element of terror to the work, such as giant spikes or dripping blood.
The skull and bust are symbols of both art and humanity, and the aggressive nature of Xandt’s sculptures makes it appear as if he is rejecting these classical notions. The sleek and stylish “killings” coincide with his philosophy about creative spirit. Instead of mastering one thing and sticking to it forever, Xandt favors a more fluid approach, writing:
I think that the main and most important aspects of my work are creativity and concept. Being permanently on the experimental side of thinking and creating, I seek to add to my skills with every piece I begin. Learning-By-Doing, this awfully overused term, applies to me just as well as Doing-By-Learning. The unison of knowledge and skill provides me with inspiration and a broad foundation to be used as a starting point for any kind of project. (Via Inkult)
Premier website builder Made With Color and Beautiful/Decay have teamed up again to bring you exclusive artist features. We show you exciting artists and designers who use Made With Color to create a clean and modern website. But it doesn’t just help artists create a minimal, mobile-responsive website; Made With Color also allows them to do it in only a few minutes without have to know any coding. Today, we’re sharing paintings by Brian Cooper.
In his series Empty Space Is Not Nothing, Cooper depicts soft-looking forms on a pitch-black background. They are strange, abstract shapes that have an air of originality about them, but seem familiar at the same time; the surface treatment resembles gridded paper that you’d find in a notebook, and the figures themselves droop like a mat or mattress that stood upright. We see excess and folds, which gives these paintings a visceral feel, and the viewer has an overwhelming desire to reach into the work and touch the imagined-malleable surface.
Cooper is both an artist and a musician – he performs under the name Earth Like Planets – who recently released a self-titled EP and has a show coming up at Ham and Eggs Tavern. If you’re in Los Angeles, it starts at 8PM on Saturday, November 8.
Mihai Marius Mihu, Heresy, from “The Nine Circles of Hell”
There’s a lot of impressive things built using LEGOs, and a lot of times the family-friendly toy stays PG in content. In Mike Doyle’s new book titled Beautiful LEGO 2: Dark, however, the dozens of creations are more sinister in nature. The publication includes a number of MOCs (a community acronym that means “My Own Creation”) that feature the likes of a scary bear, an electric chair, giant insects, and more. The artworks are an interesting and entertaining spin on LEGOs as they venture into adult territory. And, since we’d usually think of them as something that’s more lighthearted, it makes even more of a visual and conceptual impact. Beautiful LEGO 2: Dark comes out next month. But if you enjoy these unconventional builds and want to see more of the now, be sure to check out its predecessor, also by Doyle. It’s titled Beautiful LEGO. (Via Wired)
Painter Joseba Eskubi’s lusciously-crafted landscape paintings have both an incredible energy and a certain mystique to them. The gestural brush strokes signify movement like the wind or temperamental weather, and they exist in these desolate locations with brilliantly-colored dark sky; it’s like the bluish-purple that marks the middle of the night.
All of Eskubi’s paintings feels like they exist in the same world, but each sets the stage different for its own strange happenings. A lot of these structures are reminiscent of weeping trees or their twisted branches. These lines create an interesting visual tension that doesn’t necessarily feel threatening at the moment, but it was at one time (or maybe in the future?). It’s an uncertain, post-apocalyptic shelter. But unlike the stereotypical gray landscape, Eskubi has created a place of visual splendor.
Melbourne-based artist The Black Math (TBM) changes the meaning of portraits by adding simple line art to the subjects of the photographs. This fusion results in a unique style where parts of a model’s face is completely obscured by black or white shapes and different symbols and markings are drawn over top. It shifts the emphasis from fashion and lifestyle and to something that has an entirely new narrative. Now, there’s something mystical and mysterious as we try to make sense of what TBM has drawn.
All of the photos that the artist altered are of conventionally “beautiful” people, and he transforms them into something we don’t recognize. They’re made especially eerie when the pupils are removed from the eyes. At one point these people’s aesthetically-pleasing appearance probably sold some sort of product. Now, given an entirely new voice and meaning, they are saying something entirely different, which doesn’t necessarily pertain to consumerism.
Tattoos, historically, have been on the bodies of sailors and prisoners. It’s only in relatively recent years that they’ve entered mainstream society and lost some of their negative social stigma. Arkady Bronnikov collected photographs of tattooed Russian prisoners between the mid-1960s and mid-1980s. The amount he obtained was massive – 918 images worth – thanks to his position in the government. As a senior expert in criminalistics at the USSR Ministry of Internal Affairs for over 30 years, part of Bronnikov’s duties involved visiting correctional institutions of the Ural and Siberia regions. He interviewed, gathered information, and photographed convicts and their tattoos, which gradually helped him build this comprehensive archive.
The images were later acquired by FUEL, a London-based design group, in 2013. Some of the photographs and official police papers authored by Bronnikov from the Soviet period will be published by FUEL in two volumes, the first of which was just released. Now, they are part of a current exhibition titled FUEL present: Russian Criminal Tattoo Police Filesat Grimaldi Gavin in London until November 22 of this year.
When these photos were taken, Bronnikov wasn’t concerned with composition or style. They were meant to act as a record and served a purely practical purpose. The gallery explains, “Their bodies display an unofficial history, told not just through tattoos, but also in scars and missing digits. Closer inspection only confirms our inability to comprehend the unimaginable lives of this previously unacknowledged caste.”
With Halloween just around the corner, costumes don’t have to be the only spooky things you you do to celebrate the holiday. We’ve been introduced to the lifelike, creepy cakes of Conjurer’s Kitchen, and they aren’t the only ones turning delicious treats into something sinister. So, here are a couple of other food artists having some ghoulish fun with conventional desserts.
Christine McConnell is an artist, photographer, and baker who makes elaborate delicacies like screamberries, a life-sized facehugger pastry, and chocolate-covered spiders. The details on these foods are incredible and so convincing that they don’t appear like they’re edible (though they are!). But, they look so impressive that you wouldn’t want to. (via Who Killed Bambi and Laughing Squid)
Ruth & Sira created their own version of the sugar skull by opening the top of the heads and sticking things like berries, nuts, and gummies. The walnuts look like a strange, dried-up brains while they’ve also created the more traditional-looking organs. Their creations look very sweet, and easy to pop skull after skull (as strange as that sounds) into your mouth. (via Who Killed Bambi and Boing Boing)