Gianluca Traina Uses Distorted Photos To Create Woven Pixelated Busts

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Artist Gianluca Traina’s series titled Portrait 360 combines photography and sculpture to create alluring, mysterious objects. Mannequin-esque heads are covered in distorted, mosaic-looking squares that are simultaneously recognizable humans yet pixelated and indiscernible. To craft these works, Traina first shoots photos of anonymous subjects and focuses on their faces. He then uses a warp and weft technique to weave the 2D-images into 3D paper busts.

In the blurred surface photos, you can tell where the skin ends and the hair begins, as well as where features like the eyes and nose are. But, those things don’t always match up with the attributes of a bust. Eyes are on the back of the head and hair covers the nose and mouth. There’s no front or back anymore, and instead there’s a constant play between photographed surface and the sculpted one. (Via Hi Fructose)

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A London Children’s Hospital Covered In Bold Murals By Artists And Designers Brings Cheer To Young Patients

Ward 7D by Morag Myerscough

Ward 7D by Morag Myerscough

Ward 7D by Morag Myerscough

Ward 7D by Morag Myerscough

Ward 7F by Donna Wilson

Ward 7F by Donna Wilson

Doran, Bedside Views

Ella Doran, Bedside Views

Hospitals often appear sterile and uninviting, especially when you’re a kid. The Royal London Children’s Hospital officially opened in March 2012, and over the past two years they’ve worked with the organization Vital Arts to liven up the walls with playful art. Artists and designers were commissioned to paint five different wards of the hospital using bright colors, bold shapes, 3D design. Each creative has their own speciality and style, and the list of particpants includes: textile artist Donna Wilson; wooden toy designers Miller Goodman; product designer Tord Boontje; children’s author, illustrator, and rug designer Chris Haughton; and surface and textile designer Ella Doran.

The hospital becomes infinitely more inviting with these artists’ additions. Some of the highlights include Haughton and Miller Goodman’s handiwork. Haughton is the author of the books Shh! We Have a Plan and Oh, No George!, and he used his delightful characters to adorn the walls. Also, a selection of his framed rugs were hung up and created more warmth and coziness. Miller Goodman constructed wooden designs that physically stand out on the walls. This was inspired by their bag of 74 different-shaped wooden toy pieces, and you see how the whole animals are made up with smaller, fractured parts. (Via designboom)

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INSA Creates The World’s Largest Animated GIF Captured By Satellites

graffiti One part of the world's largest GIF

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UK-based street artist INSA is known for combining animated GIFs with graffiti in a brilliant fusion called “GIF-ITI.” The on-going project entails him painting a mural several times over in slightly different interactions. Then, INSA combines each version to form an “animated” painting. The result is a dizzying, spectacular GIF.

The artists’ most recent endeavor is part of “GIF-ITI,” but on a much, much larger scale. Where before he would paint the walls of buildings, INSA got much more ambitious. WIth the help of a team of painters and a satellite in space, he created the world’s largest animated GIF in Rio de Janeiro, Brazil.

The entire laborious process is captured in a short video (featured here). It shows the four-days of painting and repainting, moving the lines ever so slightly to create the illusion of movement later. (Via Booooooom, Photoshop.com blog, and 123 Inspiration)

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Bernhard Lang’s Aerial Photos Capture One Of The Largest Man-Made Holes In The World

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Photographer Bernhard Lang captures an aerial view of the Opencast Coal Mining Pit in Germany, which is one of the largest man-made holes in the world. At nearly 1,500 feet deep and covering almost 22 square miles, everything is at a giant scale. Massive machinery, the size of a 30-storey office buildings, scoops out coal, sand, and dirt to mine and move it about.

It’s hard to imagine something of these proportions, and through Lang’s sweeping landscape photography, he minimizes its grandiose scale. When looking down rather than upwards, it’s hard to get a sense of just how big these things really are.  At times, they look like patterns of ant farms rather than the handiwork of humans. Perhaps it’s part of the point to say that these hulking machines and sprawling cleared paths aren’t as important as we’re lead to believe.

The real visual impact of these photos comes from their abstract qualities: the different colors of dirt that have been piled next to one another; the lines that are made by machines as they drive down the road; and the hills and valleys themselves. Through Lang’s careful framing, he’s captured their unintentional beauty.

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Japanese Public Uses The Power Of Memes To Respond To ISIS Threats

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Last Tuesday, the militant extremist group ISIS released a video threatening to kill two Japanese hostages, journalists Kenji Goto and Haruna Yukawa. They requested a $200 million ransom of which Japan refused to pay (Yukawa has said to have been killed). The Japanese public has responded to these threats by using Twitter to mock ISIS with Photoshopped memes. While this isn’t exactly art, elements of design, digital collage, and illustration are being used for political and social reasons. The images, viewable with the hashtag  #ISISクソコラグランプリ, translates to ISIS crappy collage grand prix. This popular tag presents exactly what it says – the terrorists, rudimentarily cut/pasted/drawn on, are seen in spaceships or cartoon characters. One image even features Mickey Mouse.

While the hashtag has received criticism from some, many see this parody as a way to react to the threat without bowing to terrorism. Peter Payne, owner of the online shop J-List, sums the hashtag up up by tweeting, “You can kill some of us, but Japan is a peaceful and happy land, with fast Internet. So go to hell.” (Via Dazed and Buzzfeed)

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Rocky Davies’ Florescent Mash-ups Feature 1980’s Villains On Fictional Album Covers

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For fans of pop-culture mash-ups, Rocky Davies has an amusing  throwback for you. The artist takes iconic villains of the 1980’s and fuses them with the music of the same era. Its outcome is a bizarre series of fictional album covers. Using fonts and colors that are reminiscent of the time, Davies creates slick designs that channel a darker version of Lisa Frank art.

The stark black backgrounds give way to fluorescent accents, and nearly all of his designs feature his subjects wearing Wayfarer sunglasses. Looking impossibly cool, these characters intermingle with bold, geometric patterns and a lot of lens flare. Lyrics from songs like the Eurythmics’ Sweet Dreams (Are Made Of This)are designed around the floating head portraits and take on a new meaning.

Davies’ series comes at the right time. It’s no doubt nostalgic, and it speaks to those who were coming of age in the 80’s. There’s enough time between their popularity and present day for people to realize how borderline cheesy these things were. These fake album covers are both an homage and poke fun at an era of visual excess. (Via Brother Tedd)

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Pejac’s Trompe L’oeil Street Art Will Fool You Into Opening That Door

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Street artist Pejac uses trompe l’oeil to fool our eye in everyday places. The Spanish creative paints realistic-looking doors and windows that’ll make you do a double take while walking by. His skilled artworks perfectly blend colors and textures to give them the appearance that you could reach out and touch them.

In addition to the optical illusions, Pejac also paints playful and serious scenes, often using silhouetted figures. A young girl – a giant – uses the power of a magnifying glass and the sun to set tiny figures on fire. Another person attempts to deface a wall, but the splatter features Manet’s iconic The Luncheon on the Grass. And, in a more poignant piece, a portrait of the world appears to run down a sewage drain.

The common thread of Pejac’s work is that it is all clever – in its execution and concept. Even though the imagery is disparate, you can tell it’s his signature. (via WETHEURBAN)

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Mike Tanis’ Dramatic Abstract Paper Forms Crafted Without The Help Of Glue

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Philadelphia-based artist Mike Tanis produces intricate paper sculptures using a combination of origami and kirigami techniques. If you’re not familiar with what those are, they’re Japanese art forms that  fold and cut paper in complex ways without the help of glue. Here, Tanis has used these methods to create abstract structures that appear soft and wavy as well as splintered and fractured. Sometimes, it’s hard to tell that they’re made of paper.

Tanis tells Quanta Magazine that he uses a scalpel to make any cuts and doesn’t use directions or crease patterns. “I start with a folding technique or principle and improvise once I start to feel the 3d form developing,” he explains. The results are dramatic forms that are reminiscent of architecture and nature. His taller, cut-paper structure mimic skyscrapers while his completely-folded pieces conjure images of the beach or a mountainscape.

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