Brazilian artist Luciana Urtiga creates black and white portraits that explore different aspects of self-discovery and the notion of multiple selves. By digitally altering her face and body, she creates images that showcase multiple faces/bodies or the absence of her identifiable face. By doing this, Urtiga enables her viewers to embark on a visual journey that seems to be indicative of Urtiga’s personal struggles and successes with self discovery.
The dark, eerie feel of the images help the work to become an even clearer visual testament to the the struggles of being young in today’s tough world. Who do I want to be? Where do I want to be? Should I try out different professions, and live with different people? or maybe it would all become easier if I just became invisible? These are all questions and thoughts that are visually conveyed by her work.
Simple, but strong and powerful, her work conveys universal themes that regard existential questions, most of which are more often encountered by young adults struggling to find their way in the world. (via IGNANT)
Beccy Ridsdel, a UK based ceramicists makes an interesting and truthful (to some) statement:
I know we all have our own opinions, but I think craft is technical and art is meaningful (or a reason for being made, beyond the thing itself). Overly simplistic? Probably, but for ceramicists this can be a big issue as ceramics is almost universally seen as craft regardless.
Ridsdel poses an interesting question here, one that not many contemporary artists are asking themselves simply because we are living in a world were art, for the most part, is conceptual. But what happens when someone like Ridsdel, who has the ability to make pottery, or plates, in this case, wants to make her craft both functional and a conceptual art piece?
I chose to make a series of definitely craft objects – bone china plates, mugs, jugs – and ‘dissect’ them.
Here, Ridsdel presents to us an interesting series of ceramic pieces that shows both her craftsmanship but also her creative thinking process. These endearing and fun plate and tea cup sets allude to something more than just eating and drinking. While still remaining functional, the cups and plates work as a signifier that brings to mind ideas of surgery and cosmetic alterations. This concept is ingeniously embedded within the multi-layers plates, and the surgical tools placed near them. (via Colossal)
Amidst the overwhelming violence seen in Ukraine’s recent riots, Gizmodo’s Jesus Diaz (an outsider) decides to create visually stunning, but heartbreaking images that explore Ukraine’s reactions to the sudden cultural and political changes.
By taking some of the techniques applied by Sergey Larenkov on his famous series, The Ghosts of World War II, Diaz creates images that merge shots of Kiev from before and after the Ukraine riots using the same vantage points. Through this technique, a masterful trick made possible by the almighty Photoshop, the viewer is able to experience two polar opposites: a happy, peaceful Ukraine, and a chaotic Ukraine.
Looking at the dramatic contrast between happy people enjoying the sun and peace and the anger of people behind in barricades is disheartening.
Ever wonder how your favorite celebrity/fictional characters would look like if they were covered in tattoos? Maybe your overly pretentious, inked hipster friends would be a little bit more accepting of your unhealthy obsession with the royal family…
In that case, thank your friends at Shopped Tattoos, a Tumblr based online gallery created by Cheyenne Randall that curates images of celebrities that were photoshopped to look like heavily tattooed, ordinary people.
ShoppedTattoos carefully selects/creates images that not only look timeless, but that feature celebrities that are relevant, and usually known for their refined, clean look. Some make more sense than others (for instance, Edward Norton in American History X, or Jonny Cash fit the tattoo profile), but for the most part, it is a bit shocking to see the royal family, or the Kennedys for that matter, covered in tattoos.
Although silly, I think that this project brings forth a series of questions that deal with the future of celebrity/fictional characters and their public appearance. Would our future celebrities be heavily tattooed? Are tattoos becoming mainstream, and plain ordinary (not part of a counter-culture)? Those are things we’ll have to observe in the distant and near future.
In the meantime, you can check up on more images on here.
Australian sculptor, Paul Kaptein creates unusual but skillful wooden sculptures that question our ability to look past missing pieces in the bigger picture. Kaptein, interested in the Buddhist term sunyata (Sanskrit word for ideas of emptiness as a way to achieve wholeness), integrates (and questions) notions of substance, emptiness, and temporality into his highly skilled pieces of wooden work.
By seamlessly incorporating empty gaps (usually long empty rectangles) into busts and entire recreations of human bodies, Kaptein imposes the viewer with questions as to why these pieces are missing. The simple fact that viewers will directly and promptly question this characteristic first, further enables Kaptein’s interest in challenging the viewer’s resistance, and/or apprehension to accept something that is not complete. The main idea here relies on getting the spectator to react to Kaptein’s work for what it is: seamless, beautiful wooden sculptures that happen to be missing a piece or two.
It can also be said that these gaps are indicative of conceptions of time:
I’m exploring the notion of the now as a remix of past and future potentialities. This facilitates a renegotiation of perceptual truths resulting in an expression of things not quite truth, yet not quite fiction.
Sam Grant, an American painter and photographer, creates incredibly catchy, humorous, and colorful pieces that are pop and vintage inspired. The vibrantly-colored imagery vibes with intensity, grandeur and witty observations; his collage-like compositions create a visual interplay between surreal elements, pulp imagery of the mid-20th century, and contemporary culture.
Though Grant’s paintwork is incredibly realistic, he still renders his subjects and settings with a whimsical appeal. Often paired with words (comic book style), his paintings reference several characteristics of contemporary culture; from texting to ideas of love and beauty, Grant covers it all in a subtle and comical way that, together with the vintage imagery, will make you wanna go back to the simpler times.
If you live in Oakland, California, you will have the chance to experience these pieces in person. Starting in March 7th,2014, Grant’s work will be on view at Loakal Gallery‘s Double Vision, a show inspired and completely devoted to/by Grant’s work. Double Vision will be up until April 1st, 2014.
Christina Bothwell, an American artist, is creator of all things weird. These fantastic yet strange beings (Bothwell’s sculptures) are both creepy but inevitably inspiring. Bothwell’s intriguing sculptures invite the viewer to imagine fantastical worlds; ones where these weird creatures could potentially exist in.
Most often made from cast glass and clay, her made-up creatures are sometimes fitted out with found objects that serve as limbs and other body parts. The glass allows for a more ethereal, surreal feel; it also allows for a soft light to radiate through the figure, simultaneously revealing beauty yet the imperfections found within the glass. This aspect of the work is representative of Bothwell’s interest in notions of vulnerability and childhood innocence. Christina states that her ideas are in many ways autobiographical; the pieces certainly arise from what is going on in her current adult life, or what has gone on in her early childhood. (via Feather of Me)
Robert Mapplethorpe, the timelesss American photographer most active in the 1980′s, was mainly known for his highly stylized black and white flower series. However, his most iconic and prolific works, various series of photographs dealing with homoeroticism and sadomasochistic BSDM acts between men of diverse cultural backgrounds, fuelled national debate in the NSA over the public funding of controversial artworks.
Some of these photographs, made visible by The Mapplethorpe Foundation, were part of his first solo gallery exhibition, ‘Polaroids’, at the Light Gallery in 1973.
Mapplethorpe quickly found satisfaction taking Polaroid photographs in their own right and indeed few Polaroids actually appear in his mixed-media works. Two years after his Polaroids exhibition, he acquired a Hasselblad medium-format camera and began shooting his circle of friends and acquaintances—artists, musicians, socialites, pornographic film stars, and members of the S & M underground. He also worked on commercial projects, creating album cover art for Patti Smith and Television and a series of portraits and party pictures for Interview Magazine.