Alexandra Kehayoglou’s Carpets Look Like Lush Pastures and Grasslands

Alexandra Kehayoglou carpet

 Alexandra Kehayoglou

Alexandra Kehayoglou

pastizal-isa

Argentinian artist, Alexandra Kehayoglou creates rugs that look like pastures and meadows. The grassland carpet seeks to mimic the appearance of naturally occurring, but fast disappearing Argentinian landscapes.

Kehayoglou grew up around textile artists, her family followed a textile tradition that was developed thousands of years ago in Asia Minor. After graduating with a degree in visual arts, Kehayoglou returned to her roots making carpets as her ancestors did, but with a twist. As varied as the grasslands and natural scenery of South America, the carpets are beautiful representations of natural and cultural heritage.

Carpet weaving is innate knowledge for me. It makes me feel connected to another time. It is a way of building meanings throughout my life and that of my ancestors.

Her creations carry a strong message of sustainability; these carpets are made from wool often found in mounds of leftover fabrics behind factories. (Via DD.AA.)

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Jeremy Olson’s Geometric Portraits

geometric portaits

geometric portaits

geometric portaits

Jeremy Olson, an artist based in Brooklyn, New York, is interested in geometry and simultaneous perspective. Much like the canonical works of Pablo Picasso and Georges Braque, Olson looks at portraits in a different manner; the intricate ways in which he chooses to scramble the geometric pieces that make up the sitter’s face, makes for a fun time. The viewer must intently figure out which pieces go where to make sense of the portrait as a whole.

Aside from his interest in geometry, Olson, also plays with traditional painterly portrait styles by using a hyperreal approach. By including all of these three elements [geometry, traditional and hyperreal portraiture], the artist breaks down the face into a spectrum of beauty that simultaneously makes for a violent yet charming visual. (via Ignant)

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Janol Apin Creates Literal Translations Of Parisian Subway Stops

dancers

champ de mars

alexandre dumas

rome

Janol Apin’s “Métropolisson” is a creative project that illustrates the literal translations of the names of various Parisian Metro station stops. The collection of photographs features more than 100 images of Apin’s friends posing in the underground subway stops; from an astronaut in the Champ de Mars station, to a couple dancing tango under the Argentine stop, he leaves nothing out.

With clever puns and creative costumes, Apin makes it possible for this work to be understood by anyone…there’s obviously no need to speak French to capture the essence of this work. Almost every snapshot from this series is comprehensible through the upbeat and universal imagery that the photographer creates. (via Bored Panda)

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Scott Dalton Photographs Of Mexican Faith Healers

Scott Dalton

faith healers

Scott Dalton

Scott Dalton, an award-winning photographer and filmmaker based in Houston, Texas documents the pilgrimage devoted to Mexican faith healer, Niño Fidencio, in Espinazo, Mexico.

Through the years in Mexican cultural history, Curanderos (Faith Healers) have served an important role in peoples’ medical and spiritual lives. In fact, many of these healers become celebrities, as their miraculous healing creates huge followings. In the early 20th century, El Niño Fidencio became one of the country’s most celebrated healers; today he is regarded as a folk saint by thousands of his devotees, or, as they call them, fidencistas.

In 2009, Dalton traveled to Espinazo to document the festivities devoted to El Niño Fidencio.

“What interested me in the project was just the idea of faith, and how it takes a variety of forms in peoples’ lives. This project just looks at one part of that, but I think it serves a reminder of how important faith is for so many people throughout the world, and how we all come to terms with our own belief system within the context of our own society and environment.”

Fidencistas believe that modern-day curanderos can channel the spirit of Fidencio; these photographs show many of the rituals provided by these modern day healers. To us this looks unusual, cinematic and surreal, but to them these ritualistic activities only mean their salvation. Dalton said he witnessed transformations, in which the eyes of curanderos would roll back and they’d assume a high-pitched voice- taking Fidencio’s spirit in order to heal. (via Slate)

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Mathu Andersen’s Unreal Androgynous Instagram Selfie Transformations

rupauls makeup artist rupauls drag race makeup androgynous makeup

skeleton makeup

Mathu Andersen, creative producer on RuPaul’s Drag Race, creative director on Drag U, and RuPaul’s personal hair and makeup artist, crafts intricate selfies for his personal instagram account.

With his talents on board, he make himself up to portray diverse whimsical androgynous personas that comment on gender aesthetics.

Andersen was recently recognized on Instagram’s very own account for his skeletal Halloween look, gaining the photo almost 500,00 and Andersen a ton of new followers.

“…I like being that special thing that people can stumble upon and perhaps even get excited enough to share with others and I like to be left to my own devices and whimsy.”

His portraits are inspirational pieces of art that influence new make-up techniques in runways and up-scale fashion photo-shoots.

Follow Mathu on instagram at (@mathu7).

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Kim Dong-Kyu Gives Girl With A Pearl Earring And Other Iconic Figures In Paintings Tech Upgrades

Dong-Kyu Kim

‘girl with a pearl earring and an iPhone’ – based on ‘girl with a pearl earring’ by johannes vermeer, 1665

Dong-Kyu Kim

‘always in my hand’ based on ‘in the conservatory’ by édouard manet, 1878-9

Dong-Kyu Kim


‘a family gathering’ based on ‘the balcony’ by édouard manet, 1868

Dong-Kyu Kim

‘her mirror’ – based on ‘rokeby venus’ by diego velázquez, 1647–51

Korean illustrator Kim Dong-Kyu gives technological updates to Girl With A Pearl Earring and other iconic works in Art History.

Kyu’s images, although hysterical, are quite critical of the way smartphones/gadgets have dramatically changed today’s social interaction. Themes of alienation, avoidance, self-centerness, and attachment prevail through the series of images. It is interesting to think back on the cultural history of most of these works [mostly the 19th and 20th century works on here]; the juxtaposition of the cultural implications of the scenes of each painting and today’s conception of socialization is quite amusing and very different, yet, at some points, very similar.

For instance, Degas’ The Absinthe Drinker’ from 1876, reveals the increasing social isolation in Paris due to a stage of rapid growth and confinement brought forth by the highly urbanized and elite-driven atmosphere of the new Paris. The woman, actress Ellen Andrée, blankly stares into the walls of a Parisian café. With a glass of absinthe in front of her, she solemnly contemplates the nothingness of what is going on around her. The man, painter Marcellin Desboutin, sits next to her but glaces towards the opposite direction, looking to catch on to something interesting outside of his close quarters. Similarly, on Kyu’s rendition, the woman find herself ignored and in a state of alienation as she is the only one not using a gadget.

These definitely leave us wondering if social interaction has been one of those things that evolve to become more of the same thing. With or without technology, it seems clear to me that the urban, and the elite societies, both rendered in these paintings (with and without Kyu’s additions),  look to the outside, and inside, towards their phones, in order to fill some sort of void, and/or escape whatever lies in font of them. If this is true or not…that is up to you to decide.

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Hair As Typography

Monique Goossens

Monique Goossens

Monique Goossens’

Designer Monique Goossens transforms the hair left behind on the garbage, shower drain and/or combs into a work of typography.

Monique Goossens’ work includes elements of both design and organic art. The concept is disturbing yet brilliant, and design has never seen something quite like this before. Although her idea challenges established conceptions of function [and aesthetics], her work doesn’t stray away from the bizarre and amusing.

“The hair letters consist of hundreds of hairs, and give the impression of being fine pen drawings. The basic shape of the letters is created by forming the hairs into a legible character, during which process I follow the natural characteristics of the hairs: curly, rounded corners, springiness. To a great extent, it is the dynamic of the hairs which determines the shape of the letters. The ends of the hairs create an organized chaos, an energetic play of lines which forms a haze around the letter’s basic shape.”

The Amsterdam based artist studied Interior Design and Styling at Academie Artemis. Shortly after, she became interested in the relationship between photography and design, so she continued her studies at the Design Academy in Eindhoven.

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Danny Evans Gives Celebrities A ‘Make-Under’

celebrities make under

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evans06

New York artist Danny Evans, photoshops photos of celebrities to make them look like the average joe, precisely, to show what the super famous would eventually look like without the best make-up artists and stylists that money can buy.

“It was a reaction to the over-Photoshopped images of celebrities that we see everyday. I thought it would be interesting to take it in the opposite direction.”

The project has been active since 2006, when Danny started ‘making-under’ the highly popular photographs of socialite Paris Hilton. Evans was fascinated by how quickly Paris’ pictures created instant buzz, and how much power she really had over a mass public just by being rich and ‘attractive’. Needless to say, the collection of Paris’ ‘make-unders’ grew from there;  Evans created a Facebook page named Planet Hiltron which turned into a huge success; from there, he started to work with other celebrities.

“Basically just stripping away their cool personas I always find it interesting to see what’s left after the Hollywood has been scrubbed off. My intention wasn’t necessarily to age them, but to strip them of their ‘Hollywood’ facade. That has more or less been my general goal with this series all along.”

(Via I Acknowledge that Beauty Exists)


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