Photographer Nina Röder creates Mutter Schuhe (Mother’s Shoes), a series that through a variety of portraits visually explores the evolution of three generations of women: her (Nina Röder), her mother, and her mother’s mother. All three women are wearing Röder’s grandmothers clothes and they are sitting around in the old rooms of her (Röder’s) mother’s childhood home. All women maintain more or less the same expression, one of nostalgia for the most past, as they reenact mundane activities throughout the home. Through her choices of clothes and props, the artist is looking to explore how different individuals, her family, recall the past and how it evolves as time wears on.
“The personal narrative of my mother and my grandmother effects my life in a very dominant way: Almost every artwork I’ve done so far is influenced by conscious or unconscious aspects of family stories. For example, my grandparents were expelled from Bohemia (now Czechia) after the Second World War so they lost everything they had. I guess that is the reason why my grandmother now is keeping all her old clothes or furniture from the last 40 years. Almost all my ‘models’ are wearing clothes from my grandmother.”
While on his residency at JACA in Belo Horizonte, Brazil, photographer Marco Ugolini, in collaboration with Pedro Motta, created the series ‘Per Color’. The striking photographs, taken at a local supermarket near JACA, capture the merchandise by category of color: yellow, red, blue, black and white. With success, Ugolini showcases the lack of diversity in colored packages, perhaps revealing that the corporations that distribute the many products shown here are specifically using the same colors palettes because of an underlying psychological reason- the consumer will buy in excess if the color is vibrant and attractive enough. By visually displaying the ubiquitous packing format and color choices, he also aims to reveal that the supermarket serves as a space of manipulation. “My attempt in this action”, Ugolini says, “is to subvert this structure of power.” (via Ignant)
Inspirational Tattoo artist Vinnie Myers boosts the confidence of breast cancer survivors by giving them back what they lost.
Working out of his Finksburg, MD studio, Myers gives women back the bodies they loved before surgery by tattooing special nipple designs on their lovely lady lumps. Myers, who started as a traditional tattoo artist while in the army, currently mixes a wide palette of paint to achieve a 3-D effect design of areolas. Too often, he says, women just get the basic, nothing too fancy but that does the job of bringing back color and livelihood to the area. The women he tattoos say that the process doesn’t hurt much since most sensation is lost during surgery.
French GIF artist Axel de Stampa creates Architecture Animée, a series of GIFS that show various buildings in motion, precisely to show them off through different perspectives. In opposition to the real life experience- one where the viewer moves around the building- these GIFS let the spectator remain static as the buildings shift and change positions.
Wouldn’t you just love it if all your everyday interactions with household items were as fun as looking at these cute crochet creations? Nicole Gastonguay, a graphic designer and fiber artist, replicates mundane objects- food, toast, pickles, and even boom boxes- by using yarn. She puts a smile (or a frown- depending on what the object is) and a pair of big googly eyes in all her creation. (via Brown Paper Bag)
In 2009, Brazilian artist Néle Azevedo created 1000 men and women figurines made out of ice for the completion of her Public art installation, The Minimum Monument (Melting Men). Throughout its life in the outdoor space, the ice figurines slowly melted until their disappearance. Originally placed in Berlin’s Gendarmenmarkt Square, the piece was to bring awareness of Global Warming. Minimum Monument was then installed in Ireland as part of the Festival of Queens; there, the artist, recreated the original in order to visually remind people of the melting ice caps in Greenland and Antarctica. Since then, the installation has travelled to many cities around the world and it remains internationally known as ‘climate-change art’.
Honk Kong-based artist Johnson Tsang creates alternative ceramic creations that spook viewers. Employing a realist yet surreal sculptural technique, Tsang looks to produce exaggerated, almost cartoonish, bizarre human forms that look very convincing (and very disturbing). Besides his famous creepy, chubby, porcelain babies–whom he calls his own ‘children’–Tsang is known for his ability to morph both functional objects and the human body to put forth an alternative line of work that challenges the craft oriented world of ceramics. Much like Beccy Ridsdel Dissected Ceramics, Tsang has the ability to make ceramic pieces that in a way remain functional, but still work as a conceptual piece of art.
Canadian photographer, Amy Friend revisits the past and explores themes of memory and impermanence through the alteration and re-imagination of vintage photographs. The artist inserts a charming glow to the silhouettes of her subjects; the additions makes the images come to life, almost as if the aura of the deceased is alive. “By re-using lights”, she says “I return the subject of the photographs back to the light, while simultaneously bringing them forward.”
I employ materials and surroundings that are familiar to me using them as starting points for my investigations. These materials become the substance I use to inform the work I create. In my practice I tend to work within the medium of photography, however, I am not concerned with capturing a “concrete” reality. Instead, I aim to use photography as a medium that offers the possibility of exploring the relationship between what is visible and non-visible.