Keren Moscovitch Photographs Intimate Moments Of Her Open Relationship

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New York-based artist, Keren Moscovitch, attempts to explore the murky waters of open relationships through the lens of her camera. To do this, the artist relies on her own personal experiences with polyamory. The project began when her and her partner, in a monogamous relationship, decided to open their relationship up. Whether or not the decisions was made for the sake of this art project is unknown.

“I was confronted by jealousy and pain, but also got to experience a deep intimacy that I believe is only possible when we are fully vulnerable and exposed.”

 

The images, some of odd details of body parts, make up “Me into You,” a series of photos that shows out-of-sequence scenes of sexual encounters and romantic embraces. The choppy narrative obscures the the identities of the ones in the photos, resulting in a batch of visual chaos. By not knowing who is who, the viewer finds themselves caught up; essentially, they are having to do some guess work on who was in the original romantic relationship and who wasn’t. But, can that ever be known by just looking through these photographs?

 “I wanted my work to show moments and views of the body that most of us experience in our erotic life, but that we aren’t permitted to acknowledge in casual conversation. If we are all sexual beings, we should be able to connect around that.”

(via Huff Post)

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Pop Art Condoms By African Artist Michael Soi Create Awareness About HIV

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The Nairobi-based artist, Michael Soi, was asked by The Center for African Family Studies (CAFS), a Nairobi-based international NGO, to work along their side in order to create an eye-catching condom line with pop art-inspired packaging to promote safe sex and raise awareness about HIV/AIDS.

Soi is primarily known  for his satirical commentary on socio-political issues (political impunity, greed and Kenya’s growing sex industry). Unafraid to shy away from taboo subjects like sex and interracial relationships, the artist was more than happy to collaborate with the NGO on this important project.

“I felt like everybody is basically trying to deal with this whole issue — HIV, unwanted pregnancies — and when I talk about everybody I mean the church is doing whatever they can, the government is doing whatever they can.I felt the project was a good thing. I wanted to try to chip in and create something that would help fight a good fight.”

Soi’s visual work offers a grounded and relatable aesthetic that engages with the targeted public in a very fun way; his subjects are modern, often interracial couples or young women drinking Tusker, a popular Kenyan beer brand. His “pop-art condoms” are meant to attract young buyers who might otherwise face social stigma.

According to CNN, the project is in its on its first stages, and they are asking for funding on Indiegogo. (Via CNN)

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The Monstrous Drawings Of Seungyea Park Evoke Feelings Of fear

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Korean artist Seungyea Park (also known as Spunky Zoe) creates these grotesque portraits that reveal the ‘Monstrousness’ caused by fear in our inner world. Park works with a detail oriented eye, with ball-pen and paintbrush at hand, she creates these monochrome, realistic paintings/drawings of bodies with abnormal characteristics (i.e extra hands and eyes, animal-human hybrids,etc).

Park describes her work as a study of fear. With a deep understanding of what fear means to the variety of people/characters she portrays , Park goes right ahead and gives these confining thoughts a vision. Furthermore,  Park wishes to overcome her personal fears as well.  Through her images, she manages to overcome avoidance and becomes completely desensitized by “facing monsters, or the true nature of fear itself.”

“Due to fear and horror being used as the most ‘universal’ and constant devices to maintain social systems as ‘injustice’, and consider them ‘enemies’. While regarding tabooed beings deviating from us as monsters. we ourselves become freaks. Monsters are everywhere.”

(via Hi-Fructose)

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Bing Wright’s Photographs Of Sunsets Look Like Luminous Stained Glass

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Photographer Bing Wright‘s newest project, Broken Mirror/Evening Sky, is a series of images that capture the reflections of sunsets on shattered mirrors. Its colors, textures and overall composition resembles the appearance of luminous stained glass windows. The cracked glass seemingly generates doubled reflections, disjointed gleams and refracted light into shards of images that instantly reminds the viewers of an abstractive painting. The final prints, recently displayed at the Paula Cooper Gallery in NY, are displayed quite large, measuring nearly 4′ across by 6′ tall.

This new body of work is Marks Wright’s first return to color photography in almost a decade.(via Colossal)

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Caleb Cole Becomes Other People In His Photo Series ‘Other People’s Clothes’

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Boston-based photographer Caleb Cole creates self-portraits that are not so much about himself. Cole’s curiosity about the live (introspective lives) of others inspired him to come up with Other People’s Clothes, a photographic series in which the artist becomes the stranger, the ‘Other’, in order to further understand his desire to know more about the unknown.

“Though I am the physical subject of these images, they are not traditional self-portraits. They are portraits of people I have never met but with whom I feel familiar, as well as documents of the process wherein I try on the transitional moments of others’ lives in order to better understand my own.”

By using scavenged clothing and various themed setting that matched the clothing, the artists creates characters that resembles people in real life – I assume, people by whom he is intrigued by (he fails to portray people of color/other ethnicities, although he does not exclude women). Each photograph evokes a story, which Cole makes possible by arranging and creating the set of each and every one of these images.

The artist’s facial expressions, however, seem static; he seems to hold about the same face, one of despair or discontent, throughout the series. The reason behind that specific characteristic is unknown, however it can be speculated that he might be channeling his own beleifs about the people he is portraying…can all his characters be this unhappy and apathetic about life in real life, or are those just his impressions?

Whatever his reasons may be, there is no doubt that, through his representation of the ‘real people’, Cole is demonstrating an understated sense of empathy. (via Feature Shoot)

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Stunning Photographs Of A Landfill Mansion Made Out Of Trash

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Mark Andrew Boyer, a Graduate student at UC Berkeley’s Journalism school, met Bob Anderson (the man featured on Boyer’s photographs), a former professional boxer, while on a walk through The Albany Bulb, a landfill situated on a fist-shaped peninsula that juts into the San Francisco Bay.

The Albany Bulb, serves the community’s poorest, as many homeless men and women call it, home.

 “I was walking on the shore and heard some hammering in the distance. I followed the sound, and there was this guy building this huge structure.” -Boyer

That guy, as Boyer recalls him, is Bob Anderson, a man who has lived in the landfield since 2011 when he was forced to move out of his Berkley home after his mother’s death-since then he has become homeless. Before that, Anderson had been a professional boxer living and fighting in Las Vegas.

Bob is certainly not your average homeless man.

Anderson’s current place stands strong and tall amongst the highest of trash mounds found at The Albany Bulb. Its astonishing look- one that contains unintended artistic merit- captured the eye of Boyer whom was later compelled to photograph the life of Anderson is his landfill mansion.

The journalist spent a week with Anderson photographing him and his three-story domain, which upon closer inspection was even more amazing than it looked from the outside.

“There could be a shipping pallet next to a mirror next to a piece of plywood next to a mandolin that he’s shoved in between the cracks. It’s a really interesting mix of objects, it’s ever changing. Every time I went back it looked completely different. I went out for a walk once and he had stuck a wind surfing sail on the top of it.”

(via Slate)

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Faig Ahmed’s Glitchy, Distorted Rugs Destroy The Stereotypes Of Eastern Tradition

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Faig Ahmed, a visual artist from Baku, Azerbaijan, reworks the aesthetic of carpets, an “indestructible symbol of the Eastern tradition”, by weaving digital patterns onto the already conventional recurring patterns of the traditional Azerbaijani rug.

“Tradition is the main factor creating the society as a self regulated system. Changes in the non-written rule happen under influence of global modern culture.”

Ahmed’s interest in extending this traditional practice to one that alludes to today’s relevant digital imagery is his way of creating new boundaries. By mixing and matching two different aesthetics, Ahmed creates a rekindling of tradition and progress.

In order to create the illusions of glitchy carpet bits, Ahmed superimposes digital patterns onto traditional weaving compositions, these combinations either create rugs with bold optical illusions and/or generate transformations that leave carpets looking like unconventional sculptures.

“To be honest, things I do are not always right and beautiful. I do things without thinking- it’s my instantaneous expression. Changes in the world are instantaneous as well, and that is what I am channeling-ideas that have been formed for ages are being changed in moments- that is what I hope to do with me work. I just make bold experiments, putting them into the art scene, trusting myself and the viewers of my art.”

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Katerina Plotnikova Photographs’ Show Intriguing And fantastical Connections Between Wild Animals And Humans

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Katerina Plotnikova

Katerina Plotnikova

Katerina Plotnikova

Russian photographer Katerina Plotnikova creates, what she calls ‘another tale about wonderland’. The various photographs bring forth a beautifully shot series that includes images of human/wild animal interactions and whimsical fashions.

Evoking a mythical, fairy-tale world, the images transport the viewer to a place outside of modern settings. The gentle and serene colored landscapes turn these images into something that, upon observation, takes the viewer to a world familiarized though childhood stories; the images can go both ways though;  it can remind them of the latter, or of a high-fashion, fantasy photo-shoot.

The subjects’ interaction with wild animals are what make these photographs more surreal than not; in one of the photographs we see an auburn-haired young woman hold out her hand to a grizzly bear, as though the majestic creature is asking her to dance. But, how can a a small figured girl be dancing around with a live, three-ton bear you ask?

Plotnikova was able to pull off these incredible shots with the help of two professional animal trainers.

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