Bryant Park, located about a block East of Times Square in Manhattan, has been home to a several fun contemporary/public art projects recently. Right now, they’re hosting the “Battle of the Brush.” Which happens to include alumni of the Beautiful/Decay Studio Visits: Alison Blickle and Tom Sanford. It’s based around the idea of a civil war reenactment, except instead of the North and South, it’s between abstraction and figuration. Bryant Park was a campground for soldiers during the Civil War, so that’s where the whole Civil War thing comes in. Personally, I just like the paintings… It’s coming down this Wednesday, Feb 2nd, so get over there asap. The show was curated by Corporate Art Solutions.
Tragedy can yield new ways of working and thinking, especially in the case of artist Jess Landau. After a lifelong friend committed suicide in 2013, she was struck trying to come to terms with the loss, and it lead her to explore new ways to cope with the event. What resulted was a stunning series that conveys the fragility of life itself as expressed through nude figures on eggshells.
Before she landed on eggshells, Landau decided that the traditional materials of wood, papers, etc., just weren’t cutting it. She wanted something more delicate. The decision to use the shells coincided with her learning to use liquid emulsion, a chemical that makes paper light-sensitive and allows images to be projected onto it in a darkroom. “Liquid emulsion will only adhere to surfaces that have a tooth — shiny and smooth surfaces like glass and certain plastics don’t work unless you sand-blast them,” the artist explained to Huffington Post. “Eggshells have an appropriate texture for the emulsion to cling to.”
First, Landau photographed the models with a 35mm Minolta camera and then developed the images by hand in a wet lab using traditional darkroom methods and a few modifications. Because of the eggshells’ curved shape, Landau applied several layers of evenly-distributed emulsion to to them. The exposure would vary depending on the shape of the shell, making the process for each slightly unique.
The effort that went into the production of this series had therapeutic results in addition to its beautiful aesthetic qualities. “Life is fragile and temporary, and it should be cradled in the palms of our hands — which is the process that I engaged with as I delicately created each of these works manually, with my hands.” The nude bodies represent vulnerability of its subjects, and printed on a delicate surface demonstrates the fleeting nature of life itself. (Via Huffington Post)
Evan Meister‘s drawings have a certain Old New Yorkfeel to them- a dark past (or future) referenced through shrewd hieroglyphs. I always find myself trying to read his work like a comic strip in an unknown language- where the punchline is Evan’s perfect balance of technical skill and engaging originality.
When you hear the phrase “Iphone oil paintings” you’re probably not thinking of rubbing your phone all over face to make a greasy abstraction on your phones screen but that is in fact what NYC artist Jonathan Keller Keller has done. Working at the intersection of craft, collection, and computation, Keller seeks to transcend & transform everyday digital elements through obsessive, iterative, and generative processes. A good example of this is Keller Rubbing his phone all over his face with gusto (see the above Gif of him in action) transforming the dark phone screen into a canvas full of possibilities for abstraction. Yes it is weird and this may make you cringe if you’re a germaphobe but we’d be lying if we didn’t say that the gifs of the oil shining this way and that way weren’t a tad mesmerizing. (via)
Jon Fox, artist from the South coast (near Bournemouth,) usually works with the issues of emotion, where the mind is often at war with the heart. He creates a world of conflict, tension, and drama that his characters must confront.