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Jonathan Haggard

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I was tipped off by electroniccottage about Jonathan Haggard. He is a great graphic designer and illustrator with a defined style. I appreciate his poster’s strange facts, honesty, and humor, check him out!

 

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Erwin Wurm

"House Attack", 2006

"House Attack", 2006

Austrian sculptor Erwin Wurm has been developing an ongoing series of “One Minute Sculptures” since the late 1980’s in which he poses himself or his models in unexpected relationships with everyday objects close at hand, prompting the viewer to question the very definition of sculpture. He seeks to use the “shortest path” in creating each piece — a clear and fast, sometimes humorous, form of expression. As the sculptures are fleeting and meant to be spontaneous and temporary, the images are only captured in photos or on film.

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Awesome Video Of The Day: Death Metal Rooster

I think the title of this post says it all. Hit play and start banging your head..

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Super Intern Julie Yeo Passes Cult Initiation!

Julie's Last Day!
It’s that time again folks. Super intern Julie Yeo graduates from the B/D Cult University and goes off into the real world. Join me in thanking Julie for all the hard work around the office, the non-stop blogging, and the daily post office runs. We never did make her scrub the floors, get us coffee, or give back rubs to the various artists that drop by our space but hey we got a whole new batch of interns coming that can pick up on the slack. When Julie’s not busy prowling the streets at night eating brains she’s busy with her illustration and design. So make sure and stop by her site and see what she’s up to. Bust of luck Julie!

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Josephine Cardin’s Haunting Photos Depict An Emotional Lock And Key

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New York-based photographer Josephine Cardin’s poignant images examine the beauty of the human body as well as the complexity of the mind and emotions. Cardin’s series, featuring self-portraits, is titled Between Lock and Key . It explores “the dichotomy of how we have both the ability to mentally imprison ourselves, while simultaneously holding the key to unlocking our freedom,” she writes. Muted, vintage-esque compositions showcase her donning a long, black dress in elegant poses (she’s a trained ballet dancer). Cardin is surrounded by expressive, distressed marks and multiple hands that read as both soothing and troubling.

The marks that surround Cardin’s body are visual representations of the mental blocks that we all face from time to time. Thoughts clouded with anxiety prevent us from moving forward with life and seeing things clearly. Cardin draws scribbled clouds around her head and crosses out her eyes using short, energetic strokes.

While there’s a lot of visual strife in Cardin’s series, there’s hope, too. The same lines that hold her down lift her up. It’s as if she’s overcoming adversity and doubt to rise to her true potential. (Via Asylum Art)

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Marc McAndrews

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Marc McAndrews’ simple and relaxed style lends a sense of familiarity to his portraits. It’s almost as if you could look in your family photo albums at home and find these people staring back at you. The motel owners, waitresses, and every day folk he makes his subjects are often haunting. At the same time, their gazes even more piercing than trained models.

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Shower Time With Alyssa Monks

Alyssa Monks might make photorealist paintings but she’s equally interested in abstraction. Monks’ paintings explore the tension between abstraction and realism, using different filters to visually distort and disintegrate the body. In this shallow painted space, the subject is pushing against our real space. Strokes of thick paint in delicate color relationships are pushed and pulled to imitate glass, steam, water and flesh.

“When I began painting the human body, I was obsessed with it and needed to create as much realism as possible. I chased realism until it began to unravel and deconstruct itself,” Alyssa states, “Realism and Abstraction are in a symbiotic relationship – they need each other to exist and eventually become the same.” -Alyssa Monks

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Ice Fishing Shanties Transformed Into Alternative Art Spaces In Minnesota

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I93A0248Photos by Urban Camper

When the cold and snow are as harsh as this winter, the idea of an outdoor art fair sounds less than ideal to most. But, when cabin fever kicks in, anyone stuck indoors for too long understands the need to take drastic action to make the Hibernation Months bearable. Taking inspiration from the omnipresent winter ice fishing communities that spontaneously gather upon frozen lakes and ponds across the Midwest, the Art Shanties Project groups together to various themed ice shanties into a small winter attraction to give warm-blooded (and hot chocolate drinking) Minnesotans something to get through the cold months.

Proposals for these art-minded ice house are selected by committee, and run by volunteers for a few weeks in the dead of winter, creating an outdoor happening which explores the potential of new ideas in community-driven art. As the Shanties’ mission statement explains, “Art Shanty Projects is an artist driven temporary community exploring the ways in which relatively unregulated public spaces can be used as new and challenging artistic environments to expand notions of what art can be.”

Taking place in Minnesota since 2006, and operating every other year to protect the water quality and natural wildlife after the ice’s thaw, this year’s was the first on the ice of the Twin Cities suburb of White Bear Lake (hence the 25 foot, Bear-shaped bicycle-powered Pedal Bear). Each shanties’ theme range from winter-related like Ice Ice Maybe (which encases boutique items in ice) and the history museum/training course Curling Clubhouse Ice Shanty, to more participatory (such as the boogie-down Dance Shanty and the kite-making Wind Shanty) to the more conceptual (the Lost Found and Wanting Shanty, which collects actual lost belongings as well as existential yearnings).  Citing artist-audience involvement to the spontaneous community which gathers on the ice as its main goal, the Art Shanties Project “…provides a unique opportunity for artists to interact with their audience, and vice versa, in an un-intimidating, non-gallery like environment.” (via l’étoile)

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