After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior, photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
Bernard Roig’s light sculptures capture a particular strain of ennui. While the idea of light tends to evoke a positive or uplifting feeling, Roig recontextualizes this element as a burden to his sculptures’ human subjects. Sometimes light crushes or imprisons this man, or seems to be a goal that will never be reached. The man is usually sculpted in white, brightening the effect of his subjects’ dissolution. Roig’s work addresses the boundary between the connect/disconnect of our culture’s relationship to light. “Today we are living in an atmosphere saturated with images, but the experience that they produce has a low intensity. Now it is ever more difficult to give meaning to an image. We are subjected to light, a light that dissolves the outlines of things, a white light within which everything fluctuates.”
Emilie Björk is a young photographer working in Sweden. Her photographs are spooky images of mysterious youth and ghostly figures.
I’ve always hated zoos. They are so cold, artificial, and sad. I personally only support animal sanctuaries as they actually take care of the animals instead of treating them like cheap objects on display. Daniel kukla’s Captive Landscapes documents 8 different zoos in the US, capturing the artifiicial spaces that we create for these poor animals so that we can look and point at them.
Each month, Beautiful/Decay will release a new shirt on the Beautiful/Decay shop before they hit any retail stores. The shirts will be printed in unique color ways in a select print run of just 300 shirts. Oh, and did we mention that we’ll be giving you a 33% discount off retail prices, pricing them at just $20 a shirt?
Here’s a rundown of the B/D monthly shirt release:
– Available in advance before the season ships to retailers
– Unique color way printed in a select run of 300 shirts
– 33% discount off retail price, at just $20 a shirt
First Release “Lost Face” by Vladimir (Waldez) Snegotskiy aka Ctrl-V
Vladimir Sengotskiy creates his hypercolor fantasmagoric creations in multi-media, ranging from print, web, motion and beyond. His recent design for Beautiful/Decay apparel is a neo-neon medusa’s head mask, seething with bright purple, yellow, blue and brown snakes and line confetti. Carnival masques meets facepaint!
In Enrique Gomez De Molina’s hands, animals become chimeras—multiple animals blended into one fantasy, nightmare creature. His taxidermied beasts are at once weird and wonderful, absorbing and off-putting. “I guess I like to play God, “ he laughs in a Thrillist interview. Two swan heads share a goat’s body. A nasty little crab/rodent sneers at the camera. Bird’s bills and fur, antlers and insects join seamlessly to make creatures that defy nature. Gomez De Molina says of his strange menagerie:
“The impossibility of my sculpture brings me both joy and sadness at the same time. The joy comes from seeing and experiencing the Fantasy of the work but that is coupled with the sadness of the fact that we are destroying all of these beautiful things.”
Ironically, Gomez De Molina may be indirectly contributing to that destruction himself. Arrested for illegally importing animal parts, he pled guilty in 2012 and received 20 months in federal prison for trafficking in endangered and protected wildlife. Though he declares the best of intentions for his actions—bringing attention to the plight of endangered animals—his purchases certainly created a deathly supply for his demand. Why take such a risk? His taxidermied chimeras sold for up to $80,000 before his arrest.
Gomez De Molina’s side is that he wants “to bring awareness to the danger faced by a multitude of species: nuclear and chemical waste, overdevelopment, and destruction of rainforests.” U.S. Attorney Wifredo A. Ferrer doesn’t see it that way.
“For years, DeMolina illegally imported parts and remains of endangered and threatened species, including a cobra, a pangolin, hornbills, and the skulls of babirusa and orangutans, and used them to create taxidermy pieces. … Trafficking in endangered and threatened species, whether for personal profit or under the guise of art, is illegal.”
It remains to be seen whether Gomez De Molina will return to art now that his exotic art supplies have been confiscated.
By all accounts, particularly documentation photos, Akane Moriyama’s newest installation appears to be nothing more than floating colors. The piece, titled Cubic Prism, is actually large skeins of prismatic and semi-transparent polyester fabric, ethereally suspended between two buildings in the courtyard of Goldsmith Hall at the University of Texas, Austin. Cubic Prism shows both rigid characteristics (the ‘skeleton’ of the piece holds it’s cubed shape) as well as the looseness of flowing fabrics.
Akane Moriyama, a designer who was born in Japan and is currently based in Stockholm, Sweden, uses her background in textile design to create such works. By hanging more than 150 large pieces of sewn fabric, the cubed form resembles a canopy (or hammock) shape. Natural elements such as wind obviously effect the installation, though perhaps the most interesting reaction is the natural color play of light and sun when seen between the almost translucent fabric layers. This colorplay activates the entire courtyard, buildings and natural environment for viewers, giving off gorgeous multi-colored glows. (via from89 and designboom)
Every year, during the celebration of Eid-ul-Azha, camels are given “makeovers.” Eid-ul-Azha, also known as The Feast of Sacrifice, is a Muslim holiday celebrated in the fall. During this holiday, it is tradition to buy and sacrifice an animal in honor of Ibrahim, who was commanded by god and then willing to sacrifice his own son, Ishmael. Usually, the meat from the animal is then separated into three parts, one third for the immediate family, one third to friends and family, and the last third to the poor.
During his trip to the largest cattle market in Asia, a place he and many families go every year in order to prepare for Eid-ul-Azha, Anas Hamdani was able to meet “camel stylists” and photograph the art in the making. Hundreds of camels are brought to this market every year from the rural area of the south east region Sindh in Pakistan. However, usually only a few camels have been styled, making them potentially worth much more to buyers, as they are looking for the most beautiful camel. Anas Hamdani was able to speak with an artist named Ali Hassan, whose family has passed down camel styling through the generations. Hassan stated that he can make 15 different designs, and choses which design to use based on what he feels would best suit the camel. The process takes about four hours and is performed with just a mere pair of scissors. (Via Dawn)