William Barry Roberts’ work is sometimes funny, most often times grotesque, and can be offensive to those of you who may be religious. With paintings of drunken sailors with boobs, Anna Nicole Smith and Bob Ross’ rotting corpse, and old ladies eating babies, Roberts’ just may have something for everyone (with a sick sense of humor.)
Carsten Höller’s work intends “to trigger the organic responses that underpin the structure of learned behavior, to unbalance the rational mind…Using his training as a scientist in his work as an artist, Höller’s primary concerns relate to the nature of human perception and self-exploration. He has undertaken many projects that invite viewer participation and interaction while questioning human behavior, perception, and logic. His “laboratory of doubt,” embodied in objects ranging from carousels and slippery slides to upside-down goggles, often contains playful, hallucinatory or darkly humorous overtones in order to provoke experience and reflection.” – from Gagosian Gallery. Read more about Höller’s work and his 2011 exhibition at the New Museum here.
I was snooping around Cargofolio today and found this lovely gem. Not only is Yu Jie Wu an amazing experimental photographer, he is a high school student. I am consistently impressed by how ambitious and talented some of the artists from the younger generation are. His work explores time, motion and repetition within a single scene. I see a lot of work that uses repetitive imagery, but I think that Yu Jie Wu has done it better. He is subtle, and the images he chooses to repeat force the viewer to notice small differences, or recognize that there is sometimes no difference at all.
UK based Lindsey Gooden is a freelance illustrator and also contributes to a collective at Panther Club. Her collage work combines the digital and the hand drawn, exploring themes like seduction, freedom, hallucination, and transfiguration. I’m really enjoying her use of free-spirited colors and trippy compositions.
Andy Ainger creates eerie paper creatures. Even with his fun color palate, some of his creations still give me the heebie jeebies. Aiger works with simple materials, saying his interests lie in “craft based art,” and plays with accessible household items like paper, breakfast cereal, and possibly sealing foam?
Mattias Adolfsson doesn’t leave much space on the pages of his notebook. Get lost in the whimsical clutter of robots, shelves of stuff, wires, cables, rockets, and just about everything else you can think of after the jump.
The Fallen, an installation by two British artists [Jamie Warley and Andy Moss], entails striking silhouettes of fallen soldiers on Arromanches beach in Normandy. The project is a tribute to the civilians, German forces, and Allies who lost their lives during the Operation Neptune landing on June 6, 1944 on Normandy Beach.
The artists, together with a team of volunteers, traveled to the site in order to create the silhouettes, which were individually drawn into the sand with pre-prepared stencils.
After the completion of about 9,000 imprints, the shapes were then left to wash away by the beach waves; a poetic visual composition that reminds us that life is temporary.
“The idea is to create a visual representation of what is otherwise unimaginable, the thousands of human lives lost during the hours of the tide during the Second World War Normandy landings. People understand that so many lives were lost that day but it’s incredibly difficult to picture that number.”
Veterans and families, including some who have lost loved ones in recent conflicts were involved in the ‘Fallen’ project. (Via DailyMail Online)
Ian Addison Hall’s Patterns of Science series is named after a program created by the United Nations Educational, Scientific and Cultural Organization (Unesco) shortly after World War II. The program’s purpose was to prevent an apocalyptic third world war by promoting intercultural understanding. At the time many thought the fundamental cause of international conflict was humanity’s failure to realize the ideals of a world community and that we are all grounded in common values.
Using vintage catalog imagery, each piece in this series explores the relationship between the patterns that exist in fashion and the patterns that comprise human genetics. While a clothing pattern is designed to make the wearer look and feel different than everyone else, when expanded over the model’s exposed skin it instead represents the common biological and emotional framework that we all share. Acknowledging the shared traits that we all share will encourage empathy, compassion, and better understanding.