Commercial photographer Andy Freeberg deals mostly in, well, commercial work, but recently has been exploring fine art photography as well. In his series “Guardians” we get a look at the female guards who watch over the art museums of Russia. Freeberg says, “When you look at the paintings and sculptures, the presence of the women becomes an inherent part of viewing the artwork itself. I found the guards as intriguing to observe as the pieces they watch over.” Indeed, the contrast between these women and the work they’re sitting next to can be quite captivating.
Tom Fruin made his solo debut at Mike Weiss Gallery with quilts made of drug baggies. 11 years later, his sculptures maintain reference to that mosaic, but have taken on a different form as colourful plexiglass architecture. The baggies for his earlier artworks were found on the street and sewn into a pastiche. It actually seems like quite a natural progression for Fruin to go from baggies to plexiglass that imitates stained glass. The baggies already had the feeling of stained glass windows, and the choice to use plexiglass instead of glass allows the work to maintain that plastic durability or roughness that regular glass would not.
Fruin’s most recent sculpture is installed in Brooklyn Bridge Park. The structure has lights installed on the inside, so that at night it is lit up. Whether lit from the sun during the day or at night by the artificial lighting, the colourful shadows cast by the installation are totally enjoyable. It’s interesting that stained glass and drug baggies should come together so coherently in Fruin’s work. From his rather turbulent beginning as a divisive artist, Fruin is cooling it down with this work. Still, as stained glass belongs to a religious symbolism, the invocation of the baggie configuration remains a mildly daring one.
Artist/designer Mr. Kiji has already had a prolific career for someone so young, but his work across mediums and markets (ranging from paint to pixels) is all part of a much bigger vision he has for living a wholly creative life. In this video, he gives some sage advice to young upstarts, and discusses how he pulls inspiration and enthusiasm into every single project—whether it’s art or advertising creative for giants like Google and Converse.
This video by Crystal Castles for their Baptism release is low budget as hell but gets the point across. Pull out your Halloween vampire teeth, start crying, put on some spandex, and jump around til you’re dizzy. Once you’re done take a deep breath and repeat!
Emily Deutchman’s “Presidents with Boob Faces” are exactly what it sounds like: a collection of paintings of the United States presidents with breasts appended to their facial features. After graduating from Skidmore College, the young artist found herself doodling human mammary glands on portraits of her friends, and she soon extended the project to historic leaders of the free world. With the exception of Obama’s portrait, which is modeled after the iconic “Change” poster, each piece is based off of its subject’s official presidential portrait. The facial features of each man dictates the placement of the breasts. For Ronald Reagan, it’s skin above the neck. For Clinton, it’s the nose. Some of the boobs are painted from actual breasts, sent to the artist by friends.
While Deutchman insists that the work has no clear agenda aside from humor, she invites political interpretations. With the expected candidacy of Hillary Clinton in 2016, dialogues on women in politics have come to the fore, and we are asked to consider the gender inequality that persists in the upper echelons of power. There are few art pieces that exude the machismo of the presidential portrait, and in adding female sex organs to the idealized masculine visage, the artist subverts our notion of national power and authority. Deutchman’s use of pastel-toned watercolors heighten the feminine softness inherent in the work. A more naughty glance at the work renders it a scathing satire of contemporary politics and the corruption of high offices. Take a look. (via Lost at E Minor)
Andre Beato aka MEDIA.ONE is a graphic designer/illustrator from Lisbon, Portugal. His work is mostly illustrations, corporate identities and typefaces. He has done all sorts of graphic work from print to editorial, working with a wide array of clients including record labels, magazines and clothing companies.