Lee Materazzi uses her body to manipulate her photographs (as opposed to giving in to digital manipulation). In her newest series she explores the thin line between finding oneself and losing oneself. She references artists like Charles Ray and Anna Mendieta as she “attempts to achieve a resolution of the body’s role within contemporary art.”
Alpine performing at Bardot (School Night) on March 4, 2013
As I write this, Alpine just wrote on Facebook that while on tour in the US, their video for Villages went past two million views. With solid reports coming out of SXSW about their many performances and KCRW picking their songs Lovers 1 and 2 as a recent double header Top Tune, it won’t be long before this Aussie six-piece finds their way into your ears.
I was lucky enough to catch them live at both Bardot in Hollywood and at Brooklyn’s Glasslands and both shows had me dancing from the first beat. Filled with energy, singers Phoebe Baker and Lou James get the crowd moving with their catchy tunes and lovely harmonies. I guarantee that once their album is released in the US, you’ll be hearing a lot more of them.
Alpine’s debut album, A is for Alpine will be released in the US on May 21st on Votiv Records. Check out the video for one of my favorites, Gasoline directed by Kris Moyes and be sure to catch them when they’re stateside again.
Nic Joly’s tiny figurative sculptures are proof that you don’t necessarily have to go big to grab viewers attention. His brilliant miniature sculptures create narratives that we can all relate to such as walking on the edge of danger (or a razor blade) and riffs on the famous sayings such as “The pen is ,ightier than the sword”
Channeling the ghost of Jackson Pollock’s organically composed (not composted!) abstractions, French artist Frédéric Delangle creates densley layered abstract photographs of the insides of compost bins. Part hippie chic and part ab-ex, Delangle’s images take the eco-friendly and the familiar and transform it into piles of abstract goodness!
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Dylan Shields, an artist based in London, creates sculptures that investigate the relationship between classical sculpture and contemporary materials.
The sculptures further explore and build upon the existent relationship between canonical works of art (in this case and its contexts within modern society by creating them out of cardboard, a relatively new (ish) material in the realm of art-making. He uses re-cycled cardboard and parcel tape to produce work that is at both familiar yet fresh by its original use of form and perspective.
“It has been a process of trial and error to perfect my style. One of the challenges of working with cardboard is the limitation of its flexibility. Also, sourcing the right colors has been difficult as I don’t paint the sculptures, so the colors have to come from the cardboard.”
In Thailand, the term ladyboy is a nickname for transgender women, and they are a population often met with intolerance and prejudice. Their place in society is explored through photographer Soopakorn Srisakul’s series Mistress, in which he captures the daily life of his girlfriend and four other ladyboys. They all work at bars and as call girls in the infamous red-light Nana district in Bangkok.
Srisakul’s images are his journey in understanding his partner and the others experiences. There are few positions that are hiring transgendered women, so this community typically finds work in department stores, makeup counters, and cabaret venues. Those that are bargirls generally make better the better wages, which allows them to save up for gender reassignment surgeries.
Mistress presents us with poignant pictures of both work and home. There are moments of dark clubs, sure, but there are also quiet scenes in bright bedrooms. Srisakul writes:
They go out working, come back to their room, go relaxing outside, occasionally go back to visit family in the countryside, and then go to work. They, like anyone else, just try to get by. They laugh for joy, cry for sorrow, they work to earn a living, and they have an argument with their boyfriend, just like anyone else. In this sense, what makes them so different from us as to warrant a harsh treatment from the moral society, and do they deserve it at all? (Via Feature Shoot)
Grace Miceli is an artist based over at Burlington, Vermont. I am really enjoying her portfolio of collage, and photographs. Her collages in particular are pretty interesting as they range from satirical to full of humor.