These aren’t your typical vinyl records. Actually, they’re not vinyl at all. Amanda Ghassaei seems to have perfectly situated herself between being a scientist and artist. This project illustrates that well. For it Ghassaei uses a laser to burn grooves into a variety of materials such as wood, acrylic, and paper. The grooves are about two times larger than they would be on a regular record. However, these DIY records are still entirely playable. Check out the video after the jump to see her laser-cut records in action.
New York – based painter, Winston Chmielinski creates an incredibly striking collection of work that may appear a little washed out, but, oddly enough, works to contribute to the powerful execution.
In her ongoing series “The City,” photographer Lori Nix creates incredibly detailed scenes by hand in miniature, then photographs them. The result is an amazing collection forecasting scenes of danger and disaster. The pictures share some commonalities with Matthew Christopher’s “Abandoned America,” recently covered on b/d, but instead of finding places that have been left behind, Nix constructs them.
“In my newest body of work ‘The City’ I have imagined a city of our future, where something either natural or as the result of mankind, has emptied the city of it’s human inhabitants. Art museums, Broadway theaters, laundromats and bars no longer function. The walls are deteriorating, the ceilings are falling in, the structures barely stand, yet Mother Nature is slowly taking them over. These spaces are filled with flora, fauna and insects, reclaiming what was theirs before man’s encroachment. I am afraid of what the future holds if we do not change our ways regarding the climate, but at the same time I am fascinated by what a changing world can bring.”
The images are classically composed, with a balance of color and space. Even once the viewer is told that these are dioramas, it’s difficult to believe. The intricate details, realistic lighting, and cohesive scale make them absolutely lifelike.
“My scenes can be as small as 50×60 centimeters and as large as 182 centimeters in diameter. It takes approximately seven months to build and photograph a scene. I build it for one angle of view and never move my camera from that spot. I will change the lighting, the placement of the objects and re-shoot until I’m fully satisfied with the results.”
Nix’s apocalyptic visions are both familiar and fantastic. She presents a world on a tabletop that is beautiful and alarming.
Sacha Goldberger‘s done it again, capturing the spark of magic realism in a world similar to his Super Grandma series. This time, his photographs look like snapshots from an alternate super-history: one where Captain America poses for a 17th Flemish painter, the Hulk is super fancy, and Wolverine struggles mightily to dress himself in the morning. The series, called “Super Flemish,” shows a softer side of iconic childhood heroes and villains. Rather than valiant, Batman strikes a contemplative pose; beside him is a stoically dignified Robin. Alice of Wonderland fame seems grown up and wiser, perhaps having taken some of her own advice. Hands folded modestly, Wonderwoman looks almost docile.
“The collection demonstrates the use of 17 century techniques counterpointing light and shadow to illustrate nobility and fragility of the super powerful of all times,” reads the artist’s statement. “… The superheroes often live their lives cloaked in anonymity. These portraits give them a chance to ‘fix’ their narcissism denied.”
Goldberger’s photo series reframes modern heroes in a way that’s almost mundane but still removed enough by a handful of centuries so as to seem magical. Instead of fighting world-eaters and galactic villains, one could imagines them instead taking tea in the garden and brooding over their eighth praline — or whatever it is that’s hip in the county of Flanders.
He also pulls back the mask to show something undeniably human. “As science fiction meets history of art,” Goldberger says, “time meets an inexhaustible desire for mythology which is within each of us.”
UK graphic designer Joe Porter has a refreshing style. A combination of minimal color and collage inspired design makes his work eye catching. This young new designer is a recent graduate from Brighton University. He has already been featured in several publications i.e. Computer Arts and Wallpaper Magazine. Not too bad for this up incoming designer.
In honor of all things big and tall, Beautiful/Decay is offering up ALL of our XXL t-shirts for the bargain basement rate of $5 only on our online shop. This means nearly 85% off our normal pricing! Why, you ask? Well, with Thanksgiving around the corner, we know you’ll be needing some extra room in your tees, and they make great holiday gifts for the lovable large guy in your life!
To kick off the sale, we hired a top XXL model to promote the Beautiful/Decay shirts on the streets of Los Angeles, though his sales technique was….not exactly what the B/D team signed up for. Watch the video above to see what happens!
Israeli artist Ron Arad has a thing for the Fiat 500 car. Ever since his father was almost struck by a garbage truck while driving a Cinquecento, the Italian automobile played an important part in his life. Arad tells the story of how he came to own his first Fiat to W Magazine. While stopped at a red light in a taxi, a Fiat pulled up next to him, and he
….opened the door of the taxi and shouted to the driver, ‘Are you selling?’ The next day, his car was [his]’. (Source)
That car was used to cart his family around for a number of years, and even housed a homeless man for a short period. After looking at it every day, he decided he wanted to immortalize the car like the cultural icon it is. Using a metal press at a shipyard in Groningen, in the Netherlands, he managed to squash and squeeze the cars into a 12cm thick plate. After spending a while trialing with smaller cars and a variety of presses, Arad found the perfect way to flatten the frames while still keeping the integrity of the shape and design. It is quite a bizarre sight seeing something which is normally such a full shape being hung on the wall like it is a colored cardboard version of a car. Arad has indeed preserved the idea of the Fiat 500 for all to gush sentimentality over.
His exhibition “Ron Arad: In Reverse” is on view at Paul Kasmin Gallery, 515 West 27th Street in New York City, until March 14, 2015.
I wish I knew this artist’s real name so I didn’t have to refer to her by her Flickr moniker…but this will have to do for now. The paintings are a little bit too Asian-American (is that a genre?) for my taste…and I feel like maybe I can make this claim because I am a fair representation, but the colors are definitely eye-catching. And I like how auto-biographical the paintings feel.