Everyone loves a miniature. That’s why we all love Bill Burns’ Safety Gear for Small Animals. These tiny guys are on display at the MoMA in New York along with guides on how to assist small animals. Burns’ work consists mainly of sculpture, photographs and books. All of his work acts as a commentary on human stewardship of the environment.
I found Tadashi Moriyama‘s work during Bushwick Open Studios this past June and fell in love with the intricacy and obsessive mark making process that is evident in each ink and gouache work. Each painting is rife with apocalyptic imagery rendered in countless repetitions of a few motifs including waffle-like gridded squares forming architectural structures and tubular wobbly connectors slithering in and out of buildings and bodily orifices.
Samuel Fosso is one of the most renowned and prodigious young African photographers. His fantastical portraits of different types of people – from African Chiefs to American women – are revealed, upon closer inspection, to be self-portraits. A witty and ironic exploration of self-identity, Fosso’s work has been shown in major global venues such as the Photographers’ Gallery in London and the Guggenheim Museum in New York.
In the garden of my house there’s a tree with lots of randomly grown twigs. It looks odd and nice at the same time. One day I asked myself if I could create a piece of music with it.
To tune the tree I picked a fundamental note and tuned the twigs by trimming them with a pencil sharpener. I used two Røde NT6 and a NTG-2 as microphones, combined with a customized stethoscope.
I recorded the tracks live on a Pro Tools LE system. I didn’t use any synthesizer or sampler to create or modify the sounds. All the sounds come from playing the tree, by bowing the twigs, shaking the leaves, playing rhythms on the cortex and so on.
Jake Chapman was born in Cheltenham and Dinos Chapman in London. Their father was a British art teacher and their mother an orthodox Greek Cypriot. They were brought up in Cheltenham but moved to Hastings where they attended a local comprehensive before attending the University of East London‘s Art college – then atGreengate House, Plaistow – and then enrolling at The Royal College of Art, when they worked as assistants to the artists Gilbert and George. They began their own collaboration in 1992. The brothers have often made pieces with plastic models or fibreglassmannequins of people. An early piece consisted of eighty-three scenes oftorture and disfigurement similar to those recorded by Francisco Goya in his series of etchings, Disasters of War (a work they later returned to) rendered into small three-dimensional plastic models. One of these was later turned into a life-size work, Great Deeds Against the Dead, shown along with Zygotic Acceleration, Biogenetic, De-Sublimated Libidinal Model (Enlarged x 1000) at the Sensation exhibition in 1997.