Working with one of the most socially relevant and controversial topics of recent years, artists Pascal Leboucq and Lucas De Man have installed a clever take about what it means to be surveilled, to survey and to be under surveillance. Their EYE project consists of 5 enormous eyes built into the sides of different buildings around the Dutch city of Den Bosch that viewers are able to inhabit and experience a dramatic view of the city from.
Once inside the different buildings of the project (including a theater, a modern hospital, an old building ready to under go construction, a monument and a corporate building), observers are ushered to a seat, fastened in and wheeled out into the hanging structure. They are then immersed into a multimedia sound and video experience altering the way they are able to see themselves, their peers and their environment. Artist Lucas De Man says about the metaphor of eyes in this project:
A city with eyes is a city that looks and shows itself. No closed doors or shut windows, but open. We gave the city eyes so you can hang in the air above the world and look. Just look. (Source)
Lucas also talks about his desire for a more connected existence within cities, and how important it is to have these immersive experience to change our interaction with each other and within our shared environment.
Man wants to be heard and seen and has the need to share his vulnerability every now and then. The city must accommodate this need by being a place for, of and by people. (Source)
The Eyes are still open for viewing until November 1. They will then be on tour in 2015.
Artists Walter Hugo & Zoniel have created a surreal installation featuring a large-scale glowing jellyfish tank as part of the Liverpool Biennal. Located in the Toxteth district, the piece is installed in the facade of an abandoned garage. Closed during the day, it opens its shutters every evening at 10 pm and is live-streamed to the Gazelli Art House in London.
Unusual project, titled “The Physical Possibility of Inspiring Imagination in the Mind of Somebody Living”, is based on the juxtaposition between the harshness of an old derelict building and the dreamlike flow of these fragile underwater creatures. It aims to inspire local communities by showing that inspiration can happen anywhere at any time.
“We placed the work there so that it could be enjoyed outside of a gallery environment while people are just walking down the street, going to the shop or home. The response that we’ve had from people so far has been overwhelmingly positive. We’ve seen reactions ranging from excitement to disbelief to nonchalance.”
The psychedelic display was opened almost secretly from the public. Artists chose not to promote their project through press and marketing, rather focus on the residents of the area and rely on natural word-of-mouth. What’s more interesting is the link created between Liverpool and London by streaming live footage to the virtual screen at the Gazelli Art House.
The original installation is up until July 24 at 53 High Park Street in Liverpool. Digital versions of the artwork can be purchased here. (via thisiscolossal)
Performing/Guzzling functions more as a hard bound artist journal than a monograph filled with page after page of Gordon’s ghost like watercolors, text paintings, lyrics/poetry, and photography. The watercolor works are by far the most accomplished, inspired by on-stage performances where the faces in the audience become a dreamy and ethereal blur of color.
The first printing of the book will be in a limited edition of 3,000 copies, with each containing a signed print by Kim Gordon. Performing/Guzzling is a must have book for both artist book enthusiasts and Sonic Youth fans alike!
Marcela Bolivar is a Colombian digital artist who creates haunting images of women embedded in forests of sinister beauty. Encroached by thorny branches and accompanied by snakes and skull-faced birds, each character is possessed by her own dark element. Like spirits resurrected from the leaf bed, their bodies sprout and mutate, driven by ancient and esoteric powers. Using dark hues and gauzy layers, Bolivar does an incredible job blending savagery with ethereal, feminine beauty. Her work is an expression of the mysticism and secrets that lurk in the wooded landscapes of our dreams.
Bolivar is currently on display at Krab Jab Studio in Seattle. Her work is being featured alongside that of Samuel Araya and Bastien Lecouffe Deharme, artists who also compose stunning, fantasy-based visions of terror and beauty. The exhibition, called The Three Imposters, is inspired by Arthur Machen’s 1895 horror novel of the same name. The exhibition runs until November 7th. You can read more about the show on beautiful.bizarre.
Corso Zundert, the famous flower parade, takes place every September in Zundert, a small town on the Belgian border. Known as the world’s largest flower parade, participating districts work arduously to out-do the other competitors in creating the most wild and unique float possible. There is no set theme for the parade, but competitors must adhere to two parameters: their floats must be made entirely of dahlia flowers and be smaller than 20 by 10 meters. Included here are photographs of floats from this year and past years as well. With the huge crowds surrounding the floats you can really see just how immense and outrageous these structures really are.
Starting in 1936, Corso Zundert is an ongoing tradition within the Netherlands. Using an unimaginable number of dahlias, people painstakingly construct and adorn these gigantic floats. The twenty floats, once completed, make their way through the city, everyone hoping to win first place. For the 2014 parade the prize went to a horse-themed float called Horsepower. What would your float look like?
Artist Giacomo Carmagnola uses digital tools to add a unique, glitchy twist to photos of the past. Faces and objects are obscured with long, colorful strands that seem to melt, as if it’s some sort of ooze that’s absorbing the rest composition. The crucifiction of Christ now has green trails that emanating from the cross. Likewise, a guillotine blades have been replaced with the same type of strands. The photographs are still recognizable, but now offer a colorful addition that changes their meaning. And depending on your point of view, make them funny or profane.
The Italian-born creative writes on Dazed Digital, “I’m completely absorbed by glitch art. I’ve always been attracted to its aesthetics; I’m not talking about philosophy or higher concepts, but just its plain visual pleasure.” One way to create this effect is with a processing pixel sorting script that’s applied to the image. “I see these images as an alternative beauty. I find it extremely fascinating how the same image can change so much by keeping its original ‘skeleton’. Of course they’re also visually impactful. But before this, I find them simply beautiful.” (Via Dazed Digital)