G-Shock and RESPECT. magazine have teamed up to showcase the work of some top, emerging art makers from across a variety of disciplines. The video series interviews four innovators: artist/sculptor Christophe Roberts, industrial designers Aaron Stathum and Eliot Coven and photographer Kareem Black. These individuals are exploring their own imaginations and finding new ways to their visions to life through their respective art forms. From sculpture, to photography to developing concepts for industrial design and products that improve our every day lives.
First up is Kareem Black, a Philly-bred photographer who burst onto the New York City photography scene at the tender age of 18. Kareem has shot everyone from Nas to Jenna Jameson and Leonardo DiCaprio in between. He has a gift for creating both bright, saturated images that capture the pop-culture personas of the people he’s shooting, and timeless, moving images that get to the very core and soul of his subject. No matter what the subject, setting or the mood you know that Kareem will deliver a stunning image that sends a clear message.
His unique perspective through the camera lens breathes life into his subjects, objects and surroundings. If a picture is worth a thousand words, Kareem’s pictures are worth millions.
Belgian documentary photographer Alice Smeets has traveled the world and covered everything from war to famine. However her series on Witchcraft has blown me away! This series captures the life and practices of the modern witchcraft practitioner by pulling back the veil on this ancient yet taboo tradition. Smeets says about this project:
“Modern Witchcraft is practiced across Europe, the USA and the rest of the Western World. It is extremely diverse; with beliefs that range widely from polytheism to animism, to pantheism and other paradigms. The largest movements of this self-termed Neo-Paganism are Wicca and Druidism; the followers of which call themselves Witches or Druids, sharing beliefs of Magic, Witchcraft and Nature’s Power. They respect their environment and celebrate eight Sabbats in the Wheel of the Year where they praise the divinities of nature. They often hold rituals – called Esbats – on the Full Moon. In part, they return to some of the old Celtic traditions.
While Wicca is a very young religion – formed by Gerald Gardner not more than 50 years ago, its roots are much older than Christianity. It has no relationship to Satanism, which is one of many misconceptions held by the public. Ancient pagan beliefs have begun to make their way into the Neo-Pagan community in many ways, making our spiritual path a very deep one, rooted and grounded in the very earth that supports us. From its origins in England it is now widely spread across Europe, America and the rest of the world. At the present time, Neo-Paganism is a large network of small communities with its own organizations, festivals, magazines, shops, workshops, gatherings and ceremonies. Witches can be found everywhere: in the supermarket, in the streets, as well as in our own neighborhood. And you would not know these Witches unless you were told who they were or were one yourself.”
Opening tomorrow, September 27, is Chinese artist and activist Ai Weiwei’s exhibition @Large in the former San Francisco Bay prison, Alcatraz Island. The sculpture, sound, and mixed media installations are staged in four locations throughout the space: the New Industries Building; a group of cells in A Block; the Hospital; and the Dining Hall. Ai’s work inside creates a dialogue about how we define liberty, justice, and individual rights.
In 2011, Ai was secretly detained by Chinese authorities for 81 days, and is still not permitted to travel outside of the country. He was unable to visit Alcatraz during the planning of the show and was developed in his studio with the help of the FOR-SITE Foundation.
There are a variety of pieces in @Large, including Trace, which is 176 portraits of political prisoners and exiles made from LEGO blocks. The impressive works began at Ai’s studio in Beijing and were completed in San Francisco by a team of 90 volunteers. Cheryl Haines, the exhibition’s curator told the San Francisco Chronicle, “I’m overwhelmed by how remarkable it looks. This is the face of the individual in the fight for freedom, but it’s also a collective statement and to see the density and quantity of people that are incorporated in this work, I find deeply moving.”
In addition to Trace, there are six other themes: With Wind, a giant traditional Chinese dragon kite; Refraction, stunning metal wings; Stay Tuned, sound installation that occupies 12 cells; Illumination, the sounds of Tibetan Buddhist and Native American chants; Blossom, fragile floral bouquets; and Yours Truly, where visitors can write postcards to prisoners. (Via FOR-SITE and Artnet)
The saying “the more things change, the more they stay the same” proves itself to be true with this outstanding series of work by redditor, Shystone.
On this body of work, the artist cleverly juxtaposes paintings of London from the 18th and 19th century with London’s modern-day settings in Google Street View. Taking inspiration from the film “London, Then and Now”, Shystone takes several popular landmarks on Google maps, including Westminster Abbey and the River Thames, and just like a puzzle, he inserts the matching 18th/19thth century painting where it belongs on the GSV’s shot. The beauty of this is how much we think things have changed over time, but truly, as we can see here, everything still kind of remain the same, at least aesthetically/architecturally. The 19th/18th century paintings make us nostalgic for the simpler times, but the Google Maps image makes us cynical about today’s highly industrialized, loud and filthy London. It is interesting to think about how we are looking and thinking about these polar opposite characteristics in a place that has physically changed very little. (via The Atlantic Cities)
Ryan Mosley’s distinctive visual language is rooted in its timeless qualities; archaic skulls, top hats and fig leaves collide with anthropomorphic limbs and futuristic, shamanic figures that create a bewildering backdrop in which anything is possible. Ryan has a show up at Alison Jacques Gallery in London from July 15th-August 13th 2011
Our friends in Egypt are still protesting day and night for freedom and democracy from the Mubarak regime. They have defied curfews, been beaten, killed, and assaulted for the rights that most of us get to enjoy every single day. Today is said to be the day that they make their final push to get Mubarak out of office. Lets all join in solidarity in supporting their efforts!
California-based artist Gregory Kloehn often repurposes the still completely-usable trash and street detritus that he finds in the streets. His ongoing project Homeless Homes takes this idea one step further, offering real aid by creating housing for the homeless in Oakland. Dubbed as “eclectic building materials for small but efficient mobile homes.” Kloehn and his volunteers recycle and reuse salvage to offer small, mobile house (they are on wheels), Mostly the size of a sofa or small room, these Homeless Homes offer a safe place and protection, and raise awareness to the needs of the homeless community. “Stuff people just throw away on the street can give someone a viable home,” Kloehn said in an interview with NBC News. “Does it have merit as a solution to homelessness? As far as giving people a shelter, yeah, definitely. Is it a solution to homelessness? It’s an answer. An attempt.”
Kloehn further describes his aims on the project’s website, “Our goal is to bring together imaginative people and discarded materials to make sturdy, innovative, mobile shelters for the homeless people. By sourcing our materials from illegal street dumping, commercial waste and excess household items, we strive to diminish money’s influence over the building process.”
The construction of each painting fuses disparate images from a variety of sources such as fashion magazines, animation stills, comics, the Internet as well as my own photos and drawings. I predominantly choose images and try to create forms which I feel register a visual ‘peak shift’, a term given to the phenomena of ‘neurological attraction’ that appears in both humans and animals to an extreme characterisation of an object.