Want to see what it’s like to live in sunny California? Just watch this music video for Viernes’ single Liquid tunnel.
Hungarian photographer Bence Bakonyi‘s series Dignity is a clearly personal one. The white arctic-like landscape is contrasted against deep black fields. The inky pools seem to be light swallowing and even begin to envelop a figure in some images. Bakonyi’s photographs are intensely lonely. Referring to the series, he speaks about a distinction between the body and mind as expressed in the photos.
Speaking about struggles between the two he relates, “It’s so alluring, sometimes as if the will of the body would want to swallow me, leaving my thoughts behind, but then comes the soul to pull me back.”
Heike Weber‘s installations transform a space in a surprisingly simple (albeit painstaking) medium. Her installations are actually drawn directly on the floor, walls, and ceiling of these locations. The surface is first primed in acrylic paint and patiently drawn over in permanent marker.The drawings are highly detailed abstract line-forms. Each endless series of waves nearly seem to undulate around the room. At other times, the installations resemble an enormous and fantastic topographical map projected directly onto the space.
A bear trap made to catch hipsters. Ironic, funny, and clever.Check out the this and other fun traps such as the Bridge And Tunnel Trap over at Urban Traps.
When you first look at the paintings by the Miaz brothers, it doesn’t seem like there is much to see. A blurry collection of colors forming an incoherent image. Everything seems far away and out of focus. But something draws you to look closer, perhaps the fact that you can’t immediately comprehend the paintings when you see them. Their lack of detail demands additional attention, and you find yourself scanning them again and again as you put together the larger picture. Colors and patterns begin to stand out, and details slowly emerge. That demand for closer inspection draws you in, and makes you closely examine a painting, that at first glance, seems almost empty.
The work of photographer Nadia Lee Cohen is a stimulating, modern take on vintage American and British style. Her diorama-esque compositions — with their nude, cigarette-smoking femme fatales and garish 1950s/60s/70s iconography — explode with color, attitude, and fetishized, retro-suburban life. Scattered throughout are bold insertions of cultural, consumer artifacts, from packs of Marlboro cigarettes, to Coca-Cola bottles, to lip-shaped telephones, which further emphasize the images’ glossy and style-saturated appeal. David Lynch and Alfred Hitchcock fans will certainly be able to identify a few crafty allusions; whether it is red curtains, or birds hovering menacingly in the background, Cohen has seamlessly meshed her own cinematic style with that of influential film directors, thereby creating a clever and campy pastiche of Western arts and culture.
When I asked Cohen what drives her work, she expressed that she primarily hopes that people enjoy the aesthetics of her photography, which is a “humorous, tongue-in-cheek” response to the way she views the world. And, aside from creating fascinating portraits of what she identifies as “strong, quirky, dark characters,” Cohen’s exploration of retro aesthetics through a modern lens provides a visible commentary on the way styles and cultural tastes have shifted over the decades — all from an alternative and progressive point of view; her work represents a range of personal styles, as well as a variety of body shapes and sizes. “I hope to convey a wider message of changing our perception of taste in terms of modern beauty ideals in fashion,” she explains, “which is why I tend to look to the interesting people around me rather than casting from agencies.”
Cohen has recently finished her MA in Fashion Photography at the London College of Fashion, and judging by her success and the in-depth nature of her style, she will be creating a lot of exciting work in 2015. Be sure to check out her website and Instagram. More adventurous (and amusingly retrospective) images after the jump. (Via Huffington Post)
I’m more interested in Holton Rower’s process of creating these abstract paintings than the final result. Sure the end result is beautiful but you’ll see what I mean once you watch the process video after the jump. It’s a simple technique that packs a lot of punch!