Amie Luczkowski Gibson is an Australian artist who creates unique, otherworldly characters in the form of planters, cups, sculptures, and necklaces. Each piece is uniquely molded with its own bizarre facial features and expressions. Recurrent throughout the works are organic shapes and multiplicities, with numerous faces sprouting from the same head or clusters of eyes rippling across ceramic skin. Most of the faces appear contemplative, as if lost in a dream or seeing into another world, emanating a sense of neutrality, wisdom, and intangible mysticism. In a statement provided to Beautiful/Decay, Amie explained the main sources of inspiration for her imagery:
I love how different everyone looks and how there is such beauty in that. Beauty in difference. I get inspired by people’s face shapes, lines, scars — I make my pieces to be as unique as people are. I also get really inspired by the vibe and aura a person gives off more than anything. […] I don’t know how I would describe my work, really. Weird, ugly, and interesting is what most people say about it. Each work is usually based on someone I have seen or met, or just some people’s general energy.
Artists like Amie remind us of the importance of supporting independent artists. As a one-woman show, Amie spends an incredible amount of resources crafting her designs, which — given the time it takes to fire the ceramics — is a process that can last days. Despite the tendency of our consumerist society to rely on and purchase mass-produced goods, Amie is working hard to produce art lovingly crafted by her own hands and individual vision.
Amie has recently relaunched her online shop, which can be visited here. You can also follow her on Facebook and Instagram.
Artist Takumi Kama is trying to confront and conquer his fears of high school girls by turning them into strange reptiles and animals. By anthropomorphizing teenage girls, he makes them less threatening and harmful. The Japanese drawer has imagined one girl as a snobby, gangly giraffe, holding it’s head up high and standing displeased with everything around it. He has drawn another one as a frightened armadillo huddled in the fetal position, looking terrified and uncomfortable. He has sketched the girls he would see on the train as a group of primates, absorbed in their cellphones; the book nerd in the school corridor is now an awkward frog beast holding her book in her weird hands, furry tail wrapped around a bottle of soda pop.
Kama has studied both the poses and mannerisms of the girls and also the beasts he has turned them into – combining them into one and the same. His immaculate pencil renderings create a convincing impression of these strange creatures, and it is easy to see them the way he does every time he encounters the demographic. Kama admits:
I am terrified of high school girls. If I encounter a group of them on a train there is a high possibility I will escape to another car. (Source)
This certain sub culture is often dissected, or referred to in popular Japanese culture. Called Joshi kōsei (女子高生) they feature in manga comics and videos as well as being fetishized in pornographic videos. Kama is also obsessed with the idea of this social group, but in his series Schoolgirl Animals, they are seen as something a bit more imaginative and humorous than the usual schoolgirl fantasy. The collection of his pencil drawings were on show at BAMI gallery in Kyoto until May 31, 2015, but you can still enjoy more of the images after the jump. (Via Spoon Tamago)
The best Intervention episodes are always the really odd ones. Meth addictions are a dime a dozen, but M&M addictions are something to talk about! Artist Rena Littleson-Montenegro appears to be drawing the usual photorealistic, tortured souls, but by pairing her subjects with bottles of ginger ale and blood thirsty toy dinos she gives the concept a refreshing and playful spin. And the extreme foreshortening really lends these binges that the-first-step-is-admitting-you-have-a-problem sense of urgency.
aka…. (Bong Rips, Magical Potions, Mystical Flora and Avatars) is the pretty amazing title of our very own B/D founder & Creative Director Amir H. Fallah’s upcoming exhibition at Baer Ridgway Exhibitions. In case you couldn’t tell, the show pretty much deals with all things next level stoner awesome, from new age crystals to plants mourning their own existential crises. If you happen to be in SF, the show opens January 9th, 4p-7pm and runs until February 13th.
New York’s Buke & Gase recently released their second LP, General Dome on Brassland to great reviews. Arone Dyer and Aron Sanchez have once again succeeded in creating a unique sound based on their homemade instruments as well as Dyer’s amazing voice.
“Buke = (pronounced “Byook”) a self-modified six-string former baritone ukulele.”
“Gase = (pronounced “Gace”) a guitar-bass hybrid of Aron Sanchez’s own creation.”
They’re currently finishing up their North American tour with a stop tonight at the Echo in Los Angeles and also a show at the Casbah in San Diego tomorrow, February 20th before heading to Australia and Europe. Check out their new video for their very catchy single, Hiccup and grab a ticket to one of their last shows of the tour.
Todd Hale lives and works in Virginia. He is producing an ongoing series of vibrant and grotesque illustrations using nothing but his fingers and an iPad. Eyeballs floating in gloomy waters, skulls fused with dripping watermelons, and a deranged clown with a cherry for a nose are a few examples of what can be found in the drawings. It is refreshing to see a series of work that resembles vector illustration and discover that it was created in the age old manner of “Finger Painting”.
Louise Despont explores drawing as abstract meditations, balancing and integrating symbols and forms to link her art to the inscription of narratives and to mystical or literary concerns. Employing and recasting a vocabulary of elements and constructions found within a set of architectural stencils and compasses, the artist renders her drawings on the pages of antique ledger books.
Despont has borrowed the geometries of Indian labyrinths, gardens, architecture, vessels and ancient Buddhist and Jain caves to offer balanced forms – particularly masculine and feminine principles—that engage past and present as indicators and provocations. While leaning towards strong poetic and lyrical translations, these drawings unlock a spatial perceptual field to reveal the formal qualities of surface, texture, scale and form.
While reinvesting introspection and the metaphysical into tropes of abstraction, Despont’s drawings are notable for their levels of sincerity, intricacy and refinement. Even in her larger works, the artist evokes an intimate experience with fine lines and subtle hatch marks revealing themselves only when viewed up close. The resulting works, charged with alternative legacies of cultural and personal, confront the binaries of abstraction and figuration through their encoded compositions.
Young-Deok Seo uses the human figure as the core of his work, though material is an ever present, and surprisingly inventive, concern. Using bought and discarded bicycle chains, the young South Korean artist spends months constructing and welding his pieces, with larger pieces taking even longer. Although the majority of his intricate constructions are manifested through the human form, there is an ever-present emotional quality present, oftentimes that of hurt and loss. While some figures physiques are the pinnacle of human perfection, others are faceless, in positions of mourning, or shattered upon the gallery floor. The viewer can easily make the assumption that the links Seo uses go past material and into metaphor, connecting chains to our manufactured, and fractured, world.
The artist explains, “We get to deal with lots of relationships in our fiercely competitive society. And from those relationships, we get desire for materials.To portray the mankind as a being which are bound to many things around them, I use the material that is also bound and also connected to each other….material restrict and choke each other.Modern people’s addiction to the material can be stood up as a main theme, in this way.” (via myampgoesto11)