In the spirit of All Hallows Eve, we thought it would be cool to share some of our favorite Halloween memorabilia for all of you B/D ghouls and ghosts. This includes vintage horror movie posters and pumpkin carvings; many of which were created by sculptor extraordinaire Ray Villafane. Enjoy! We did!
Jason Rhoades, who lived and worked in Los Angeles up until his death in 2006, created amazing, over-the-top, often overwhelming, generally disorienting installations. Using neon, plastic buckets, power tools, snaking wires, figurines, sound and other odds and ends Rhoades created work that is engaging, witty and visually spectacular.
Known as “scatter art,” Rhoades’ environments combine a multiplicity of ideas. In works like The Creation Myth, originally installed in 1998, and now re-created for his retrospective at the ICA in Philadelphia, Rhoades created sculptural forms representing how humanity processes information, forms memories and produces things like art. The work often contains biographical, sexual and sometimes outright vulgar elements that require a viewer’s patience and open-mindedness. Seemingly arbitrary, each artifact has its purpose within Rhoades’ installations.
Overloading a viewer with information and visual content replete with metaphors and symbols, Rhoades purposefully creates his installations to avoid finite conclusions. In many ways Rhoades’ works mirror human thought—they layer information and content in seemingly incoherent ways forming multiple, usually incomplete notions and assumptions.
Rhoades’ retrospective will be on view at the Philadelphia ICA through December 29.
Sarah Sze’s installations incorporate everyday items from toothpicks to light bulbs, and “Triple Point,” her most recent endeavor at the Venice Biennale, is no different. Ladders, paper scraps, aluminum rods, sleeping bags, and other finely scavenged items collect and assemble to create a whole new type of machinery: a thinking one that has to do with re-assessing value and investigating the romanticism of objects at play with one another in this never-ending Milky Way of constructs.
According to The New York Times, Sze “wanted the installation to bleed out into the environment.’’ This is relevant to not only the pavilion itself, where the bulk of her work sprawls from room to room and outward onto the exterior landscaping, but also the neighboring community.
Blazing a cryptic trail, before the opening, Sze deposited a series of fake rocks (aluminum structures wrapped in photographs of rocks) sporadically in unexpected places, sometimes, with local businesses, who now house them in unconventional spaces, often along with their own imaginative origin stories. The intention is to lead patrons into the exhibit slowly, almost subconsciously, as though foraging their own trail into the surprising wilderness of Sze’s art.
More images of the installation and a video after the jump.
I’ll be the first to admit that I know absolutely nothing about dance, especially when it comes to ballet. I am, however, a huge Fall fan, which led me to these videos of choreography by Michael Clark, a British dancer who famously shook up the modern dance world by staging avant-garde productions often set to experimental or post-punk music. These clips come from a 1988 ballet called “I Am Curious, Orange” which was scored entirely by The Fall. As far as I can tell, there hasn’t been much proper documentation done of this work, but these YouTube clips, taken from Charles Atlas’ long out of print film Hail the New Puritan will have to suffice.
With the release of Star Wars Episode VII later this year, the bloggers at Superfi have used the escalating hype to create something rather amusing: “Star Wars Bands,” a series of iconic album covers twisted to match Star Wars-related puns. Lady Gaga’s face from The Fame is mutated into a grinning “Lady JarJar”; Chewbacca throws up Tupac’s “westside” on the cover of 2paca: all jediz on me. Other spoofs include the Sex Pistols, Run-D.M.C., and Green Day. Clever and good-humored, “Star Wars Bands” will amuse music and movie lovers alike.
Superfi’s brand of playful (and somewhat absurd) humor has manifested in a couple of other entertaining series, such as “Classic Beatles Album Covers Recreated by Apple,” “Desperate Movie Sequels” (my personal favorite being a hopeless reincarnation of The Matrix: “Turns out, there was a spoon”), as well as the “Hipster Album Generator.” Superfi encourages participation from their similarly humored audience, so if you have a music-related Star Wars pun of your own, hashtag it #StarWarsBands on Twitter for a chance to be featured.
Philadelphia based artist Alex Lukas is well known for his self described “Disaster Drawings” in which desolate landscapes are presented with striking clarity in ink, acrylic, watercolor, gouache and silk screen on paper. In addition to this body of work Lukas has been producing zines and screen prints through his own Cantab Publishing since 2001. Throughout the years he has expressed his love for comic books via a series of superhero screen prints that present well known characters in a signature style. Some of the work is searing and culturally relevant while others are simple tributes to beloved heroes.
Adam Friedman celebrates the unchanging mystery of nature in his surreal, hybrid paintings that dissect landscapes from the real world. His newest body of work is bold in color and line, as he portrays scenes of glorious mountains and unwavering glaciers. His unique style depicts scenes of tremendous natural beauty, transformed them into something even more stunning. Plates of the earth seem to shift and glaciers are mirrored in a reversed world that Friedman so skillfully creates. The artist experiments and warps perspective in his paintings, like an M.C. Escher drawing toying with our mind. Sections of mountains are divided and manipulated into geometric patterns and shape that make you question exactly what it is you are looking at. Friedman describes his artwork’s intent.
“Millions of years are compacted into a single instant and rocks become fluid. I strive to present a moment that defies human intervention in the landscape, and pays homage to the potential in the inexplicable.”
Friedman explains that his work celebrates the unknown that the natural world possesses. Society attempts to explain, examine, and make sense of our environment, but there are some things we cannot understand. The beauty in the unknown can be felt in Friedman’s powerful series that radiates with intensity. Mirus Gallery in San Francisco, California currently has a solo exhibition of Friedman’s work on view until July 11th. If you have the chance to see this exhibition, titled Into the Aether, make sure to check out his compelling paintings in person.
Creative collective Funwunce brings together a group of talented artists from various genres to create mind bending artwork for your needy eyeballs. Some of my favorite works on their site has to be their album art and prints which seemlessly blend analog and digital skills for you to enjoy.