In the past, artist Mark Khaisman has used his signature style of translucent packing tape, acrylic paint/film panels and lightboxes to create an extension of drawing which focused on decorative objects (such as rugs, chairs and fabric patterns), luxury items (handbags) and portraiture (previously here). For his most recent series, Stills, the Ukranian-born, Philadephia-based Khaisman channels Hollywood’s Classic Era and Film Noir into layers of tape, hand-rolled and variously removed so the light shining through each image creates lines, texture and shading.
Although Khaisman freely sources images from a shared historical film lexicon, his work also takes on a thoroughly modern, almost pixelated feel and reference, particularly in his more colorful works. Says the artist of his signature process,
“The tape is the message. A parody on Marshall McLuhan’s famous quote could explain the superficial motives, which make up the work. Subjects are categorized into different groups: fragmented stills from classic cinema, iconic objects from art history, portraits. The works are exploring the familiar as our shared visual history; made of a familiar material formed into a familiar image, asking the viewer to recognize and complete the work, stimulating both memory and interpretation in the process.”
The artwork of James Payne is a visceral microcosm of xerox fuzz and highlighter smears. He is currently the co-curator of the seminal midwest noise space and art gallery; Skylab, has had a chap book of his poetry published by Monster House Press entitled “Austerity Pleasures”, is the lead singer of the punk band Lose the Tude, and continues to self publish a myriad of zines, comics, and exhibition catalogues.
Argentinean artist and designer Francisco Miranda creates work in a variety of media from digital animations to graphic design. However his geometric wood collages are what really catch our eye. Miranda creates multi-layered wall objects and spatial installations from elaborately cut wooden forms. Reflecting on the architecture of his native city Buenos Aires, he looks at how the old has evolved into the new. His work combines elements of art nouveau and art deco to create an intricately ornamental species of caryatids to shape a futuristic Argentinean metropolis. (via Ignant)
Ramsey Dau, an LA-based artist, loves America, Disneyland and you. Well, actually, not really, but he makes wonderful art that makes you smile and cry a little at the same… only because it’s so colorful (not in the example above, obviously.. unless you’re colorblind, then I’m very, very sorry if I’ve offended you). Ramsey uses typography as artistic expression, forcing your eye to read the page and take in the flow.
The work of artist Joanie Lemercier resembles Tron type imagery that has come to life. This piece’s materials, however, are really rather simple: paper and light. Lemercier folds paper into variously sized pyramids which are then arranged as a composition on the wall. The composition is visually mapped and a light projection is layered onto the installation. The result is a futuristic glowing geometric pattern. Lemercier is a member of AntiVJ – a “visual label”, a collective of artists that focus on light and perception in regards to art. If you enjoy the work of Joanie Lemercier, check out the work of fellow member Olivier Ratsi.
While finishing up a job in set building, make-up artist/photographer/designer Adam Tenebaum was given three chandeliers by the client. Finding the chandeliers were to large for his house he naturally hung them in the tree outside. Having a contracting license, Tenenbaum was easily able to light them. Many chandeliers later the tree is now coin operating allowing passersby to enjoy the warm light (and partially offset a very large electric bill). After passing the Chandelier Tree for some time Filmmaker Colin Kennedy decided to contact Tenenbaum and film a documentary about the neighborhood project.
Andy Freeberg‘s “Art Fare” series is currently on view at Kopeikin Gallery in Culver City, CA. The series captures gallery owners and artists, usually hidden behind desks and gallery walls, in plain sight at major art fairs. Simultaneously “real-life” and narrative drama, the photos depict the business of the art world in stark, natural light. The results are humorous, seedy, and honest.
The exhibition is up until October October 27th. See more photos from the show after the jump.
Images courtesy of Andy Freeberg and Kopeikin Gallery.