A rainbow colored sky as a sole view. This is the dream-like scenery imagined by English artist Liz West. In a room where nothing else can be the attraction other than a multitude of colored neons reflected on mirror covered floor and walls. A place where senses and emotions relay thoughts and worries.
‘An Additive Mix’ installation is part of the group show Light Fantastic: Adventures in the Science of Light at the National Media Museum in Bradford, UK. It is a tremendous piece of art comprised of 250 fluorescent lights and 199 different colors. Aware that she has chosen to express her creativity through a rare medium she is proud to have found her signature in using light and colors. The large scale installation reflects the genuine palette the artist wanted to use in order to design an astonishing environment for the public.
An aesthetic Liz West has been nurturing for a long time. Fascinated by colors, and the way they mix together, releasing beams and streams of perfect white light. She wished the viewer could be amazed, tip toeing before entering and being part of the art itself. The purpose being to place the body into a foreign context, powerful and mysterious.
‘I have designed An Additive Mix to be an overwhelming, intense, immersive experience.’
Romanian Sculptor Mircea Cantor is all over the map as far as media goes. The artist has worked with everything from aluminum cans to model airplanes (see both images above). He’s even done some “finger painting”. But what seemingly remains a constant throughout all of his work is a disdain for doing what’s been done before. Check out more images of his sculpture after the jump, including corn on the cob installation and fishing hook fighter jets. Cantor is also a co-editor of VERSION magazine. (via)
Robert Lazzarini is best known as a sculptor. But that is actually an oversimplification of what he does. Walking the line between reality and illusion, Lazarrini creates compound distortions of common objects, challenging perception and what we understand to be the limits of the material world.
Lazzarini’s works are not mere deformities. Using mathematical distortions and algorithm-based operations, such as mappings and translations, Lazzarini bases his alterations in reality. Along the same lines, he chooses to fabricate the warped objects in their true material. A skull is made of reconstituted bone, a hammer of wood and steel, etc. This intense attention to detail is important to Lazzarini. Earlier this year he and his team attempted to create a series of broken liquor bottle sculptures. Despite consulting MIT experts and Dale Chihuly’s team the project was sidelined because it was too difficult to realize. Such dedication and through research are major components of Lazarrini’s artistic practice. Part of this obsessive thoroughness is his desire is to eliminate art-specific materials from his work. In doing so the viewer’s experience is completely different. There is a sense of authenticity, which makes the distortion all the more extraordinary.
Violence is another component of Lazzarini’s work and it extends beyond the fact that he chooses to work with guns, bullets, knives and skulls. The objects themselves are disturbing, and the way they exist in our visual field is also disquieting. We so want to make sense of them, to right the disfiguration so that we can easily understand them. Ultimately though, Lazzarini’s works completely refuse that possibility, making them all the more compelling.
Sebastian “Seb” Lester is an English designer and calligrapher whose flawless pen-and-ink drawings of famous logos have recently gotten him some much-deserved attention on social media. Visit his Instagram and you will find a plethora of remarkable time-lapse videos wherein Lester recreates — with machine-like precision — the marks of iconic cultural and commercial brands, such as Star Wars, Game of Thrones, Adidas, and Google. Watching his steady hand “doodle” out the lettering with grace and apparent ease is both captivating and addictive.
On his website’s About page, Lester attributes his skill and passion to his fascination with the Latin alphabet, which he deems “one of mankind’s most beautiful and profound creations” (Source). His masterful work with lettering has gained him a prestigious name and career; Lester has developed typefaces for world-famous companies and publications including NASA, Apple, The New York Times, British Airways, and H&M. Watching him recreate these logos on Instagram fosters an appreciation for the delicate nuances of letterforms, as well as how such nuances can come to represent a brand’s particular ethos and world-wide influence.
Even through a computer screen Tauba Auerbach‘s work is wonderfully confusing. To answer the question that you may likely be asking right now: Yes, these are paintings. Auerbach folds, rolls, crinkles, and otherwise manipulates the canvas prior to stretching it. She then sprays it with various colors of acrylic paint from different angles. The resulting paintings are definitely two-dimensional work. The process, though, produces an extremely realistic three-dimensional effect, as if the painting were indeed folded and wrinkled then lit by colored lights.
Artist Gemis Luciani takes the term ‘marginal’ literally in his art work. His abstract compositions use regular magazines as a medium and material. Luciani folds the pages of the magazines in a way to only expose the margins. The simple method erases all text, layout and images. He deconstructs the magazine making the marginal central. Interestingly, the pieces often resemble a mix of minimalism and glitch art. His work walks the line of painting and sculpture.
Photographer and designer Manon Wethly has been experimenting with a series of photographs that is almost certainly as fun to shoot as it is to look at. Wethly flings beverages of all sorts into the air and photographs the flying liquid. The floating globs of wine, juice, coffee, and milk which are in midair for a moment are instead frozen for a single image. These flying spills resemble abstract glass sculptures. They’re color against the blue sky and swirling shapes make these “accidents” artful. [via]