Portraiture is what Annie Kevans does best, and she does it really, really well. Not simply a realistic representation, Annie’s paintings reflect her interest in power, manipulation, authority, innocence, and the duality of truth and falsehood. Pretty heavy stuff for such serene and temperate images. Annie graduated from London’s St Martin’s School of Art, and will have her work featured in the upcoming show “The Power of Paper” at the Saatchi Gallery.
Based in the Netherlands, Lise Lefebvre has accumulated a conceptually unique design portfolio full of surprising material selections. Really fun stuff that definitely pushes boundaries. A lot of Lefebvre’s work consists of experimental one-offs, but commissions can be requested through her website.
Italian illustrator Virginia Mori uses black ballpoint pen and pencil on paper to create strange, lady-centric compositions. The minimal drawings feature long-haired women in surreal situations. Heads are often seen severed or parts of the body are fused with furniture. Although they are weird, Mori’s work isn’t gruesome. Even when a umbrella handle is coming out of a character’s mouth, there’s no blood or guts. It’s simply a surreal scene.
Mori separates mind from body, in both literal and figurative ways. Heads are rolling, they exist on different levels, and are obstructed by hair. It represents the idea that we can “disconnect” our mental from our physical self, and that this separation can feel like two entities. But in Mori’s illustrations, what causes it? Mystics? Physical ailments? Lessons not learned? The sparse compositions allow for multiple interpretations.
In a daring undertaking, MoMA’s curator Klaus Biesenbach has pulled together an immersive exhibition concentrating on the last twenty years of Björk’s musical career, her eight full length albums and also features the launch of her new video Black Lake. Taken from her new album Vulnicura (2015), and filmed in Iceland in the summer of 2014, the 11 minute long video uncharacteristically explores the personal life of Björk and her break up with long time romantic partner Matthew Barney. The video was commissioned by the gallery and gave Björk another chance to work creatively with director Andrew Thomas Huang, whom she teamed up with on her previous video Mutual Core. For Black Lake, she also worked with the talented Erna Ómarsdóttir – a choreographer who gave life to Björk’s emotional journey through the break up. The video moves through the different stages of separation, including grieving, processing, and reincarnation.
The exhibition also features a retrospective of her music videos, from Debut (1993) to Biophilia (2011) across from the screening of Black Lake. In the lobby of the gallery, there is a showcase of the instruments used on Biophilia: a gameleste, a pipe organ, gravity harp and a Tesla coil. And to compete the experience,
…Songlines presents an interactive, location-based audio experience through Björk’s albums, with a biographical narrative that is both personal and poetic, written by the acclaimed Icelandic writer Sjón, along with many visuals, objects, and costumes, including the robots designed by Chris Cunningham for the “All Is Full of Love” music video, Marjan Pejoski’s Swan Dress (2001), and Iris van Herpen’s Biophilia tour dress (2013), among many others. (Source)
South Korean artist Seung Mo Park crafts wire into sculpture and the two-dimensional into the three-dimensional. With his Maya series, he painstakingly recreates photographs into holographic wire sculptures with downright ethereal results.
Using stainless steel wire mesh, Park creates his sculptures layer by layer, snipping away to create the illusion of depth and shading. In some cases, it looks as though an artist’s doodle has popped out of his sketchbook. Park shows his versatility in creating boldly three-dimensional sculptures as well as pieces that perfectly imitate the graininess of a black-and-white photo.
His work is stunningly photorealistic.
Though many of his sculptures are hauntingly evocative, his subjects caught mid-despair or appearing like vengeful steely-eyed angels, Park also has a playful side. In a work called “MAYA MONA LIZA,” he pays homage to the most mysterious smile in the world. In his Object series, he recreates known objects such as a contrabass and famous sculptures like “The Thinker.” With his treatment, they almost seem to emerge out of the static, in some cases only merely suggesting form and function. A piece called “Buddha,” created with bronze wire and fiber glass, looks as though a person is being buried in a sand dune of time. In other works, from his Human series, his subjects spring to life fully formed.
If you gaze at Park’s work for long enough, it almost seems as though he has dialed into some special channel caught between realities. A slight turn to the right and maybe his subject will become a real boy once and for all. A slight turn to the left and these ghostly figures might be subsumed forever.
Join us in celebration of the highly anticipated release for Book 1: Supernaturalism, Saturday July 25th, 2009 at Gallery Nucleus. Don’t miss artist Kyle Thomas, who will be signing and taking requests for custom, one of a kind covers for each attendee. Works by Kyle as well as featured artists Ben Tegel, David Jien and Seth Curcio will also be on display until August 3rd. Artists from the book as well as the entire Beautiful/Decay team will also be in attendance.This is a rare opportunity to get a hold of a completely customized, original copy of the limited edition Book 1! Details after the jump.
Eric White is a painter living and working in Brooklyn. He creates work that challenges the body with differing proportions, repetition, and color. The work is exquisite in every sense, and owns the world it lives in completely.