Designer Luis Hernan‘s project, “Digital Ethereal,” captures colorful “spirit photographs” of Wi-Fi signals. Using long exposure photography alongside the Kirilian Device mobile app, an app created specifically for this project that translates WiFi signals into color gradations, Hernan creates stunning photographs that feature ghostly swirls of color and activity. Hernan’s project represents the ways we can thread different kinds of technology together to create something new – something that visualizes a field of energy that is omnipresent, yet eludes our physical sensibilities. Of his WiFi light paintings, Hernan writes, “I believe our interaction with this landscape of electromagnetic signals, described by Antony Dunne as Hertzian Space, can be characterised in the same terms as that with ghosts and spectra. They both are paradoxical entities, whose untypical substance allows them to be an invisible presence. In the same way, they undergo a process of gradual substantiation to become temporarily available to perception. Finally, they both haunt us. Ghosts, as Derrida would have it, with the secrets of past generations. Hertzian space, with the frustration of interference and slowness.” (via laughing squid)
While we can probably all imagine what typical bridal photography looks like (maybe you’ve even been apart of it), artist Kimiko Yoshida turns this martial norm on its head. Her series Something Blue is named for the antiquated 19th century axiom that a bride should have “Something Old, Something New, Something Borrowed, and Something Blue” on her wedding day. The portraits feature Yoshida in various costumes that are tinged with the hue, but not how you’d expect. They look like high-fashion photographs that feature elaborate headdresses, mirrors, and even a black-light suit.
These subversive images are a form of role playing for the artist as she disconnects herself through them. The M.I.A. Gallery in Seattle, who’s currently displaying Yoshida’s work, describes it as:
…she [Yoshida] borrows an identity, tells a new story and plunges the viewer into a ceremony, where the bride keeps appearing and disappearing unexpectedly. The artist recaptures time, transfigures herself into queens, muses, warriors, and uses the shadow to illuminate the mystery and hybrid nature her ceremonial attires.
Using monochromatic, as the gallery observed, has the effect of disappearance. Yoshida is here but she’s not, showing us that when we’re painted in only one color, we become a symbol rather than person.
Pickle starburst sunglass wearing kings eating cupcakes and playing a toy-sized harpsichord. Contentedly surrounded squash loving computer techs. Eye painted wood sunglass flaps. Balloon heads of masks of masks. Ahh, Jim Stoten creates such a strange, weird and wonderful little world.
A recent exhibition in Minneapolis investigates the inherent desire to organize and structure our world, and the ensuing clutter and confusion when we become increasingly influenced by the sprawling technologies we’ve invented to helps us. Eddie Perrote, Leanna Perry and Bill Rebholz conceived Scategories as a display to highlight ordered chaos. “We’ve enabled our minds to perceive more information, decrease our mental clutter and externalize our memories,” reads the press release, which explains why the exhibition feels a bit overrun, offering too much to process, even when the looking is enjoyable.
Each of the artists has one foot firmly planted in the design world, which is perhaps the ideal middle ground to view the changing landscapes of art and design, and how technology is rapidly altering them. The group explains, “Through organizing the brain we present windows into the cerebral wold of structure, chaos, habitual patterns, and seemingly infinite layers of content. It’s these informalities that create vivacious energy, and eccentricities that feed the visual cacophony of information ever gathering within our minds.”
The exhibition itself is presented with this visual cacophony in mind. Colorful, typography-inspired murals covering several walls, while the remaining white-walls are densely covered with 2 and 3-dimensional works. Recurring motifs, such as simplistic cloud shapes, puzzle pieces, mirrors and stairs connect their works; an unplanned phenomenon, which was not surprising considering their shared influences and interests, claims the group. Perrote, Perry and Rebholz even shared a specific color palette for the show, using the same magenta, teal, and yellow paints, both for visual cohesion and “to highlight the gap between colors that exist in reality and the RGB colorspace of computer screens” says Perrote.
At the heart of the exhibition is a paradox, highlighted by the significant gesture that each painting, drawing and screenprint was made by hand. Even in a time when we can create, share and store an unlimited amount of data, the information must still be processed slowly, through our hands, eyes and minds in order to be appreciated, an appreciation which is key to good design.
Scategories is currently on view at The Abstracted Gallery in Minneapolis, Minnesota. The closing reception will be Friday, April 11th, 2014, from 7 to 10 pm.
It’s not taxidermy, it’s feltidermy! Girl Savage sells handmade plush creatures mounted on busts. These little guys are so whimsical and best of all, no animals were harmed in the making!
TV monitors have been getting bigger and bigger every year but computer monitors haven’t been keeping up, staying at standard sizes and forcing creatives to place multiple screens side by side to get a wider monitor surface. Things are about to change with the introduction of the LG 34 inch Ultrawide QHD Monitor!
The LG Ultrawide Monitor gives you the freedom to see your work on one clean surface regardless of whether you’re working 2D or 3D. When you’re working in Photoshop, Illustrator, or InDesign, monitor landscape size is directly linked to efficiency of your work. For those of you who had used two monitors in the past you’ve felt the pain of having to calibrate monitors for hours so that the colors matched from one screen to the next. Well with the Ultrawide you don’t have to lift a finger. LG’s own True Color Finder software and built-in scaler robustly sustains color consistency round clock, across all of your images.
This monitor is a game changer for anyone working within the creative world. Regardless of whether you’re designing the next issue of a magazine, editing music, or working on the next groundbreaking 3D animation the LG 34 inch Ultrawide QHD Monitor is the only choice for you!
We have featured the work of San Francisco based Alexis Anne Mackenzie in the past (here). She continues to master the art of hand-cut collage with her pieces that spell out various words entirely with found imagery. In recent works she has disregarded letters in favor of abstract compositions on found paper. New forms are constructed from tenuous slivers of paper layered over book pages of flowers and various plants. The result is a meticulously crafted body of work that addresses natural beauty and fragility.