Somethin’ weird and awkward about Eric Lebofsky’s drawings and paintings. I like his descriptions for the series he creates too: “A selection of drawing work from the earlier to middle part of this decade. Topics broached: systems of measure, schadenfraude, genetics, underwear, psychoanalysis, prison tattoos, man-shaped ice cream sandwiches, solipsism, violent rainbows, intercourse (sexual and verbal,) Arthur C. Clarke, C.S. Lewis, Ashkenazic DJ’s, The Upper East Side, and more.”
2009 has been a challenging year for all of us at Beautiful/Decay. We’ve switched formats, weathered the global financial meltdown, and moved to a new office (we’re almost unpacked!). Even with all these changes and challenges we have a lot to be thankful for. I wanted to take a second a our loyal and dedicated readers (that’s you!) for the constant feedback, participation, and support over the last year.
We have lots of exciting projects and ideas up our sleeves for the coming years and can’t wait to share them with all of you. Have a great thanksgiving everyone!
ps. My mom cooks the meanest Tofurky ever. Thanks Mom!
Satan as a headless-masquerade holding ghost on an abandoned island floating in the deep, dark void of space creating life from clay and striking them down, all in front of tiny children. Yes! Amazing excerpt from a stop motion version of Mark Twain’s Mysterious Stranger, by Will Vinton. Censored from many TV stations. Yes!
Jodi.org (Joan Heemskerk and Dirk Paesmans) has always been the pioneers of the net art movement subverting websurfing logics and breaking your browsers since the mid ’90s and have been deconstructing web platforms such as Google Maps, Blogger, and now Twitter too has fallen victim. Taking place last Monday in the Netherlands, “Sk8monkey” involved a group of skaters using wheeled wireless keyboards instead of regular boards which were connected to a number of computers logged-on to a Twitter account, which was subsequently overloaded with nonsense “tweets”, made solely of random characters. Maybe these nonsensical keyboard mash sessions are actually more interesting than some users’ sensical ones, ha!
Australian artist Ben Frost’s Lost in the Supermarket (now showing at Bout, a reference to The Clash song, remarks on the over stimulation, confusion and daily hypnosis we are trapped by, as we struggle to stand still on a buzzing psychedelic landscape of brands, identities and social demands.