The characters in Tip Toland’s hyper realistic sculptures are fragile creatures that find themselves at the end of adulthood or at the beginning of childhood. Those stages in life have a certain vulnerability, isolation and innocence in common. Toland attempts to demonstrate the decline preceding death, and the increased separation from others it brings. Their expressions are unengaged and convey a sense of deep psychological detachment that is sad and enigmatic as well as dignified by the process of natural aging. In his article for, Ceramics: Art and Perception, Glen Brown states, “[The works] weigh upon [the viewer] for the simple reason that they reflect the profound, inevitable solitude that envelops the beginning and the end of life.”
While exploring age and aging, Toland’s work attempts to give voice to inner psychological and spiritual states of being. What is of primary importance to her is that the figures contain particular aspects of humanity, which they mirror back to the viewer. It’s the fragility and transient aspect of mankind that the artist is after. That is one reason for choosing very old or very young subjects; they both portray innocence as well as complexity. While her subjects are sometimes self-portraits, they are meant to convey universal truths about humanity, society and the self.
The hyper realism of Toland’s figures comes from her attention to detail and unique use of materials. Using an encaustic technique, Toland creates a waxy finish for the skin that mimics real flesh. She even goes so far as to incorporate actual human hair into the works. The porcelain eyes create a doll-like realism that is both haunting and entrancing, while carefully defined wrinkles, skin tone, tooth enamel, and bone structure, are remarkably realistic.
What artist Francesco Spampinato lacks in interweb presence, he makes up for on his canvas. Francesco feeds us a kaleidoscope explosion of psychedelic decorations that pulsates in waves from the focal point of the canvas-to the deepest center of the viewer’s brain.
Remi Rebillard is a French photographer who’s editorial imagery definitely deserves a second look. The beautiful morbid models are accessorized with medical supplies and a wheel chair making the mood in the photographs tense. What also makes them particularly interesting is the playful approach in lighting and the almost dead-like posing of the models.
Hair is one of the first feature that one can see on a person, so familiar that it’s almost disregarded. When it comes to Dita Gambiro’s pieces, the braided hair is what strikes the most. She creates feminine objects and symbols made out of real human hair. A dress, a purse, shoes and a heart shape, all of these sculptures are handmade and meaningful.
In Eastern culture, hair is an adornment. Symbol of beauty, it is often the representation of a woman’s power, good health and fertility. Dita Gambiro was born and raised in Indonesia where she cultivates memories of her mother and grandmother keeping snips of her hair. she also keeps snips of her friends’ hair and therefore grows a bigger attachement to that part of the body. The fact that she braids the hair on almost all of her sculptures is her way to meditate and find peace.
More than just pieces of hair forming objects, Dita Gambiro’s art pieces express the mix of different cultures. On one hand the braided hair representing Eastern culture, and on the other hand the snake carved into the metal hanger, which reminds of Adam and Eve’s snake in the Western culture.
By using such a singular mean of expression, the artist conveys us into her memories and her soul, reminding us that small details prevail over banalities such as a snip of hair. (via My Amp Goes To 11)
The art of air collage is similar to air guitar. You emulate an original and make it your own. In Lorenzo Castellini’s case that means taking the faces of famous painters and paintings then collaging them onto modern day figures in contemporary settings. The end result is a humorous take on these iconic images and a look at how they would fare in the present day. Even though the project is supposed to be satirical it succeeds in capturing the viewer’s attention by using almost universally well known paintings and placing them in different contexts.
Some of the lighthearted narratives include Van Gogh in various “ear scenarios” and The Venus de milo placed in a shell gasoline logo. The funny stories that emerge by manipulating these images is that art can be brought into the everyday realm and perhaps reach people on a different level. It also uses a childlike technique which plays on perspective and rearranges found images to make comment on the moment. Castellini will take a photo and superimpose the painted image onto that then take another photo of him holding up the collage.
The faces Castellini chooses are from famous paintings which range from Picasso’s les demoiselles d’Avignon to Hieronymous Bosch. These resemble street paintings where the artist pairs faces taken from found images with appropriate photographic gestures which include upper and lower extremities. Material wise it references copying and printing techniques bringing it up to par with today’s standards and practices. (designboom)
With your face close to Jacob Everett‘s ball point pen drawings, you’ll notice they look very similar to the endless swirling pen marks of a distracted mind. The kind of meaningless doodles we may do while speaking on the phone. If you zoom out, however, the doodles turn into detailed portraits of celebrities. For his Well Known Faces series, Everett painstakingly arranges the tiny swirls to create huge portraits. First, he sketches and graphs his subjects before layering them in swirls section by section. He says of his work:
“I am interested in the contrast between the minute, repetitive mark-making and the highly personal image that is created. The process is similar to mass production. I work from photographs, concentrating on one section of the face at a time. Over several shifts spent in this way, the work culminates in a finished product which is, paradoxically, an authentic and personal portrait.”
When I’m in SF I always wonder who the hell works in this town. It’s not the crust punks begging for change to feed their dogs, it’s not the new age hippies hugging trees in the parks, it’s not even the bike messengers who were hip to fix gears 10 years ago when Amaze and Twist were painting up a storm. Apparently it’s the worms.
H BOX, a roaming collapsable video art screening room, is making its United States premiere at the Orange County Museum of Art in Newport Beach, CA. Designed by Portuguese artist and architect Didier Fiuza Faustino, this traveling video gallery has been all over the world showcasing commissioned work by emerging artists. H BOX’s first premiere ever was in Paris, France at the Pompidou Centre and since then it has shown artists’ work in Spain, Luxembourg, London, and Yokohama, Japan.