Our massive 50% off sale on the B/D shop continues today and into the weekend so if you haven’t already bought a stack shirts and books for pennies on the dollar here’s your chance. We’re clearing off the shelves for new inventory and for our brand new website and shop that launches next week so pull out your card, get some product on the cheap, and support your favorite brand. Long live the cult of decay!
The geometric paintings of Francesco Lo Castro are made from a time-consuming layering process that combines acrylic, spraypaint, occasional silkscreen and layered epoxy resin to create dynamic explorations of shape and form. This process is so intuitive that the artist says, “Geometry is just a word; it’s an aesthetic. There’s no math involved in it.”
The Italian-born, South Florida artist begins his work layering angular, taped-off shapes painted with aerosol and coated with a layer of epoxy resin. This layer is then sanded down, as is every successive layer, until the piece is finished. This process can take up to a month of 12-hour days to complete, according to an interview with New Times. Explaining his work, Lo Castro says “To me, these paintings represent our entire universe. These shapes are atoms. They are galaxies. They are representational of all that combined. They all represent evolving structures that are constantly in flux and ideas that are constantly clashing with each other. And with these clashes, new ideas arise, and we evolve through them. We have billions of people finally waking up and networking with each other; even if we don’t speak the same language, we are getting to know ourselves in the process for the first time. This kind of communication hasn’t happened before.”
Lo Castro expands this point in the interview, explaining that the former lowbrow arts movement star turned to his current geometric style as an evolution – one which mirrors humanities’ own path towards singularity. The artist o notes that his own work has found an international community thanks to technology and internet exposure, and also because of the geometric aesthetic that we can all share. Lo Castro continues, “I think geometry found me, because all you have are these colors and shapes. No matter what your age, your culture, or language you speak, everyone can jump in.” (via coolhunter and broward-palm beach new times)
Here’s a lovely German artist to start your Thursday morning off right. Elisa Strozyk makes work that is beautiful and clean, but often seems to have a functional purpose. She creates wooden textiles, hand cuts her own wallpaper and even made a radiator that changes color as it heats up. Elisa has upcoming exhibitions in Frankfurt, Cologne and Milan.
Love these gorgeous abstractions by NYC artist Kurt Lightner.
Special Problems is a multi-disciplinary creative studio composed of Campbell Hooper, Darron Lilley and Joel Kefali. Their work fuses hand drawn, painted, video, animation and illustration–often recontextualized in new and surprising ways. They recently interviewed with Beautiful/Decay to discuss their design collective, their approach, and thought processes behind their videos.
It’s difficult to tell who is the artist in this work. Hubert Duprat began working with caddisfly larvae in the 1980’s. The caddisfly live in streams and use bits from their natural surroundings to create a casing to live in. Typically this is made up of pebbles, wood, plants, and so on. Duprat moved these caddisfly larvae to a new surrounding and delicately removed their outer shells The caddisfly than used the precious metals and stones of their new home to create strangely glamorous shells. It’s interesting to note the particular materials and patterns the larvae tend toward. The flies’ “creativity” and Duprat’s conspicuously absent hand in work makes it extremely intriguing.