San Francisco-based photographer has a few different ongoing projects, but the one I like the best is the tentatively named “The Inhabited West.” The series consists of aerial photographs parts of the American landscape: “pursuing themes of mapping, vertigo, human impact on the land, geology, and various aspects of the sublime.” Some interesting points on how we’ve constructed our world around nature, and how the two interact.
The Post-it note show curated by Mark Todd and Esther Pearl Watson is back in full force beginning tonight, Saturday Dec. 8th at 6-10 pm at Giant Robot. Its now in its eighth edition and has a record number of artists participating, over 260 artists contributed and over 2000 post-its will be on display. Below is a small sampling of the artists that are involved: Audrey Kawasaki, Amy Sol, Xi Chen, Luke Chueh, Tim Biskup, Dave Chung, Jennifer Cotterill, Alex Chiu, Ching Ching Cheng, Mike Kelley, Skinner, Josh Ellingson, Martin Hsu, kaNO Kid, Jeremiah Ketner, Travis Lampe, Mark Nagata, Tom Neely, Martin Ontiveros, Souther Salazar, Emilio Santoyo, Gary Baseman, Gary William Musgrave, Bradford Lynn, Jesse Tise, Mike Bertino, Shannon Freshwater, Arthur Giron, and many, many others.
Check out a preview of the post-its I could dig up before the show after the jump: (via)
After receiving hundreds of amazing submissions from across the globe, the winners of our recent Art Works Every Time design competition are finally in. Each and every artist really pulled out all the stops to create some of the best T-shirt design entries we’ve seen this year. You can see the extremely fierce competition on the Gallery page! We pored over all of the entries, pulling our hair out- we really hard a hard time deciding, so we awarded each design points based on a number of factors:
-Wearability, functionality of design as a T-shirt graphic
-Uniqueness or surprising integration of Colt 45’s catch phrase
-Clarity, creativity of logo depiction
-Palette: color combos that work together, and also fit the Colt 45 brand
As you can see, the ultimate suave player award of 1,000.45 big ones went to artist Colin Strandberg, above. We thought he did an excellent job integrating all the aforementioned factors, into a playful and iconic design. We loved how he rendered the Colt 45 tall boy as part of the catch phrase’s typography, and his interpretation of Colt 45’s color palette. Our 9 runners up can be viewed after the jump!
Whew! So now, we’re gearing up for the big finale, the Colt 45 Art Works Every Time exhibition at Synchronicity Gallery June 12th. Each of the 10 winning submissions, along with each artist’s personal work, will be on display in a one of a kind art show. The opening reception features an extravaganza of excitement, including free T-shirt giveaways, live bands, and last but not least, vegan Colt 45 flavored ice cream made by the award-winning Scoops ice cream shop! Mark your calendars, this will be a good one!
The Infinity Burial Project founded by Jae Rhim Lee, proposes alternatives for the postmortem body that promote and facilitate an individual engagement with the process of decomposition. The Project features the development of a unique strain of mushroom that decomposes and remediates toxins in human tissue, the development of a decomposition ‘kit’, burial suits embedded with decomposition activators, and a membership society devoted to the promotion of death awareness and acceptance and the practice of decompiculture (the cultivation of decomposing organisms).
At quick glance, these manga illustrations by Japanese artist, Shohei Otomo appear to be traditional – black, white, red. Not quite though: tough Geisha playing table tennis, far from. Such a violent spin with these renderings, you really sense the impending impacts. Fun.
Tyler Orehek’s photographic interest lies in vintage-style photography, which he creates with his young son, also Tyler, as the subject of his portraits. Each scene is meticulously planned as Orehek selects the environment and props beside which he casts his son. It’s really enjoyable to see his son inhabit each character, and he does it well. Tyler looks like a shrunken man from the 1900s on, as a bookie, a boxer, a police officer, and more. It’s obvious that Orehek has done his research.
Orehek speaks about his love of vintage photography, and his reasoning for his approach in his artist statement:
My intent was not and is not to replicate existing vintage photographs but to capture the mood, feel and the visceral emotion of that period. Having a child in lieu of an adult in my work allows the viewer to focus on the “essence” of those past environments and professions with greater clarity through juxtaposition.
He’s right on that by including Tyler instead of a full-grown man, the scene seems fresher. The images are drenched in nostalgia, but they seem living because of the naïve air of his son, who is really making the part his own, while trying to emulate the moods his father strives for.
Jose Romussi’s latest series #Anti-Serie is a visual depiction of beauty being in the eye of the beholder. The series is made up of a collection of fashion photographs which he has modified through the application of colorful embroidery. The colors in the photographs are clustered and tightly knit in order to create a textured layer which adds an aesthetically intriguing aspect to the primarily black and white photographs. The embroidery in this series is made up of abstract blocks of color and zig zags which give the series a more tribal touch.
The colors of the threads clash perfectly with the black and whites present in the photographs and give them a different meaning and even a sort of second life. His use of lines and geometrical shapes is somewhat reminiscent of the naïve art movement. Romussi aims to “give the image a new emotion, a new life, a new interpretation through embroidering”, and he does just that. He has taken a series of beautiful photographs and given them a new sort of meaning through embroidery. The original faces of the subjects in the photographs are entirely covered, which gives the thread a sort of mask-like property.
Romussi’s project is not only interesting from the visual perspective but also on a conceptual level in the sense that the ideas at the root of the project are connected to deeper debates about beauty and the personal aspects of defining such a concept. The idea that applying another layer to an otherwise finished product is interesting to examine from the perspectives of multimedia art and making meaning on a more personal level.
Christopher Gideon’s work is an ongoing collection of exorcisms, casting out the fears, ideologies, and suppressed visions implanted by American Culture. This expulsion is often expressed in imagery that’s as satirical as it is socially relevant. He searches for concepts that have counteractive potential, where religious and political iconography are reincarnated in the secular and mundane: unfolded boxes, bathroom tiles, and in this case, baseball cards. By extracting these symbols of ideology and placing them into foreign contexts, they become self-deprecating and defeated.