Canadian artist Andrew Lamb has been making updates to your average “neighborhood watch” signs, taking them from innocuous to noticeable. He does it with the help of some memorable television, movie, and video game characters.
If you’re unfamiliar with the concept of neighborhood watch signs, let me give you a brief explanation. They are traffic-sign-sized warnings to potential criminals that the residents of a certain area are vigilant and won’t let them get away with any funny business. Of course, they’ve been around forever, and the often-dated looking designs are now just apart of the landscape, meaning that no one probably pays attention to them.
Lamb’s wheat-pasted edits to these signs grab your attention, and are an amusing way to reinvigorate something that’s probably run its course. Bruce Willis, Buffy the Vampier Slayer, Mulder and Scully, and even Sailor Moon are all featured in these updates. So have no fear, because the Power Rangers are keeping an eye out. (Via 22 Words)
New York based Judith Braun’s ongoing series, “Symmetrical Procedures” is an ongoing series of drawings constrained by four rules: Abstraction, Bilateral Symmetry, Square Format, and Graphite. This first image looks like a generative Processing application- but actually “Fingerings” are done with fingers dipped in charcoal, sometimes using both hands simultaneously to the extent of arms’ reach and developing a vocabulary of mark making with these simple means.
Polish artist Pawel Althamer explores the fragility of the body through his sculptures, videos, and performances. His latest installment is called the Brondo People in which he portrays his rendition of Auguste Rodin’s The Burghers of Calais (circa 1889). His life sized sculptures represent himself and his family members. Althamer constructed Brondo People from hair, straw, intestine, and cloth-visceral materials. He is currently showing at the Gwangju Biennale.
In the age of digital photography and Instagram filters that make things look fakely old, glass artist and photographer Emma Howell uses a technique that is opposite of the easy, fast-paced methods popular today. Not only does she go to painstaking lengths to print an image, but she uses the unconventional surface of glass. Howell crafts hand-blown vessels and prints landscape images on them using the technique of the wet plate collodion – a photographic process that predates the Civil War. The result is a subtle and moody piece that’s a conversation between photography and form. She tells Wired Magazine, “Most people are not able to experience a place that is unaffected by the human presence. So I’m creating a way for others to experience this in a way that’s more than looking at a flat print of the cliché beach we all see and know.” The shape of the glass informs what the image is. A ripple or imperfection is meant to echo waves in the landscapes.
Howell’s pieces are irregularly shaped, so she had to build her own camera to accommodate them. She studied how large format cameras were constructed and sawed a barrel in half to act as the camera’s body. Afterwards, she fashioned a mount that allowed her to attach a traditional lens to the barrel. After six weeks of trial and error, she had a working design and began shooting.
The process of transferring an image to glass is very involved. Howell hikes to remote areas with a miniature chemistry lab and darkroom in tow, working on the fly to mix up photosensitive chemicals, coat glass, expose shots, and develop the image – all in the span of 15 minutes.(Via Wired)
The world of German Illustrator and Designer Mathis Rekowski is flooded with color and shape. Rekowski’s designs somehow seem chaotic but well controlled. He intricately pieces together familiar shapes, patterns, and pop culture references, to create his highly detailed work. Through his work Rekowski has been able to acquire such high profile clients as Volkswagen, Delta, and Mercedes. Further, he’s been able to reach this level of talent and career success as a self-taught artist.
In his latest project OMOTE, Japanese producer Nobumichi Asai combines explicit real-time face tracking and projection mapping to create unbelievable transformations of a human face. While projecting computer generated imagery (CGI) onto buildings, room walls or cars isn’t new, using a live model as a dynamic canvas demonstrates an advances use of technology.
To accomplish such realistic and mesmerizing effect, Asai gathered a team of digital designers, CGI experts, and make-up artists. Together they created a set of digital “masks”, or, as Slash Gear referred to it, “electronic equivalent of makeup”. As shown in the video, model’s face should be scanned and mapped so the graphics can be projected and manipulated in real-time, even when the face moves around.
Despite that lots of technical details about OMOTE are left unsaid, Internet users have already started speculating on the possible use of such technology. Most suggestions include testing of products such as make-up, clothing, or even tattoos. Some state that advanced versions could be employed for medical purposes, like projecting X-Rays or creating “instant previews” of plastic surgery. Not to mention the game industry. (via Gizmodo)
Andy Rementer is a designer by day and aspiring cartoonist by night. This Philadelphia based artist is the creator of Techno Tuesday, a clever comic about technology and the modern world. He has also done animations for the 2010 Virgin London Marathon that you can check out after the cut.
Philadelphia’s Kyle Fisher creates paintings on wood that move in and out of the grain with a mind of their own, compositions that present themselves boldly to the world while receding into contemplative distance all at once.
Deliberate, but slickly nonchalant, they could totally pass as the love-child of an Audrey Kawaski ageless vixen and a Mr. Jago aerosol android. But that description wouldn’t go anywhere near properly crediting these immersive works, which stand well enough on their own.